by Carole Epp | Mar 5, 2016 | Uncategorized
The IU Southeast Ceramics Area is seeking an outstanding artist/educator for a yearlong Resident Artist position at the rank of Adjunct Faculty beginning August 2016. We are looking for someone who can be an active presence in the Ceramics studio and work alongside the other faculty and students in our program.
The position requires an active exhibition record and competence in a wide range of ceramic processes/techniques. The person hired will teach one beginning ceramics course each semester and work in the studio as needed to help with the basic operations of the IU Southeast Ceramics area. Teaching an additional 3D design course each semester may be an option for the hired person depending on course availability and qualifications.
All clay, glazes, and firing will be provided within reason. A 90 sq. ft. studio in the ceramics area with a locking door will be provided along with 24/7 building access. Additionally, an NCECA conference pass will be provided to the person hired.
The IU Southeast Ceramics studio consists of:
– 3,000 square feet of studio and workspace
– a computer controlled, gas firing, Bailey car kiln
– a gas fired test kiln
– 4 computer controlled electric kilns (Skutt and L&L)
– 1 Soldner Pro mixer, 1 Bluebird mixer, and 1 Walker pugmill
– plaster mixing and mixed media work area with plaster mold dryer
– experimental exhibition and installation space (The SpaceLab)
– comprehensive glaze mixing room
– a 40’x20’ covered outdoor kiln pad with wood firing anagama style kiln and in-progress gas fired soda kiln
– 24/7 access to welder, ball mill, drill press, panel saw, Shop-bot CNC router, and other tools
The ideal candidate will have a strong foundation in ceramic methods of construction, varied conceptual approaches available to the ceramic artist, and be available to help manage the IUS ceramics studio. Preference will be given to candidates who are also versed in interdisciplinary approaches and have a broad understanding of new approaches to art making.
Qualifications:
MFA degree required. An active current professional practice and exhibition record is also required.
To apply:
please email one PDF file containing a letter of application, artist statement, teaching philosophy, CV, 20 images of professional work, 10 images of student work with an annotated image list, and contact information for three references, to:
Brian Harper, Associate Professor of Fine Art and Ceramics Area Head
[email protected]
Deadline for applications is April 1st, or until position is filled.
** Any questions may be directed to Brian Harper at [email protected]
http://claybucket.com/resident-artist-opportunity-at-iu-southeast-ceramics
by Carole Epp | Mar 1, 2016 | Uncategorized
Application Deadline: March 31st, 2016
Immerse yourself in the centuries of art & culture of Rome. The
non-profit organization c.r.e.t.a. rome is offering an international
self-funded residency program in Rome, Italy.
For more information click here.
by Carole Epp | Feb 28, 2016 | Uncategorized
The Foundation will begin accepting applications starting March 1st, 2016.
The deadline for submissions is June 1st.
The Awards are intended to recognize emerging and
established Indigenous artists working in traditional or contemporary
practices. The awards will be given in six artistic categories
including dance, music, theatre, literature, film/video (media arts),
and visual arts/fine craft.
Applications from artists working in multiple art forms will
also be accepted, however, applicants should choose one of the
artistic categories listed above in which to apply.
Artists selected to receive an award may use the proceeds of the award at their own discretion.
Award recipients will be selected by a jury of peers. Awards
will be given at the sole discretion of The Hnatyshyn Foundation. All
decisions are final.
How to Apply
Candidates must submit a complete application online, or in hard copy
via Canada Post or courier service, no later than the deadline. If
sent by post or courier, submissions must be postmarked or time stamped
no later than this date. There are no exceptions. We encourage all
candidates to submit their applications well in advance to avoid any
chance of missing the deadline.
Eligibility
To be eligible to apply, you must
- Be of Indigenous descent.
For the purposes of these awards, Indigenous people include First Nations, Inuit and Métis people of Canada.
- Be a Canadian citizen or permanent resident of Canada.
- Be at least 18 years of age at the time of application.
- Define and describe yourself as a practising artist.
Other Requirements
The awards are intended for practising artists as performers and
creators. Contemporary and traditional practices are eligible.
Artistic Disciplines
Dance, Music, Theatre
For applicants in dance, music and theatre, the awards are
intended for performance. Oral traditions, storytelling, spoken word,
pow wow and hip hop are included in these categories. Choreographers,
arrangers, composers and directors are not eligible.
Literature
The awards in literature are intended for writers in fiction, non-fiction and poetry, as well as playwrights.
Film/Video (Media Arts)
The awards in film and video are intended for creators working in
film and video (analog or digital), including animation, who retain
creative control of their work. Producers and screenwriters are not
eligible.
Visual Art & Fine Craft
The awards in visual art and fine craft include conventional
visual art practices (painting, drawing, sculpture, photography,
printmaking, mixed media). Installation, performance art and conceptual
art are also eligible.
In fine craft, contemporary and traditional practices are
eligible, including, carving, jewellery making, ceramics, glass work,
bead work, fiber, textile and fashion, and include other
traditional/culture-based materials such as fish scale, caribou hair
tufting, and quillwork.
Submitting Your Application
You can complete and submit your application online starting March 1st. If you are submitting your application in hard copy by Canada Post or courier service, please send all materials in a single package.
Do not send originals. Due to the high volume of requests, application
support materials cannot be returned. Make sure to retain a copy of
any materials you send. Late or incomplete applications and any
supplementary materials arriving after the deadline date will not be
reviewed.
For more details, please consult our frequently asked questions.
You can download a copy of the application form here for reference purposes.
You can apply online starting March 1st.
Results will be communicated in January of 2017.
www.rjhf.com/programs/indigenousawards//guidelines.php
by Carole Epp | Feb 22, 2016 | Uncategorized
How
is placemaking shaped by a tradition of craft? From Medicine Hat’s
Medalta factory, thriving on the rich resources of clay and natural gas
in the 1900s, to bespoke, digital means and mass customization, ‘craft’
defies narrow definition. And yet the ability to think with one’s hands
is pervasive in our connection to local culture and our natural
environment. What traditional ways of making and construction are
important to our city? And what economic possibilities does craft and
making afford?
HEAR
Aaron Nelson / Medalta | Ian MacGregor/ Museum of Making | Studio Collective |Jennifer Dobbin/ The Dobbin Group | Maddy Purves-Smith/ Custom Woolen mills
Date
Tuesday March 8th, 2016
Doors Open: 6:00 PM
Program Start: 6:30 PM
Location
We hope you like surprises. Location details coming soon. (It’ll be a good surprise we promise.)
Questions about tickets or location? Email [email protected]
by Carole Epp | Feb 21, 2016 | Uncategorized
Simon says….”I am embarking on a humbling project, it is in its nascent stages but
I am committed to it. I am following in some giant footsteps and
writing a Wood-Fire book. All the stars are aligned and I am ready to go public and let you folks know.
One thing that has changed since Jack Troy wrote his formative book
“Wood Fired Stoneware and Porcelain” 21 years ago is the rise of social
media. Ideas, technology and imagery is spread so fluidly. There is a
lot of choice out there, and I can crowd source knowledge.
So this is my first call for images.
There will be more.
I am looking for drop dead images of kilns and people firing. Train
kilns, anagamas, cross drafts, manibigamas, groundhogs, Bourry box etc.
Please email high res 5×7 350 DPI images to:
[email protected].
Please add your name and type of kiln, exterior dimensions, and year it was built. Also any photo credits.
If I use it in the book, waiver requests will be forthcoming.”
