by Carole Epp | Jul 11, 2022 | monday morning eye candy

entre puerperio y pandemia voy materializando algunas imágenes que venían dando vueltas. Me interesa ser cronista de nuestra época a través de estas cerámicas. Hay días que siento esperanza, otros días me levanto apocalíptica. En ese vaivén total voy creando.
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esta obra se llama “E – pacheta / Nosotrxs no comemos baterías”, forma parte de la serie “cuerpo/territorio” y deviene de algunas lecturas en relación al conflicto de comunidades andinas con la devastación de los ecosistemas de salares. La fiebre del litio que le dicen.
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En el contexto actual global de extractivismo, la obra se propone reflexionar en torno a la tensión natural / artificial y la explotación de bienes naturales comunes entendidos como materias primas, como recursos económicos, expropiables, explotables, exportables, convirtiendo a determinados territorios en zonas de sacrificio. En tiempos de terricidio, hiperconectividad, energías “limpias” y pandemia, ¿cómo cuidamos y defendemos lo común? ¿cómo es posible la continuidad de la vida en los territorios?
Between the puerperium and the pandemic, I am materializing some images that have been going around. I am interested in being a chronicler of our time through these ceramics. There are days I feel hope, other days I wake up apocalyptic. In that total swing I am creating. . This work is called “E – pacheta / We don’t eat batteries”, it is part of the series “body/territory” and comes from some readings in relation to the conflict of Andean communities with the devastation of salt flat ecosystems. The lithium fever they call it. . In the current global context of extractivism, the work aims to reflect on the natural/artificial tension and the exploitation of common natural assets understood as raw materials, as economic resources, expropriated, exploitable, exportable, turning certain territories into areas of sacrifice. In times of terricide, hyperconnectivity, “clean” energies and pandemic, how do we take care of and defend the common? How is the continuity of life in the territories possible?



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by Carole Epp | Jul 5, 2022 | Uncategorized

Purpose:To encourage the variety of ceramic creations and elevate the standard of ceramic industry design, the New Taipei City Yingge Ceramics Museum is welcoming exhibition propositions to be displayed. Any individual or group of creators is welcomed to submit their application for an exhibition so that the Yingge Ceramics Museum becomes a platform to share the works with others.
New Taipei City Yingge Ceramics Museum, Department of Collection and Exhibition
Address: No. 200, Wenhua Rd., Yingge Dist., New Taipei City 239218, Taiwan.
Telephone:+886-2-86772727,Fax: +886-2-86774034, Email: [email protected]
This application can be downloaded on the website of Yingge Ceramics Museum. (http://www.ceramics.ntpc.gov.tw)
by Carole Epp | Jun 23, 2022 | job posting
The Alberta University of the Arts (AUArts) is looking for a skilled and experienced Educational Art Technician, Ceramics to provide excellent studio support for faculty and guidance to students of the School of Craft & Emerging Media.
This is a permanent full-time position starting September 2022. Hours of work are 35 hours per week.
Why AUArts? Alberta University of the Arts rests on the traditional Treaty 7 Territories of the Blackfoot people and in the spirit of our collective effort to promote reconciliation, we acknowledge the traditional territories and oral practices of the Blackfoot Confederacy, which includes Siksika, Piikani and Kainai, the Tsuut’ina, the Stoney Nakoda First Nations (Bearspaw, Chiniki and Wesley), Metis Nation Region III, and all those who make their homes in the Treaty 7 Region of Southern Alberta. AUArts is a community of thinkers, shapers, makers and risk takers. We are students, faculty, staff and alumni rich in diversity of culture and thought, challenged to fearlessly explore what moves us, drives us, and implores us to see the world differently.
The Alberta University of the Arts offers its 1,100 students studio-based programming that leads to a Bachelor of Fine Arts in one of nine disciplines, a Bachelor of Design in one of two, and an MFA in Craft Media. It has deep roots in Calgary’s creative community and will soon be celebrating its centennial.
The Opportunity (Competition #2122-JU-AP-32)
Reporting to the Studio Manager, the Educational Art Technician (EAT), Ceramics provides support to the School of Craft & Emerging Media through general supervision oversight of the studio facility, equipment, processes, tools, and materials to ensure both safe and effective instructional support during class time and to ensure adherence to standard operating practices to support student studio practice during general facility access hours.
Key Responsibilities:
- Conducts demonstrations, training and orientation for faculty, students and staff on standard operating practices for the uses of equipment, processes and materials handling, including daily clean-up and equipment/materials storage.
- Monitors and oversees shop, studio and home studio spaces and advises on safe and appropriate practices and etiquette for all facility users including daily clean-up and equipment and materials storage.
- Advises students with respect to program-related technology, equipment, processes and materials to meet curricular objectives.
- Works in consultation with colleagues to maintain current documentation of standard operating procedures, studio etiquette respecting the University’s health and safety policy and program and ensuring quality student and instructional experience.
- Under the direction of the Manager, provides scheduling, training and supervision support to casual and student employees.
- Provides training and orientation for non-credit instructors as required.
- Maintains open studio hours to provide students with access and support for studio processes either under general supervision or by appointment as required.
- Monitors inventory and coordinates purchases of equipment, tools, materials and supplies through operating and capital budgets.
- Provides guidance and support for the installation of student work for end of semester critiques, exhibitions and institutional events.
- In consultation with faculty, researches and maintains currency in processes, equipment and materials to complement instruction, meets occupational health and safety requirements, designs and constructs equipment for application as required, and maintains program technology in coordination with Computer and Technical Services and maintains software currency as required.
The successful candidate will have:
- Minimum 4-year Diploma or Baccalaureate Degree in fine art or design with a relevant subject area specialization.
- Minimum of 3 years’ experience as a practicing artist or technician, with knowledge of relevant studio practices and experience in training students.
- Demonstrated proficiency with ceramic technologies, including 3D modelling printing and decal printing.
- Demonstrated proficiency with electric and gas kiln operation (reduction, oxidation and soda), hand building and wheel techniques, glaze technology, studio and equipment maintenance, clay reconditioning, slip casting, and mold making
- Experience with wood and metal fabrication.
- Proficient with Microsoft Office, Rhino and Adobe Creative Suite applications.
- Current First Aid certification is an asset.
- Excellent communication skills with ability to provide constructive support, guidance and mentorship to students, faculty and staff.
- Excellent organization and planning skills, meeting multiple deadlines and commitments.
This position works in a studio environment which includes contact with hazardous materials, equipment and resulting dust and noise. Heavy lifting of up to 50lb of material is required occasionally. Personal protective equipment is required for operation of certain equipment and processes.
As a member of the AUPE bargaining unit (Local 071/006), this regular full-time position falls under a classification seven (7). The starting annual salary is $59,836 – $66,336 dependent upon skills, education and experience.
How to Apply
Applications must include the following in a SINGLE PDF DOCUMENT:
- Cover Letter
- Curriculum Vitae / Resume
Please upload your single document to the “Resume” section – do not upload any documents to the “Cover Letter” section. You will be required to create an account in order to submit your application. Please visit our How to Apply page to ensure your application is complete prior to submission.
Applications will be accepted until July 1, 2022 with interviews to be held in late August. While we thank all candidates for their interest, only applicants selected for an interview will be contacted.
Further information about AUArts is available on our website at www.auarts.ca.
AUArts is committed to ensuring the health and safety of all University Community Members while on campus. For specific information and updates please visit our website.
AUArts is an equal opportunity employer and is strongly committed to fostering diversity within our community. We welcome those who would contribute to the further diversity of the university. We encourage expressions of interest from all qualified applicants for consideration for this or other suitable vacancies although applications from Canadian citizens and permanent residents will be given priority.
The collection of personal information is for the purpose of determining eligibility and suitability for employment as authorized by the Freedom of Information and Protection of Privacy (FOIP) Act, section 33(c). If you have any questions about the collection of your information, please contact our FOIP Coordinator at [email protected].
by Carole Epp | May 13, 2022 | call for entry
by Carole Epp | Apr 18, 2022 | call for entry

The Golding-Yang Gallery is excited to host a juried exhibition highlighting ceramic works that utilize slip as a decorative element. “Liquid clay” can be used in numerous creative ways using various techniques and applications. This exhibition seeks to showcase the diverse work that is being created in both functional and sculptural ceramics, and the unique surfaces that can be achieved through the use of slip.
JUROR: Minsoo Yuh
Entry Fee: There is no entry fee. Artists may submit up to three works each.
ELIGIBILITY: The exhibition is open to all artists (age 18 or older) located anywhere in the United States and abroad. All works must be primarily ceramic. Mixed media works will be accepted only if ceramic materials are the primary media. All works must incorporate the use of clay slip on the surface. This exhibition is open to functional and sculptural work.
Email Melissa Yungbluth, Gallery Director at [email protected] with entries or any questions you may have.
For more information and to download entry forms:
https://bit.ly/BrushDipPour