call for Indigenous artists: REVEAL Indigenous Art Awards

The Foundation will begin accepting applications starting March 1st, 2016.
The deadline for submissions is June 1st.
The Awards are intended to recognize emerging and
established Indigenous artists working in traditional or contemporary
practices. The awards will be given in six artistic categories
including dance, music, theatre, literature, film/video (media arts),
and visual arts/fine craft.

Applications from artists working in multiple art forms will
also be accepted, however, applicants should choose one of the
artistic categories listed above in which to apply.

Artists selected to receive an award may use the proceeds of the award at their own discretion.

Award recipients will be selected by a jury of peers. Awards
will be given at the sole discretion of The Hnatyshyn Foundation. All
decisions are final.

How to Apply

Candidates must submit a complete application online, or in hard copy
via Canada Post or courier service, no later than the deadline. If
sent by post or courier, submissions must be postmarked or time stamped
no later than this date. There are no exceptions. We encourage all
candidates to submit their applications well in advance to avoid any
chance of missing the deadline.

Eligibility

To be eligible to apply, you must

  • Be of Indigenous descent.
    For the purposes of these awards, Indigenous people include First Nations, Inuit and Métis people of Canada.
  • Be a Canadian citizen or permanent resident of Canada.
  • Be at least 18 years of age at the time of application.
  • Define and describe yourself as a practising artist.

Other Requirements

The awards are intended for practising artists as performers and
creators. Contemporary and traditional practices are eligible.

Artistic Disciplines
Dance, Music, Theatre
For applicants in dance, music and theatre, the awards are
intended for performance. Oral traditions, storytelling, spoken word,
pow wow and hip hop are included in these categories. Choreographers,
arrangers, composers and directors are not eligible.

Literature
The awards in literature are intended for writers in fiction, non-fiction and poetry, as well as playwrights.

Film/Video (Media Arts)
The awards in film and video are intended for creators working in
film and video (analog or digital), including animation, who retain
creative control of their work. Producers and screenwriters are not
eligible.

Visual Art & Fine Craft
The awards in visual art and fine craft include conventional
visual art practices (painting, drawing, sculpture, photography,
printmaking, mixed media). Installation, performance art and conceptual
art are also eligible.

In fine craft, contemporary and traditional practices are
eligible, including, carving, jewellery making, ceramics, glass work,
bead work, fiber, textile and fashion, and include other
traditional/culture-based materials such as fish scale, caribou hair
tufting, and quillwork.

Submitting Your Application

You can complete and submit your application online starting March 1st. If you are submitting your application in hard copy by Canada Post or courier service, please send all materials in a single package.
Do not send originals. Due to the high volume of requests, application
support materials cannot be returned. Make sure to retain a copy of
any materials you send. Late or incomplete applications and any
supplementary materials arriving after the deadline date will not be
reviewed.

For more details, please consult our frequently asked questions.

You can download a copy of the application form here for reference purposes.

You can apply online starting March 1st.

Results will be communicated in January of 2017.

www.rjhf.com/programs/indigenousawards//guidelines.php

Craft Culture talk in Calgary

How
is placemaking shaped by a tradition of craft? From Medicine Hat’s
Medalta factory, thriving on the rich resources of clay and natural gas
in the 1900s, to bespoke, digital means and mass customization, ‘craft’
defies narrow definition. And yet the ability to think with one’s hands
is pervasive in our connection to local culture and our natural
environment. What traditional ways of making and construction are
important to our city? And what economic possibilities does craft and
making afford?

HEAR

Aaron Nelson / Medalta  | Ian MacGregor/ Museum of Making | Studio Collective |Jennifer Dobbin/ The Dobbin Group | Maddy Purves-Smith/ Custom Woolen mills

Date 

Tuesday March 8th, 2016

Doors Open: 6:00 PM

Program Start: 6:30 PM

Location

We hope you like surprises. Location details coming soon. (It’ll be a good surprise we promise.)

Questions about tickets or location? Email [email protected]

Find out more here.

Help Simon Levin with his book project.

Simon says….”I am embarking on a humbling project, it is in its nascent stages but
I am committed to it. I am following in some giant footsteps and
writing a Wood-Fire book. All the stars are aligned and I am ready to go public and let you folks know.

One thing that has changed since Jack Troy wrote his formative book
“Wood Fired Stoneware and Porcelain” 21 years ago is the rise of social
media. Ideas, technology and imagery is spread so fluidly. There is a
lot of choice out there, and I can crowd source knowledge.

So this is my first call for images.
There will be more.

I am looking for drop dead images of kilns and people firing. Train
kilns, anagamas, cross drafts, manibigamas, groundhogs, Bourry box etc.

Please email high res 5×7 350 DPI images to:
[email protected].

Please add your name and type of kiln, exterior dimensions, and year it was built. Also any photo credits.

If I use it in the book, waiver requests will be forthcoming.”

Ceram-A-Rama 2016 Saturday, Feb. 20, 2016, 6:30 p.m.

a benefit for the ASU Art Museum Ceramics Research Center
at the ASU Art Museum Brickyard

We’re getting ready for a high-energy party!s

Ceram-A-Rama 2016 will be an unforgettable night of drinks,
appetizers, silent and live auctions and music at the ASU Art Museum
Brickyard. This year’s event honors Paul J. Smith, director emeritus of
the Museum of Art and Design in New York City, on the occasion of his
new exhibition of artist portraits at the museum. The festivities also
coincide with the 15th Annual Self-Guided Ceramic Studio Tour
organized by the CRC Artists Advisory Committee, Feb. 20–21, 2016.
While you’re here, experience the full spectrum of ceramics in the
Phoenix-metro area with a special VIP package.

Ceram-A-Rama VIP Package includes:

  • Evening tour kickoff event on Feb. 17 with Ceramic Studio Tour artists;
  • Two-day bus tour of the valley led by retired
    Ceramics Research Center curator Peter Held, Feb. 18–19 – visit
    collector’s homes, artist studios, local cultural attractions and
    private receptions (detailed information for the bus tour);
  • Reserved seats for a special lecture with Paul J. Smith;
  • Exclusive dining and shopping opportunities; and
  • VIP admission and seating at the Ceram-A-Rama party
    at the ASU Art Museum Brickyard, Feb. 20, where we’re hosting live and
    silent auctions of regionally and nationally renowned artists.

Get your tickets now!

•$500 Two – Day VIP Bus Tour Package per person
Includes: VIP Ceram-A-Rama Ticket
•$650 VIP Ceram-A-Rama table of eight
•$100 VIP Ceram-A-Rama ticket per person
Includes: Ceram-A-Rama Ticket plus
Auction preview
Reserved seating for lecture by Paul J. Smith
VIP reception with Paul J. Smith
Reserved seating at Ceram-A-Rama
Pre-paid parking at the Brickyard
•$35 Ceram-A-Rama ticket per person
•$25 Ceram-A-Rama Early Bird ticket per person (end Feb. 13)
Includes:
Open bar and complementary appetizers
Live music and dancing
Silent and live auctions
Free parking in Lot 20 near ASU Art Museum (Mill &10th)

To reserve your VIP package today, or to inquire about donation of
artwork and volunteer opportunities, contact Mary-Beth Buesgen at [email protected].

http://asuartmuseum.asu.edu/ceramarama/

job posting: Limited-Term Appointment Position in Ceramics

Concordia University’s Department of Studio Arts
invites applications for one limited-term appointment position in
Ceramics at the rank of Lecturer or Assistant Professor, effective
August 1, 2016 to May 14, 2017.

Limited-term appointment positions are subject to budgetary approval
and departmental or unit need.  Individuals holding limited-term
appointments may be reappointed, given continued funding and need, as
well as satisfactory job performance.  Together, initial appointments
and subsequent reappointments may not exceed 36 months or a span of
three consecutive years.

Studio Arts is the largest department in the Faculty of Fine Arts and
enjoys a longstanding reputation as one of Canada’s foremost
environments for the study and creation of visual art.  BFA programs are
offered in Ceramics, Fibres and Material Practices, Intermedia (Video,
Performance and Electronic Arts), Painting and Drawing, Photography,
Print Media, Sculpture and Studio Art. For more than 30 years, Studio
Arts has maintained an MFA program of international stature.  The
department emphasizes the importance of studio production, and has an
experienced technical staff and a faculty complement of more than 100
full-time and part-time professors, including some of the most
celebrated contemporary artists in the country.

During the initial appointment, the successful candidate will
normally be expected to teach up to 18 credits at the undergraduate
level and up to 21 credits per annum if reappointed. Successful
applicants should be prepared to advise and participate in reviews at
the graduate level. Responsibilities will also include active
involvement in committee and administrative work.

Candidates for this position should possess an MFA degree or
equivalent with a preference of two years university teaching
experience.  We are seeking a practicing ceramicist who is actively
engaged within the field. The ideal candidate should show an unequivocal
engagement with the materials of ceramics, demonstrate technical
expertise in handbuilding and a strong understanding of the issues
surrounding the contemporary practice of ceramics.  Although classes are
taught in English, fluency in spoken and written French would be
considered an asset.

Submissions should include:

  • a letter of application
  • curriculum vitae
  • statement of teaching philosophy
  • evidence of teaching effectiveness (including course syllabi and evaluations)
  • a list of courses taught with course descriptions
  • documentation of past and present artwork (20 images)
  •  examples of student work (20 images) sent on DVD, CD, or USB Stick
  • the names and contact information of three referees

All short-listed candidates will be required to provide an attestation of terminal degree.

Applications with a self-addressed, stamped envelope should be submitted or postmarked on or before March 7, 2016 to:

Mailing address:

Departmental Hiring Committee, Department of Studio Arts, Concordia University
Re: LTA Position in Ceramics
1455 De Maisonneuve Blvd. W., VA-250, Montreal, Quebec, Canada  H3G 1M8
Fax:  514-848-2281

Civic address for in-person and courier delivery: 

Visual Arts Building
Sir George Williams Campus
1395 René-Lévesque Blvd. W., VA-250, Montreal, Quebec, Canada  H3G 2M5

General inquiries regarding this position may be directed, by e-mail, to [email protected]

To learn more about working at Concordia, applicants are encouraged to consult:

Subject to budgetary approval, we anticipate filling this position
for August 1, 2016.  Review of applications will begin immediately and
will continue until the position is filled.

All qualified candidates are encouraged to apply; however,
Canadian citizens and permanent residents of Canada will be given
priority. Concordia University is committed to employment equity.