by Carole Epp | Apr 14, 2016 | Uncategorized
Workshop Description:
10:00 am-5 pm (both days)
From ancient cave paintings to contemporary artwork, humans have used
animal imagery to show emotion, express culture and understand the
natural world around us.
In this workshop we will build clay figures with animalistic
qualities that tell our own personal stories. Workshop demonstrations
will include: the anatomical and fluid body, incorporating realistic
animal elements, gestural hands, and the human head. All of these
components will reveal themselves as useful tools to create an
anthropomorphic sculpture, while also telling your own personal
narrative.
This workshop is open to all skill levels, bring an open mind
and an eagerness to learn and explore.
Clay is included for this workshop.
Tools and additional materials list provided upon registration.
About Crystal: As a visual artist, Crystal Morey takes inspirations
from an alternative upbringing where she closely connected with the
natural landscape around her. Living in rural Northern California shaped
her perspective on nature and how humans interact with land, animals
and each other. Now living in an urban environment, Morey aims to show
our relationship to the world around us through the fragile medium of
porcelain. With this delicate material she creates a heightened sense of
urgency and stress, commenting on our human evolutionary path.
Morey received her BFA in Ceramic Sculpture from the California
College of the Arts and her MFA in Spatial Art from San Jose State
University. Her work has been included in many publications and online
periodicals such as 500 Figures in Clay, Juxtapoz, Hi-Fructose,
Beautiful Surface, and Beautiful Decay. Morey has been an artists in
residence at both Watershed Center for the Ceramic Art and Penland
School of Craft. Morey currently lives in Oakland, California where she
maintains an active studio practice exhibiting her work in galleries and
museums regionally, nationally, and internationally.
To view more of Crystal’s work please visit her website at crystalmorey.com
TERMS & CONDITIONS:
Cancellation Policy: No refunds after April 13, 2016. No exceptions.
All requests for refunds must be received in writing before April 13,
2016. (You may have someone else take your spot before April 13, 2016,
but we must be notified in writing of all changes). In the case of acts
of God, war, disaster or unforeseen circumstances, Mountain Maid
Workshops reserves the right to reschedule workshops. Registration fees
are non-refundable.
*Important Airfare Liability Waiver: Registered students should not
purchase tickets for air fare, etc., until receiving a confirmation
email from Mountain Maid Workshops. Registered students will receive an
email announcement no later than April 13, 2016 to confirm that the
course has met its enrollment requirements.
Release Form: I have read all the above policy information and I
agree to assume all risk of personal harm or injury relating to or
resulting from my participating in all workshops and activities
associated with Mountain Maid Workshops, and to hold Mountain Maid
Workshops and its teachers, harmless as to liability for any such harm
or injury.
$285 ($55 non refundable registration fee included)
Sign up here: www.mountainmaidworkshops.com/product/crystal-morey-sculpture-workshop
by Carole Epp | Apr 13, 2016 | Uncategorized
The course is
a 5 week, intensive, online class, and it basically the same course that Matt Katz
teaches to Graduate and Undergraduate students at Alfred.
It is
available to everyone, and is offered for transferable credits for
undergraduate students.
The course
will be offered and twice this summer May-16th-June 24th and June 27th-August
5th.
The class is
presented as a series of videos, that are posted Mondays, Wednesdays, and
Fridays. You can watch them at your leisure. The only restriction is that once
a week we have a live discussion on the three previous video, so If you are
behind, you may miss out on part of the discussion. After the class is done, you should have
access to the videos for another 4-6 weeks to go back and re-explore.
Additionally, we will have readings and optional labs.
As far as the
nitty gritty you can find all that here
and here
Additionally,
this summer we will be offering our classes:
Topics:
Introduction to Glazes Online.
This
is our introductory class, teaching the science of glazes, translated into
English for the artist’s community. It is the much beloved, gold standard
course for understanding glazes for makers of all levels of experience.
This class is going to be offered twice this
summer, from May-16th-June 24th and again from June 27th-August
5th.
Topics: Introduction to Clays
Online.
This is the sister course to Glazes, where
in, we dive into what makes clays work and not work. Studying how to make the
most of your studio, clays and firings.
This class is also going to be offered twice
this summer, from May-16th-June 24th and again from June
27th-August 5th.
**Brand new
course** Topics: Glaze Effects and Color
(aka Glazes II)
This is our advanced glaze course, where we
dive deep into the science of what makes glazes cool. Exploring the subtleties,
tips and tricks of glaze chemistry.
This class is also going to be offered once this summer, from June 27th-August
5th.
The
cost of each full course is $1320 which is structured to offer 4 academic
credits.
Instructor: Matt Katz is the creator and
instructor for Introduction to Glaze Formulation Online. Matt has taught
ceramic material courses at The School of Art and Design at Alfred
University for over 12 years. He received a BFA from The School of Art
and Design and a MFA from the University of Colorado, Boulder. Matt’s
extensive study at the Inamori School of Engineering and engagement as a
studio artist have enabled him to design a new version of glaze
formulation that combines the intuition of the artist with the science
of the ceramic engineer. Katz strives to make a complex subject
understandable for individuals of all backgrounds and experience levels.
by Carole Epp | Apr 9, 2016 | Uncategorized
CLAYSISTAS X4 ‘
Carole EPP
Mel ROBSON
Timna TAYLOR
Adriana CHRISTIANSON
Includes demonstrations , making , suitcase sale , chats , tea/coffee/cake
Cost : $66.00 (gst inc) per person
Date: MAY 8 ,2016
Time : 1pm- 4.30pm
Place : Mercator Ceramics Studio (at Cone11)
MG2 Mercator Building , Abbotsford Convent, 1 St Heliers St, Abbotford
Melbourne Victoria 3067
Australia
Find out more here.
by Carole Epp | Apr 2, 2016 | Uncategorized
In the face of a diagnosis of terminal liver cancer, Robin Hopper
took on what he considers one of the most important projects of his
life. “Swansong” is two + hours of
memoir, musings, demos, a tour of his garden and much, much more. As his
final contribution to the ceramics community, Robin wants the impact of
Swansong to benefit children.
“Swansong” is $30 with all proceeds going to the British Columbia Arts
Programs For Youth and the Jimmy Fund, the pediatric wing of the Dana
Farber Cancer Institute. Please help insure Robin’s legacy of sharing
his knowledge and helping others by purchasing “Swansong.”
You can
purchase “Swansong” from The Potters Shop www.thepottersshop.com, directly on line here: https://www.gofundme.com/rrm92mkk, or from a select group of pottery suppliers in the USA and Canada. Stay tuned for a complete listing.
by Carole Epp | Mar 31, 2016 | Uncategorized
2016 Exhibition: October 14 to November 6, 2016.
Location: Gardiner Museum Gift Shop, 111 Queen’s Park (gardinermuseum.on.ca/shop)
Now in its 19th year, the Toronto Potters Biennial Exhibition
continues to be a leading event in our members’ calendars. We are again
partnering with the Gardiner Museum to bring our members and the public
the best of Toronto Potters’ work.
The Juried Show: will showcase and promote the best
sculptural and functional ceramics produced by Toronto Potters members.
Participants can submit up to 3 pieces which fall into either category:
“For Use” and ‘Of Expression”. Works juried into the show will be
selected based on their creative expression, originality as well as
technical merits, and will be eligible to win one of multiple awards.
These works will be displayed and sold in the Gardiner Museum Gift shop.
Entry fee: $45.00 plus updated membership.
Jurors: Angelo diPetta, Professor Emeritus at Faculty of Design, OCADU
Jess Riva Cooper, MFA, Adjunct Professor at Department of Craft and Design, Sheridan College
The Survey Show: will coincide with an exhibition to be held at the Gardiner Museum, True Nordic: How Scandinavia Influenced Design in Canada
and is open to all members of Toronto Potters. Participants are
encouraged to submit 1 or 2 pieces designed in response to the ideas
and concepts of Scandinavian design which prioritizes functionality
without eliminating grace and beauty – minimalist, clean simple lines,
accessible.
The submissions for the Survey Show will be exhibited together in the
Gardiner museum lobby at the Biennial opening, and afterwards they will
be offered for sale at the Gardiner Museum Gift shop. Entry fee:
updated membership.
Important Dates:
June 1, 2016: Application form, fee and membership deadline
June 11 & 12: Jury and Photo Documentation process
October 7 to 9: Delivery of selected work to Gardiner Museum
October 14: Grand opening for Exhibition
Complete details and entry forms: Visit our website torontopotters.com
Sponsored by:
by Carole Epp | Mar 31, 2016 | Uncategorized
Tandem Ceramics and
Studio Potter are
combining forces to offer a dual internship in two different yet
congruent parts of the ceramics field: arts publishing and studio
practice.
The internship will be split into two sections: one half of the internship will be working with Studio Potter
editor, Elenor Wilson, assisting in publication production, archive
development, marketing and social media management, and membership
building; the second half will be working as a studio assistant under
Justine Barrett Figura of Tandem Ceramics, assisting in ceramic
production, market research, studio maintenance, and social media
development.
The ideal candidate is a student (undergrad or grad) or emerging
artist with an interest in any of the following: writing, editing,
pottery, ceramics, art history, studio management, pottery production,
slip casting, plaster mold making, documentation/marketing of work.
Experience in plaster mold making and slip casting highly preferred but
not required.
Dates + Duration: Summer or Fall, 6 – 12 weeks
Pay Type: Paid
Weekly Commitment: 8-12 hours/week part-time
Application Due Date: May 1st / Rolling
