movie day: Forms In Succession #5

Porcelain sculpture by Shigekazu Nagae, ‘Forms in Succession #5’, 2011, Powerhouse Museum Collection.

This
beautiful porcelain sculpture, Forms in Succession #5 created by
Japanese potter Shigekazu Nagae dances beautifully in this video. The
paper look-alike form somehow evokes the aesthetics of origami, Japanese
paper folding. Made by using slip-cast techniques, the porcelain speaks
of its origin yet shyly introduces itself to international audiences.

This
piece was recently acquired by the Powerhouse Museum, supported by The
Ceramic Collectors Society in Australia. It was made in the pottery town
of Seto, known for centuries as the cradle of Japanese utilitarian
ceramics. The family of the artist Shigekazu Nagae (born in 1953)
produced thousands of cheap slip-cast porcelain bowls and plates. As a
youth, this made the artist feel inferior to individual potters who
hand-crafted their ceramics. After graduating from the Seto Ceramics
Training Institute, Nagae saw unique artistic possibilities in
slip-casting, which he thought other techniques such as wheel turning or
hand-coiling could not achieve. He thus created his distinctive
sculptural series ‘Forms of Succession’ of which this work is an
excellent example. The Museum acquired the object as a good example of
how an innovative idea enables an artist to adapt conventional
production techniques, in this case slip-casting, to create new art
forms. In addition, the beauty of the piece would no doubt be highly
admired and enjoyed by Museum visitors.

This video suggests a
new way of museum presentation that differs from conventional methods of
display and interpretation. Museums research, collect, document,
conserve and display objects. But in this contemporary society, we are
not only able to display objects in glass showcases but also in the
digital world in a creative manner. In order to enhance understanding of
the piece, we decided to film the beauty of the object and to allow it
to speak for itself. Thanks to the photographer, Geoff Friend and film
producer Leonie Jones for sharing this small experiment!!

Min-Jung Kim, Curator, Asian Arts and Design, Powerhouse Museum, Sydney

monday morning eye candy: Carol Gouthro

Many thanks to Ceramics Art and Perception for permission to re-post Carol’s article on musing.
Here is a link to the article:
www.carolgouthro.com/link_art%20and%20perception.pdf

Did you know that Ceramics Art and Perception now offers digital issues? Purchase your copy here.

Find out more about Carol’s amazing work on her website:  www.carolgouthro.com

Opening tonight! Ian Johnston: Reinventing Consumption @ the Dunlop Art Gallery

Image: Ian Johnston, Between the Lines (Light) (detail), 2010. silkscreened stoneware. Photo: Serge Hagemeier.

Ian Johnston: Reinventing Consumption
Organized by Dunlop Art Gallery in partnership with Access Gallery,
Art Gallery of Swift Current, Esplanade Art Gallery, McMaster University
Art Gallery, and The Robert McLaughlin Gallery.

January 31 to April 3, 2014
Curated by Wendy Peart

Artist Talk: Friday, January 31, 6:00 pm, RPL Film Theatre 
Opening Reception: Friday, January 31, 7:00 pm, Central Gallery

Reinventing Consumption is a three-room installation by
sculptor Ian Johnston, whose work investigates object production while
questioning the cycles that eventually see the castoffs of the material
world enter sensitive biological ecospheres. The first space, The Inventor’s Room, provides a glimpse into the glorious creative process of making. The Antechamber enlists the tropes of mass production and considers the scale at which we create and consume. The Chamber provides a space to contemplate the environmental impact of mass production through the forces of breath, fire, and water.

Ian Johnston is an architect-turned-sculptor based in Nelson, BC. He
has exhibited his sculptural ceramic work internationally since the
mid-nineties. Johnston studied architecture at Algonquin College and
Carleton University in Ottawa, and with the University of Toronto at
Paris, France. Prior to opening his Nelson studio in 1996, he spent five
years working at the Bauhaus Academy in post-Berlin Wall East Germany.
At the Bauhaus, together with two architects, he developed and
facilitated a series of semester-long international, interdisciplinary
workshops around themes of urban renewal and public intervention in a
tumultuous time of cultural transformation. His current work examines
our relationship with the environment in installations that use ceramic
and mixed media and appeal to multiple senses of the viewer.

Dunlop Art Gallery
Regina Public Library
2311 12th Avenue
Regina SK
Canada S4P 3Z5  

www.dunlopartgallery.org/exhibitions/upcoming.html
www.ianjohnstonstudio.com/work/2010-2013-reinventing-consumption/