by Carole Epp | May 4, 2026 | job posting

The OpportunityÂ
The Studio and Program Coordinator (SPC) is a critical role at Greenwich House Pottery (GHP) responsible for coordinating daily studio operations, supporting education programs, and supervising Technician and Program Assistants s TPAs. Reporting to either the Manager of Learning and Student Experience or the Studio Operations Manager (site dependent), this position ensures smooth workflows between education and operations across both GHP locations.
The Studio and Program Coordinator supports faculty, students, and staff by maintaining a safe and organized learning environment, overseeing program logistics, and coordinating internal communication. This is a customer and student facing role, and contributes to student experience, internal messaging, and organic social media efforts to foster a connected and informed GHP community. This position exists at two locations: 16 Jones Street and 80 Eighth Avenue (Chelsea). While both roles share a common core of responsibilities, the scope and emphasis vary based on site.
At the Chelsea studio, the Studio and Program Coordinator serves as the primary full-time staff presence on site, operating with a high degree of autonomy and day-to-day oversight. This role is the main point of contact for approximately five TPAs, as well as for faculty and students. In this smaller, more lightly staffed environment, the role leans more heavily toward technical and studio-based responsibilities alongside administrative coordination.
At the Jones Street studio, a larger and more complex facility, the Studio and Program Coordinator works within a more robust on-site management structure. This role supervises a larger team of approximately ten TPAs across both technical and administrative functions and focuses more heavily on coordination, scheduling, and program administration, with technical responsibilities primarily supported by the Operations Manager.
Full details can be found here.
by Carole Epp | Apr 28, 2026 | job posting

Published by Craft Ontario, Studio Magazine: Craft and Design in Canada is looking for its next Editor-in-Chief.
As Canada’s leading publication on craft and design, Studio publishes two print issues annually with an ongoing web presence, and is distributed nationally and internationally. A critical voice in Canadian material culture for decades, Studio is seeking a visionary editor to help shape what comes next.
@studiomagcanada
@craftontario
Deadline to Apply: May 14, 2026
👉 Find the full job details and how to apply on our website (🔗 also linked in @craftontario bio!):
https://craftontario.com/blogs/participate/were-hiring-editor-in-chief-studio-magazine
–
Artwork in Image: Marissa Y. Alexander, i dreamt i swam with you (detail), 2020. Hand-built white stoneware, various glazes and fired to cone 5, 57 x 46 x 34 cm. COURTESY OF THE ARTIST @marissaya_
by Carole Epp | Apr 8, 2026 | job posting

POSITION TITLE:
Executive Director/Editor
Part-time (30 hrs per week) permanent, remote
Salary: $45k
STUDIO POTTER MISSION / VISION:
Operating as a resource and a communal voice, Studio Potter represents the multiplicity of contemporary and historical ceramics by:
- Publishing exceptional and thought-provoking content
- Strengthening and growing our community
- Connecting artists, educators, collectors, curators, gallerists, critics, historians, and learners through narratives, interviews, and critical essays
POSITION SUMMARY:Â Â Â
Studio Potter is seeking a dynamic executive director and editor (ED) to serve as the leader and chief administrative officer of the organization, and an editor who will uphold the high quality of Studio Potter’s monthly content. Reporting to the board of directors, Studio Potter’s ED/editor acts as both the day-to-day manager and public face of the organization. The ED is the lead fundraiser and strategist, working with the board and board committees to develop and achieve the organization’s short-term and long-term goals. The ED must be equal parts administrator, fundraiser, editor, and advocate.
The ED is responsible for overseeing the organization’s finances and, working closely with the board, takes a leadership position in all development planning and implementation. The ED represents Studio Potter in its relationship with the field of ceramics, associations, and other institutions, and ensures that all actions and communications comply with policies and procedures set forth by the board. The ED furnishes appropriate support to the board, makes recommendations to the president and board as appropriate, and maintains confidentiality regarding all related matters.
DUTIES / RESPONSIBILITIES:
Operational Management
- Ensure that day-to-day operations are effective, efficient, and up to date, including the organizational website, which houses SP’s online publication
- Handle all aspects of human resource management: ensure staff/contractors/volunteers/interns function effectively and identify any needs for improvement
- Working closely with committees and the board, assess and analyze all programming (SP Journal and Grants for Apprenticeships) to evaluate outcomes and identify areas for improvement, with the goal of keeping Studio Potter vibrant and relevant
- Evaluate new initiatives to determine mission-worthiness and financial validity, strategically and aesthetically
Editorial and Journal Oversight
- Work with the editorial committee to maintain and uphold the high quality of Studio Potter’s monthly content
- collect, edit, and publish three to five articles per month;
- coordinate and communicate with authors as needed and obtain author agreements;
- curate high-resolution, professional-grade photos from each author;
- Manage all website content, author biographies, and other tasks as needed, ensuring articles are published monthly, on time, and announced via our newsletter and social media outlets, with an editor’s note, as appropriate
- Act as spokesperson for the journal
Revenue DevelopmentÂ
- Work closely with the board to increase revenues for Studio Potter
- Working with membership and development committees, implement all fundraising efforts, including donor cultivation, annual campaigns, sponsorships/underwriting, and membership growth
- Spearhead grants research, writing, and reporting
- Build relationships with funders, partners, and supporters to expand financial resources
- Manage donor database and donation acknowledgements
- Track and report on fundraising goals
Finance Management
- Oversee finance accounts and work closely with the treasurer to ensure the accuracy of ongoing organizational finance
- Prepare an annual budget prior to the start of the new fiscal year
- Prepare quarterly budget vs actual reports for the board to review; Discuss appropriate actions, if needed
- Manage all allocation of funds
- Monitor revenues and cash flow
- Be responsible for the authorization of all payment requests or delegations thereof
- Work with the treasurer and auditor to ensure accountability and control
- Keep the treasurer informed of any changes deemed necessary in the financial status
Marketing and Public Relations
- Be active and visible in the clay community, serving as a spokesperson for SP and engaging with other organizations to increase awareness, participation, and collaboration
- Manage a robust social media presence, keep the website up to date, and work to increase engagement on digital platforms
- Work with the board to ensure growth and enthusiasm among patrons, writers, readers, artists, underwriters, and volunteers
- Establish annual marketing goals for all programs and activities, monitoring progress toward these goals, and working closely with the board to plan communications to reach target audiences
Experience/Qualifications:
- Knowledge of and a passion for the national and international ceramic community
- Experience in journalism/copy-editing preferred
- College graduate with at least three years’ management experience, preferably in a nonprofit arts organization or related area. Prior experience as a director or in a development capacity preferred.
- Experience with fundraising strategies and donor relations.
- Financial management skills, including budget preparation, analysis, decision-making, grant writing, and reporting preferred.
- Strong organizational abilities, including planning, delegating, and task facilitation.
- Ability to work positively and collaboratively with board members and other volunteers
- Excellent public speaking, public relations, written, and interpersonal communication skills
How to Apply:
Please send a cover letter expressing your interest in the role and related experience, a resume or CV, three references, and a writing sample (if available) to [email protected].
Deadline: August 1, 2026
Start Date: Late Fall 2026
by Carole Epp | Oct 5, 2022 | job posting
NBCCD is pleased to announce a new initiative, designed to give its students the opportunity to learn from and collaborate with a creative role model.

Launching in January 2023, the Visiting Scholar program will provide a creative, dynamic environment for a visiting artist to build and accelerate their practice, while also sharing their knowledge with emerging artists.
Applications for the four-month, paid opportunity are now open.

by Carole Epp | Sep 26, 2022 | job posting

Have you ever thought about working at The Bray or living in Montana? Take a look at these fantastic on-site opportunities to work in the nonprofit art world! Please share widely, and if you know of anyone who would be interested in any of these positions, go ahead and send them a little nudge!
Employment Opportunities
by Carole Epp | Aug 9, 2022 | job posting, residency opportunity
Artist in Residence: 2022-2023
Midwestern State University (MSU Texas) – Juanita and Ralph Harvey School of Visual Arts
Art Department (Ceramics)
Dates of Residency: August 22, 2022, through August 10, 2023 (one year minimum, with the possibility of one year renewal)
Application Deadline: The position will be open until filled.
Description: This self-directed residency is designed to provide a ceramic artist with university-based studio access, as they make the transition from or between academic settings. Furthermore, the program is intended to allow a resident the time and space to pursue a body of work in a creative and energetic environment, while enhancing the art program at MSU Texas. The accepted artist will participate within the ceramics area as an adjunct professor, an informal collaborator and mentor for students, while working in the common studio space. To see images of the ceramic studio at MSU Texas, please go to:
MSU Ceramics
Minimum qualifications: An MFA in ceramics (or related discipline) is required. All applicant reviews will be based on portfolio review, qualifications, and individual artistic and professional merit.
Duties and Expectations for the Resident Artist: This is a part-time position. Â Work will include a combination of the below duties and activities up to a limit of 19 hours per week (final combination of duties may vary, and will be determined in consultation with the ceramics professor):
- Assistance with studio management and maintenance, including but not limited to loading and unloading kilns, materials inventory, mixing clay, mixing glaze, firing kilns, equipment repairs and cleaning, etc.
- Facilitate the making of bowls for the Wichita Falls Empty Bowls event
- Teach one non-for-credit continuing education course per semester, with the possibility of one additional art foundations or general education (adjunct) class per semester (*)
- Attend opening receptions and special events
- Help set up and work the Mother’s Day Ceramic Sale
- Help fire the wood kiln once per semester
- Give one public lecture on her/his work
- Donate one piece of artwork for MSU’s permanent collection
- Other duties may be assigned by Ceramics professor or Chair of the department
Midwestern provides:
- A rent subsidized apartment located on campus in a residence hall with all utilities paid including Wi-Fi (details to be discussed during the interview process)
- Reasonable supply of materials and firing privileges
- A small office with internet access and storage space
- 24-hour/7 days per week access
- Studio space in the common 4000 square foot studio area
- Access to adjunct faculty privileges (library access, wellness center, etc.)
- Compensation of $6,000 per year, divided throughout the year and paid on hourly rate basis. This is not a stipend. The resident is paid by the hours worked, which are approximately 12 hours per week. A timeclock must be used.
- An exhibition (details to be discussed during the interview process)
* Optional and possible additional compensation of $2,500 for each art foundations or general education course taught as an adjunct professor (combination of all teaching and non-teaching duties to be determined each semester and will not exceed 19 hours per week or its equivalency for both teaching and non-teaching duties. Up to one adjunct course per semester may be allowed).
The ceramics studio at the Harvey School of Visual Art is equipped with the following (available to the resident artist):
- Three computer controlled electric kilns
- Large Brent slab roller
- Two extruders
- Three pugmills
- Soldner mixer
- Separate well equipped glaze room
- Spray booth
- Separate materials and clay mixing/storage room
- Two 3D ceramic printers
- 18 electric wheels
- One wheelchair accessible wheel
- Ball mill
- 5,000 square foot covered kiln yard with the following:
- Two 40 cubic foot computer controlled Geil car kilns
- A 30 cubic foot “fast fire” wood kiln
- Two older updraft kilns
- A 30 cubic foot downdraft soda kiln
- A 3 cubic foot updraft test kiln
Artist in residence may have access, by permission, to the following studios:
- Painting
- Sculpture
- Metals
- Printmaking
- 24 station Adobe Suite equipped Mac lab with large format printers
Application: For consideration, please use a PDF compression software such as SMALLPDF to compress your document, and email it to Steve Hilton at [email protected]. I will not receive your document if you do not compress it to less than 5MB
Please put your documentation in A SINGLE PDF, in the following order:
- Letter of interest including a short paragraph on what you would like to accomplish while at MSU
- CV
- Artist’s statement
- 20 jpegs of recent work (please note your website URL (web address) if possible) If you list your website address, you do not need to include images in your PDF
- If available, a minimum of 10 jpegs of student work. These can be on your website as well.
- Contact information (email and cell phone) for 3 references . . . Please make one reference a graduate ceramic professor and one an undergraduate ceramic professor. A reference from a current employer is preferred for your third reference.
Questions or request for a meeting at NCECA may be sent to Steve Hilton at:
[email protected]
Midwestern State University is AN EEO/ADAAA COMPLIANCE EMPLOYER
This position is designated as security sensitive and requires the finalist to complete a criminal background check.