by Carole Epp | Oct 20, 2019 | call for entry

Deadline: November 15 annually
The Saskatchewan Craft Council Gallery presents solo, two-person, and group exhibitions reflecting craft history, contemporary practice, and innovation. The SCC Gallery policy prioritizes showing Saskatchewan artists and curators, but aims to include at least one touring or out-of-province exhibition each year.
For each of the six exhibitions accepted to the Saskatchewan Craft Council Gallery annual schedule, the SCC will provide installation assistance; insurance; promotion; documentation; administrative labour; and artist fees to be paid to the artist(s). To assist the SCC with the cost of the aforementioned labour and staffing, a 40% commission will be retained on any sales resulting from an exhibition.
The SCC encourages applications from self-identified members of under-served communities. We encourage submissions from Indigenous artists, artists with disabilities, new Canadians as well as people from visible and invisible minorities.
Criteria
The SCC Gallery is committed to showcasing fine craft artists; other forms of visual art may be considered in addition to an exhibition that has a primary focus on craft.
Please ensure your application is complete. Applicants who submit incomplete, inaccurate, or misleading information may be deemed ineligible for consideration.
Each applicant must fulfill the requirements of the Exhibition Application Package.
Download the introduction and a helpful checklist here: SCC Exhibition Application Introduction and Checklist
Download the Application form here: SCC Exhibition Application Package
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If all else fails, email Steph and Maia at [email protected] and they will email you the PDF documents directly.
Process
The Exhibitions & Education Coordinators along with the SCC Curatorial Committee assess all applications annually. Information from each applicant is sent to members of the Curatorial Committee prior to the annual review meeting, where proposals are considered along with their support material. The Curatorial Committee acts in an advisory capacity to the Exhibitions Coordinators. Applicants will be informed of the Curatorial Committee and Exhibitions Department’s decisions following the curatorial meeting in late December – mid January of each year. Additional Curatorial Committee meetings may be scheduled as decided by the Exhibitions and Education Coordinators.
In preparing your application, please consult the SCC’s archive of previous exhibitions, as well as the SCC gallery floorplan.
You can also refer to this blog post for more information or tips for submitting your proposal!
Questions can be directed to:
Stephanie Canning or Maia Stark
Exhibitions and Education Coordinators
[email protected]
306-653-3616 ext 2
by Carole Epp | Oct 18, 2019 | call for entry

The Canadian Clay and Glass Gallery is currently accepting submissions from Canadian artists from all backgrounds and career levels working in clay and glass for an exhibition on the theme of Diversity and Inclusion to be presented in Fall 2021.
We are pleased to announce an open call for submissions from Canadian clay and glass artists for a group exhibition with the theme “Diversity and Inclusion.” The exhibition will coincide with the 2021 Creative City Network Summit to be hosted by the City of Waterloo. We welcome submissions from artists who broadly identify with the theme of Diversity and Inclusion in their artistic practices and experiences including, but not limited to, gender identity, sexual orientation, race, religion, and mental or physical abilities. Multi-media works and those that incorporate new media within the use of clay, glass, and copper enamelling will be considered.
The selected works will be presented in the exhibition from September 2021 to January 2022. The Gallery will provide an artist fee (as set out by CARFAC) to the selected artists and cover the costs of shipping and insurance for the duration of the exhibition.
Located in Waterloo, Ontario, the Canadian Clay and Glass Gallery is Canada’s only gallery dedicated to the exhibition and collecting of contemporary Canadian clay, glass, and copper enamelling. Through exhibition programs, publications, a clay studio, and an archival centre, the Gallery supports research and creation by emerging, mid-career, and established artists. The Gallery is accessible, with the exception of exhibitions and events held in the John A. Pollock Family Courtyard, which is not fully accessible to visitors with particular mobility aids at this time.
We acknowledge that we live and work on the traditional territory of the Attawandaron, Anishinaabe and Haudenosaunee peoples. The Canadian Clay & Glass Gallery is situated on the Haldimand Tract, the land promised to the Six Nations that includes ten kilometers on each side of the Grand River.
We welcome submissions from all qualified applicants and encourage submissions from groups that are typically underrepresented in institutional spaces, including racialized and Indigenous individuals, LGBTQ2S+ identifying individuals, francophone individuals, Deaf persons, and persons with disabilities. If you require any accommodations during the submissions process, please contact [email protected] or 519-746-1882.
Submission Deadline
All materials must be emailed to [email protected] with the subject line “Diversity and Inclusion 2021” by Friday December 15, 2019. Notification of the results will be sent by February 2020.
Submission Materials
In a single document, emailed to [email protected], with the subject line “Diversity and Inclusion 2021”, please submit:
- A written statement describing the work that you propose for the exhibition as well as its significance to the theme (50-100 words). Works in-progress and concepts for works to be completed will also be considered.
- Up to 5 images of your work, including titles and dimensions of works. Provide sketches for works that have not yet been completed.
- An artist statement describing your practice, interests, and what the concept of diversity and inclusion means to you (up to 250 words).
- A CV that includes, at minimum, your education as well as any relevant exhibition, publication, and installation history.
For more information please contact:
[email protected]
519-746-1882
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by Carole Epp | Oct 16, 2019 | call for entry

Gulf Coast State College Amelia Center Gallery is hosting its annual juried exhibition that explores the idea of the drinking vessel. The focus of the exhibit is on the function and concept of the drinking vessel, including its relation to history, politics, craft, technology, utility, and narrative. It is a survey of the wide variety of approaches to contemporary ceramics through the lens of the most intimate and accessible vessel – the cup. This year’s juror is Peter Pincus.
Full details HERE.
PLEASE NOTE DEADLINE HAS BEEN EXTENDED TO OCT 25th!!!