interested in the how ceramics are doing in the art market?

Sharif Farrag’s work on view with Jeffrey Deitch at Frieze Los Angeles 2026. Photo by Charles White/JW Pictures. Courtesy of the artist and Jeffrey Deitch, New York and Los Angeles.

“But the question remains as to whether prices remain modest for ceramics despite the lengthy tradition and the current acceptance of the material in high-art venues.”

One of those art world articles for those interested in the prices ceramics are going for these days in the art market.

Read the full article:

Ceramics Are Everywhere, in Museums, Galleries, and Fairs—Has the Market Caught Up?

– By – Brian Boucher for Artnews

Drop your thoughts in the comments.

call for entry: Oak Spring Fellowship for Distinction in Fine Crafts & Design

Announcing the inaugural Oak Spring Fellowship for Distinction in Fine Crafts & Design.

Generously supported by Tiffany & Co., this fellowship supports early-career makers and designers across disciplines such as fiber and textiles, wearable designs, woodworking, ceramics, jewelry, furniture design, and more.

The award includes a $10,000 grant and a 2-5 week residency at Oak Spring Garden Foundation.

🗓️Apply by May 31, 2026 Full details here.

call for artists: Cultivate Art Commons

Cultivate Art Commons welcomes emerging and mid-career artists—local, national, and international—from diverse cultural communities, working across all media, to apply. Selected exhibitions will be presented in 2027 and early 2028.

As a non-profit artist-run centre in Katarokwi/Kingston, we’re dedicated to supporting contemporary artists through equity-rooted, community-engaged practices. We’re looking for proposals that explore a wide range of aesthetic approaches and engage with conceptual, formal, socio-political, and cultural ideas.

We welcome submissions for:
🎨 Solo + group exhibitions
🎭 Performances
🌀 Curatorial projects
🤝 Collaborations

We’re also excited to share an update: as part of our commitment to being member-led, members now have access to a dedicated submission stream—with one exhibition selected per cycle (Fall, Winter, Spring/Summer) from this pool.

Not a member yet? We encourage you to join while applications remain open—though we warmly welcome submissions from non-members as well.

Learn more + apply: www.cultivateartcommons.org

📷 Tear Jerkers, Everything Sounds Like Crying Eventually (2025)

@craftontario is hiring Editor in Chief for Studio Magazine.

Published by Craft Ontario, Studio Magazine: Craft and Design in Canada is looking for its next Editor-in-Chief.

As Canada’s leading publication on craft and design, Studio publishes two print issues annually with an ongoing web presence, and is distributed nationally and internationally. A critical voice in Canadian material culture for decades, Studio is seeking a visionary editor to help shape what comes next.

@studiomagcanada
@craftontario

Deadline to Apply: May 14, 2026

👉 Find the full job details and how to apply on our website (🔗 also linked in @craftontario bio!):
https://craftontario.com/blogs/participate/were-hiring-editor-in-chief-studio-magazine

Artwork in Image: Marissa Y. Alexander, i dreamt i swam with you (detail), 2020. Hand-built white stoneware, various glazes and fired to cone 5, 57 x 46 x 34 cm. COURTESY OF THE ARTIST @marissaya_

call for artists: International Ceramics Festival Mino, Japan

Entries are now invited for the International Ceramics Competition Mino.

The competition is the main event of the International Ceramics Festival Mino, Japan. With the aim of contributing to the development of the ceramics industry and the promotion of culture through international exchange of ceramics design and culture, this year marks the 14th edition of the Festival.

The 2025 competition saw nearly 4,000 entries from over 70 countries and regions.

‘Now that we are in the 21st century, we face an age of mass production, mass consumption, new materials, and new technologies. And we question ourselves. In which direction will the strong waves of our times sweep the spirit and existence of ceramics? Will creative powers be lost before the onslaught of technological achievement? Will we come to deny the warm humanity that connects and looks gently over people living everyday lives? The International Ceramics Exhibition Mino, Japan, offers a glimpse into a future blessed with creativity, backed by the ultimate in technical sophistication, and with the unlimited potential of humanity.’

Application Deadline: 29 January 2027
Exhibition: 8 October – 7 November 2027

Find all the details to apply HERE.