Mothers in Arts Residency

MA Residency

Mothers in Arts Residency (MA Residency) will be a studio space
combined with a communal nursery. The Residency is specialized in
supporting emerging women artists, who are also mothers. Mothers in Arts
is free of charge; the artists agree on take turns to work and look
after each others children around an organized work schedule.

MA Residency provides studio space for 3 artists and a communal
nursery for their children. Accommodation is not provided. The residency
invites emerging woman artists to apply whose children are between 3
months an 24 months old. The Residency gives new mothers an opportunity
to continue their artistic development.

The trial Residency takes place in Amsterdam, the Netherlands between
March 2017 and May 2017, and will be finished with an exhibition in
June 2017.

Background

Mothers in Arts is a small initiative founded by Csilla Klenyanszki, who lives and works in Amsterdam, the Netherlands.

The idea of this project comes from my own experiences, which are
based on the first year of motherhood, the social and the daycare
situation in the Netherlands & my particular situation as an
emigrant artist, without a family network.

The inspiration for this project comes from a “self-directed,
open-source artist in residency”, called ARIM. An Artist in Residency in
Motherhood (http://www.artistresidencyinmotherhood.com/)
was founded by Lenka Clyton and wants to “empower and inspire artists
who are also mothers”. I am currently doing a project, called “Pillars of home” during ARIM.

The Residency begins as a small project, because it is supported from
the Stipendium Program for Emerging Artist (Werkbijdrage Jong Talent),
awarded by the Mondriaan Foundation, based in the Netherlands. This is
also the reason, that the Residency will be a trial residency first as
the financial resources are limited.

The studio invites emerging women artists to work in the studio when
their child is between 3 months to 2 years old. The Residency is
designed around the childcare policies of the Netherlands: 3 months is
the given maternity leave and 2 years is the minimum age, when children
are provided with 2 days a week subsidized daycare. This “in between”
period is crucial for an artist-parent: through the strict schedule and
the constant attention which a baby requires, critical practice becomes
limited.

The trial residency takes place between March – May 2017 and will be
finished with an exhibition in June 2017. The trial residency is really
important to obtain further funding, which would make possible
extending the Residency and making it permanent.

The project exists with the hope that it can help artists to combine
their artistic practice with early parenthood. Through the project I
wish to put forward a discussion about a problem that affects many
emerging artist women when they become parents. Even though, many
artists have children, parenthood remains stigmatized in the art world.
Therefore, besides the physical and mental challenges of childbearing –
which are consuming enough – an added feeling of isolation can be felt
by many mothers.

This situation isn’t exclusive for artists of course, it is a common
dilemma for most working mothers. After becoming a parent maintaining a
professional life becomes difficult.

The project is geared to mother artists and by drawing attention to
this hidden segment of the art world I want to stimulate mothers in
general. By showing and promoting their existence, I hope that the
professional and also the general public realizes and confirms their
importance as a matter of public health.

For more info: www.mothersinarts.com

call for submissions: CeramAiR 2017 (in Canada – open to international artists)

DEADLINE TO APPLY: AUGUST 28, 2016

CeramAiR
(Ceramics Artist Residency) provides ceramic artists the ability to
work in a supportive community environment of like-minded individuals,
to share their expertise and vision, to inspire excellence and create
work at the highest level in a nurturing and creative environment. The
artist is provided with accommodations at the Caetani Centre, and is
also provided with use of a shared studio workspace and equipment at the
Vernon Community Arts Centre operated by the Arts Council of the North
Okanagan.
  • Deadline to Apply: August 28, 2016
  • Successful applicants will be notified September 2016
  • Residency: January 3 – April 13, 2017
  • Solo exhibition: March 28 – April 11, 2017

Click here to find out more…

grant for artist parents: Sustainable Arts Foundation

The Sustainable Arts Foundation is offering awards of up to
US$6000 to writers and artists with children. The money can be used for
costs such as child care, workspaces, new equipment, research and
travel.

The Sustainable Arts Foundation was founded in 2010 with the aim of
encouraging parents to continue pursuing their creative passion, and to
rekindle it in those who may have let it slide.

There are two funding rounds each year and typically a total of ten
grants are made in each round: five Sustainable Arts Foundation Awards
valued at $6000 each and five Sustainable Arts Foundation Promise Awards
valued at $2000.

To be eligible to apply for a grant you must have at least one child
under the age of 18.  Applicants can be based anywhere in the world and
there are no citizenship restrictions.

Writers may apply in one of the following categories:

  • Fiction
  • Creative Nonfiction
  • Poetry
  • Long Form Journalism
  • Playwriting
  • Picture Books
  • Early and Middle Grade Fiction
  • Young Adult Fiction
  • Graphic Novel

Visual artists are also eligible able to apply.

Applicants are advised that for the upcoming funding round the
organisers are committed to offering half of its awards to applicants of
colour. Further information about this initiative is available on the
Foundation’s website.

Applications for the Fall 2016 round close on Friday 2 September. For further information visit the Sustainable Arts Foundation website.
 

job posting: Baltimore Clayworks

Baltimore Clayworks is hiring a Studio and Programs Director.  Deadline September 1st.

This position is responsible for overseeing the development and
management of Baltimore Clayworks studio and artist programs. This is
both a management and administrative position. The position is
responsible for supervising the Education Coordinator, Springboard,
Residency and Wood Kiln programs and developing and managing onsite
programs and classes for adults, and for administering evaluation for
such programs, and hiring and managing of teaching artists. The position
requires demonstrated abilities to work effectively with a wide variety
of people, excellent time and detail management skills, communication
skills, and extensive knowledge of and interest in ceramic arts and
artist services. This position will ensure Baltimore Clayworks’ studio
is functioning at optimal capacity and efficiency.

About the Organization:

As Maryland’s only 501(c)3 non-profit cultural organization dedicated
to the ceramic arts, Baltimore Clayworks provides essential programs
and services to local, national and international artists, both from its
campus in northwest Baltimore and in the community sites throughout the
metropolitan area. Currently it operates four essential program areas:
education, exhibitions, community arts and artist residency program.
Clayworks’ stated core values are artist-centeredness, inclusivity,
excellence, integrity and joy. Clayworks’ mission is to develop, promote
and sustain an artist-centered community, which provides exceptional
artistic, educational and collaborative programs in the ceramic art.

Reporting: Reports to Executive Director, works in collaboration with Facilities Manager

Essential Functions:

Studio Program

  • Oversee Baltimore Clayworks’ Artists program, including designing,
    developing and supervising the operations of the resident artist and
    associate artist programs in accordance to the long-term strategic plans
    in collaboration with Baltimore Clayworks’ Director and the Board of
    Trustees.
  • Make recommendations for advancement and growth of said program.
  • Provide administrative support to the Studio Program, including
    overseeing studio and education advertising and rentals, kiln rentals,
    studio clean up, communication with artists and conflict resolution.
  • Maintain a maximum occupancy in studios at all times in accordance with appropriate review, jury or enrollment procedures.
  • Work with the Executive Director on improving and strengthening jury
    process, including brainstorming guest jurors, reviewing application
    process and facilitating jury.
  • In collaboration with Education Coordinator and Facilities Manager,
    provide thorough orientation to facility, equipment and Baltimore for
    new resident, fellowship, and teaching artists.
  • Manage Education Coordinator and studio intern.
  • Develop and coordinate (in collaboration with the shop, and
    exhibition coordinator) visiting artist and other special workshops in
    conjunction with the adult education program, community arts,
    exhibitions, and events.
  • Orient artists to Baltimore Clayworks procedures regarding firing kilns, mixing clay, using raw materials, building access, etc.
  • Run annual trainings and refresher for all artists and staff.
  • Work with Facilities Manager to anticipate and oversee all repairs,
    maintenance, and capital improvements to major equipment and facilities
    in the education and studio program areas, including electrical,
    plumbing, structural, etc., with advisement from Executive and Finance
    Directors, and technical staff.
  • As needed assist with artist recruitment and wood kiln program.
  • Design, develop, manage (in collaboration with community arts and
    education staff) special education convenings, collaborations and
    partnerships, conducted both internally and externally.

Education:

  • Provide overall vision and pedagogy for adult education and artist
    programs. Design adult classes and workshops quarterly
    (winter/spring/summer/fall sessions).
    Develop recommendations for and oversee actual long-term strategic plans
    for onsite adult education programs for Baltimore Clayworks, in
    consultation with Executive Director and Board of Directors.
  • Create annual goals for onsite classes and workshops. Provide reports to director on progress of goals on a quarterly basis.
  • With Baltimore Clayworks Leadership team develop cross-program initiatives and classes.
  • Design, develop and supervise the operations of regular education programs in the Mt. Washington Studio.
  • Supervise Work Exchange Program.
  • In collaboration with Executive Director supervise Education
    Coordinator and Wood Kiln Manager and meet with staff to set annual
    goals and facilitate performance reviews.
  • Work with Facilities Manager to upkeep equipment and ensure fully functional studio.
  • Communicate with students and teachers.
  • Program professional development opportunities for students and teachers.
  • Represent Baltimore Clayworks as necessary at conferences, workshops and public events
  • Enforce procedures for student and studio artist access.
  • Coordinate with other Baltimore Clayworks program staff on special
    events and use of classroom space; maintain schedule for classrooms in
    coordination with Children’s Program Coordinator and Education
    Coordinator.
  • Other: Assist with exhibition openings and events; organize and
    implement workshops and volunteer recruitment for studio clean up and
    open studio, maintain inventory of tools and clay for re-sale; other
    duties as assigned.

Qualifications, Attributes and Skills:

  • Strong knowledge and experience in arts education.
  • MFA in ceramic arts or equivalent work experience.
  • Demonstrated leadership capacity.
  • Experience managing the teaching of craft and background in ceramic arts.
  • Excellent communication skills – verbal as well as written
  • Computer knowledge- Microsoft Excel and Word. Prior receipt software and database experience is a plus.
  • Knowledge of 501(c)3 organizations is a plus but not required.
  • Problem solving.
  • Time management.
  • Team player.
  • Demonstrated excellent people skills
  • Must be able to lift and move up to 50lbs.
  • Flexible schedule, some nights and weekends required.

www.baltimoreclayworks.org