monday morning eye candy: Thaddeus Erdahl

When considering the murky reservoir of human history, it is
difficult to separate legend from reality. Through my work, I examine
human myth in the modern age, specifically on characters that emerge
from our society’s underbelly; the less popular folk. Using their
“legends”, I feel compelled to tell stories that illustrate analogies in
life; blending together archetypes, shared experiences, and my own
personal mythology. Who we are in the world is a kaleidoscope of
interpretations, biased memories, and personal connections. 


Ceramic sculpture and portraiture, in particular, are
forms of a visual narration that I use to satisfy my urge for
documenting what I see in human nature. Evocative of well-loved toys and
obsolete artifacts, I use the implied history of these objects to
encourage the viewer to disconnect from the present situation and
conjure their own individual narratives from my sculptures.


Working with concepts that are personal and sometimes
narcissistic perceptions of the gloomy side of life, dark humor is my
buffer. Dry or irreverent, it is humor that mystifies the tragic. – Thaddeus Erdahl


job posting: Senior Lecturer, Ceramics School of Art

Job no: 513306
Work type: Continuing
Location: Canberra / ACT
Categories: Academic

Classification: Academic Level C
Salary package: $113,929 to $127,025 + 17% Superannuation

Position overview

The ANU School of Art teaches and researches in the visual arts and
design, and the position involves the delivery of undergraduate and
graduate studies in the Bachelor of Visual Art, Bachelor of Design, and
Masters of Visual Arts, Masters of Design and the School of Art Higher
Degree by Research program.  The candidate will show leadership in
curriculum development and teaching methods and have the ability to
initiate and resource research projects committed to practice led
research and innovative approaches to ceramics and other disciplines.

The ANU College of Arts and Social Sciences (CASS) is the largest
single College of seven Colleges at ANU. The College, which is
structured into two main research schools, offers degrees in more than
20 discipline areas and excels in research across the creative arts,
humanities and social sciences. The College has a substantial
international research presence and is a major source of national policy
advice. Our academic staff are internationally recognised for their
research, and 46 are members of the Australian Academy of the
Humanities, the Academy of the Social Sciences of Australia, or both We
also host 13 Australian Research Council Future Fellows and two ARC
Laureates. A hub of vibrant activity, we host more than 100 lectures,
concerts and exhibitions each year, most of which are open to the
public. Our students, staff and graduates come from more than 60
nations, bringing a diversity of perspective to campus life.

The University actively encourages applications from Aboriginal and
Torres Strait Islander people. For more information on employment
opportunities, contact our Indigenous Employment Consultant on
[email protected] Enquiries

ANU values diversity and inclusion and believes
employment opportunities must not be limited by socio-economic
background, race, religion or gender. For more information about staff
equity at ANU, visit https://services.anu.edu.au/human-resources/respect-inclusion

Application information

Contact: Dr Denise Ferris, Head, School of Art. Phone: (02) 6125 5811 Email: [email protected]

Full details here.

Mothers in Arts Residency

MA Residency

Mothers in Arts Residency (MA Residency) will be a studio space
combined with a communal nursery. The Residency is specialized in
supporting emerging women artists, who are also mothers. Mothers in Arts
is free of charge; the artists agree on take turns to work and look
after each others children around an organized work schedule.

MA Residency provides studio space for 3 artists and a communal
nursery for their children. Accommodation is not provided. The residency
invites emerging woman artists to apply whose children are between 3
months an 24 months old. The Residency gives new mothers an opportunity
to continue their artistic development.

The trial Residency takes place in Amsterdam, the Netherlands between
March 2017 and May 2017, and will be finished with an exhibition in
June 2017.

Background

Mothers in Arts is a small initiative founded by Csilla Klenyanszki, who lives and works in Amsterdam, the Netherlands.

The idea of this project comes from my own experiences, which are
based on the first year of motherhood, the social and the daycare
situation in the Netherlands & my particular situation as an
emigrant artist, without a family network.

The inspiration for this project comes from a “self-directed,
open-source artist in residency”, called ARIM. An Artist in Residency in
Motherhood (http://www.artistresidencyinmotherhood.com/)
was founded by Lenka Clyton and wants to “empower and inspire artists
who are also mothers”. I am currently doing a project, called “Pillars of home” during ARIM.

The Residency begins as a small project, because it is supported from
the Stipendium Program for Emerging Artist (Werkbijdrage Jong Talent),
awarded by the Mondriaan Foundation, based in the Netherlands. This is
also the reason, that the Residency will be a trial residency first as
the financial resources are limited.

The studio invites emerging women artists to work in the studio when
their child is between 3 months to 2 years old. The Residency is
designed around the childcare policies of the Netherlands: 3 months is
the given maternity leave and 2 years is the minimum age, when children
are provided with 2 days a week subsidized daycare. This “in between”
period is crucial for an artist-parent: through the strict schedule and
the constant attention which a baby requires, critical practice becomes
limited.

The trial residency takes place between March – May 2017 and will be
finished with an exhibition in June 2017. The trial residency is really
important to obtain further funding, which would make possible
extending the Residency and making it permanent.

The project exists with the hope that it can help artists to combine
their artistic practice with early parenthood. Through the project I
wish to put forward a discussion about a problem that affects many
emerging artist women when they become parents. Even though, many
artists have children, parenthood remains stigmatized in the art world.
Therefore, besides the physical and mental challenges of childbearing –
which are consuming enough – an added feeling of isolation can be felt
by many mothers.

This situation isn’t exclusive for artists of course, it is a common
dilemma for most working mothers. After becoming a parent maintaining a
professional life becomes difficult.

The project is geared to mother artists and by drawing attention to
this hidden segment of the art world I want to stimulate mothers in
general. By showing and promoting their existence, I hope that the
professional and also the general public realizes and confirms their
importance as a matter of public health.

For more info: www.mothersinarts.com