call for entry: The Shelley Simpson Ceramics Prize

The Shelley Simpson Ceramics Prize is funded by Mud Australia, the iconic Australian ceramic design company founded by Shelley Simpson.

For Shelley Simpson, creating this Prize is about nurturing the next generation of Australian artists and encouraging innovation within the craft of Ceramics:

“The visual arts are an integral part of our culture and overall social wellbeing. The sector has long been under-valued and poorly funded. With no change in sight it’s up to individuals and businesses with the foresight and capital to step up and do what they can to reverse the decline.

This generation of ceramicists is really inspiring. Their work touches all the right areas: environmental, social, visual and useful! After personally watching my daughter financially struggle with her investment in her final year of fine art studies, despite our support, I realised others may not be so lucky. It is my hope that this award will nurture and support some of our brightest ceramicists in the years to come.”

What’s it about?

The mission of the Shelley Simpson Ceramics Prize is to support the next generation of Australian ceramicists. These emerging artists may be working across functional, small scale, fine art, handcrafted or more complex commercial pursuits with ceramics.

The winner will receive a $10,000 cash prize to support their studies. This money may be used for tuition fees or however the student sees fit to complete their studies successfully.

This annual Prize is open to all Australian students studying Ceramics as an elective or major. Students studying alternative disciplines as their major may still apply.

Prizes

First Prize
$10,000

Second Prize
$2,000

Third Prize
$1,000

All prize winners will be offered a 3 month paid internship with Mud Australia’s Production to complete in 2021.

History of Mud

Established in 1994, Mud Australia is a highly-considered range of porcelain tableware and lighting designed by Shelley Simpson.

Mud is known for producing collections that neatly intersect a minimalist aesthetic with an artisan finish, in a refined colour palette.

All Mud collections are ethically handmade in their Sydney studio with the intention of bringing an organic joy to built spaces.

Loved by many in the design and food worlds, including Nigella Lawson who describes Mud as:

“Mud is the most beautiful contemporary ceramic crockery anywhere in the world. Design, feel, colour, mood: everything is exquisite—and practical with it.”

Mud Australia’s flagship stores are located in Melbourne, Sydney, Los Angeles, New York City and London.

Mud Australia can also be purchased online at mudaustralia.com

The SSCP is open to students studying ceramics as an elective or major in Australia. Mud Australia is committed to achieving a diverse community and strongly encourages applications from First Australian peoples.

call for emerging artists: Journal of Australian Ceramics

The Journal of Australian Ceramics is keen to develop new voices in ceramic writing, and in our issue focus for The JAC April 2021, CERAMICS IS POLITICAL, we are open to pieces from a variety of perspectives – covering anything from environmental concerns, recording history, speaking the truth, alternatives to the dominant discourse to working towards positive change. We encourage First Nations writers, writers with a disability, writers of colour, and culturally and linguistically diverse writers to submit work for this opportunity.

Submission deadline for this EMERGING WRITERS project is 30 November 2020.

A fee will be offered to all successful applicants.

If you would like to discuss a proposal idea before submission, or if you need any assistance, please contact Bridie Moran, [email protected], ahead of our submission deadline.

UPCOMING NCECA OPPORTUNITY DEADLINES 

2021 ANNUAL EXHIBITION

Deadline, October 7, 2020
The 2021 NCECA Annual will run from February 5- March 28, 2021 at the Weston Art Gallery, Aronoff Center for the Arts in Cincinnati, Ohio. Exhibition Curator Shannon Rae Stratton shares that according to physician’s Vivek H. Murthy and Alice Chen, the corona virus could cause what is being called a “social recession.” They speak about how the longer we go without personal contact, the more social bonds fray and unravel, leading to harmful effects on mood, health, our ability to learn and work, and our overall sense of community. Many artists working in craft value the field for its history of peer-to-peer exchange, mentorship, functionality and proximity to the body. It’s a field that identifies itself with connection and touch, with craft objects – whether functional design or conceptual art – often serving social functions. This call invites artists to consider the tension between together and apart, interdependence, belonging, hospitality and modes of support that allow people to extend themselves with mindfulness and compassion towards each other and to the non-human world. We encourage submissions that deal with collective grief and mourning, rage, empowerment, joy, care and compassion – but all through work grounded in connection, interdependence and the social. Visit https://nceca.net/2021-nceca-annual-social-recession/ to learn more and submit your work.

2021 NCECA JURIED STUDENT EXHIBITION

Deadline, October 7, 2020
The 2021 NCECA Juried Student Exhibition will take place from January 24-March 20, 2021 at DAAP Galleries of the College of Design, Architecture, Art, and Planning at University of Cincinnati. Ceramic artists Jessika Edgar and Malcolm Mobutu Smith will select works for the exhibition. The exhibition is open to students enrolled in undergraduate, graduate, and post-baccalaureate programs based in the United States of America, Canada, and Mexico. (Applicants must be working towards a degree or be a post-baccalaureate at the time of submission.) Visit https://nceca.net/2021-nceca-juried-student-exhibition/ to learn more and apply.

September 30, 2020 – 2021 Venue Generated Exhibitions- Cincinnati https://nceca.net/2021-venue-originated-exhibitions/

October 14, 2020


October 28, 2020

Studio Potter: Grants for Apprenticeships

Applications for the 2020 

Grants for Apprenticeships open on October 1st. 

Five teams of mentors and apprentices will receive $10,000 per team to support a year-long studio pottery apprenticeship.

In this year of momentous events, Studio Potter strongly reaffirms its commitment to equality, diversity, and inclusiveness. The Grants for Apprenticeships Program is committed to supporting the development of BIPOC artists and increasing their presence in studio pottery. Applicants from all races, genders, identities, ethnicities, and religions are encouraged to apply. 

GRANT PROGRAM MISSION

Established in 2019 and funded by an anonymous donor, Studio Potter’s Grants for Apprenticeships Program supports emerging artists who want to become full-time studio potters and mentor-potters who wish to take on apprentices. This grant program honors the mission of Studio Potter and the legacy of its founder, Gerry Williams, by fostering individual careers in studio pottery, contributing to the life and future of ceramics, ensuring the continuity of a centuries-old tradition in non-academic education.

STUDIO APPRENTICESHIP DEFINED

Studio-based apprenticeship is a form of person-to-person training that places work above theory and emphasizes intimacy and immersion. In Western Cultures, people commonly associate the history of apprenticeship with craft and trade practices in Europe during the Middle Ages, but traditions of lineage-learning have endured for centuries around the world. Apprenticeship continues today as a means of passing down knowledge from generation to generation and as a way for aspiring artisans to build professional communities and prepare for careers as studio artists.

WHY APPRENTICESHIPS?

Pedagogy in craft disciplines has changed dramatically in the last century because of technological advances and the rise of a modern education industry. In this context, apprenticeship offers an alternative to academic educational structures through one-on-one relationships in an established studio. An apprentice learns by participating in the daily lives of their mentor, learning their skills, and being exposed to their values. Apprenticeships contribute to the preservation of cultural heritage and the professional advancement of studio potters.

HOW TO APPLY

Applications will be accepted via SlideRoom. Click here to go to the SlideRoom application.

NEW FOR 2020: Studio Potter offers reviews of applications

Reviews of draft applications are available to those interested. Submit your application in SliderRoom by Oct. 10th to receive feedback by Oct. 20th. We will un-submit your application by Oct. 20th, to allow you to make revisions and submit a final application for the Nov. 1st deadline. 

Questions? 

Email apprenticeships@studiopotter.org

 

call for entry: Materials Hard + Soft

about the exhibition

The Greater Denton Arts Council proudly presents the 34th annual Materials: Hard + Soft International Contemporary Craft Competition and Exhibition. Recognized as one of the premier craft exhibitions in the country, Materials: Hard + Soft began in 1987 and was originally initiated by area artist Georgia Leach Gough. The exhibition celebrates the evolving field of contemporary craft and the remarkable creativity and innovation of artists who push the boundaries of their chosen media. Since 2017, the exhibition has expanded to include works by international artists.

2021 JUROR – Pablo Barrera, oklahoma contemporary

2021 ENTRY GUIDELINES

HOW TO ENTER
Our entry deadline for the 2021 exhibition is September 30, 2020. Please review the upcoming schedule below for more information on the next steps in the competition.  A downloadable 2021 Prospectus is available for entry guidelines and procedures questions. Entries can be submitted online or through the mail.

AWARDS
The Greater Denton Arts Council will provide Juror Awards in the amounts of $1,000, $750, $500 and $250. Winners will be determined by the juror and will be announced at the opening reception of the exhibition on February 5, 2021.

ELIGIBLE MEDIA
Works produced in any of the craft media: clay, fiber, glass, metal, paper, wood, or any combination of craft media, are acceptable. Entries must be the complete work of the submitting artist. Works can be a collaboration piece, all collaborators must be listed in the space provided on the entry form. Local, national, and international artists are encouraged to apply. Kits or commercially designed works will not be accepted. All work must have been completed within the past two years (2018-2020) and not previously exhibited at the Patterson-Appleton Arts Center.

NUMBER OF ENTRIES + ENTRY FEE
Each artist is limited to three (3) entries. There is a $30 (USD) non-refundable fee, for up to three (3) entries. Payments must be submitted online at the time of application.

SIZE LIMITATIONS
All work must be ready for installation. Submissions are restricted to a weight limit of no more than 75 pounds. GDAC reserves the right to exclude any entry that presents complex installation or assembly problems.

SALES
A 30% commission will be retained from all work sold during the exhibition. Works which are not for sale must be clearly marked as such (NFS).

PUBLICITY
The exhibition will be publicized regionally, nationally and internationally. GDAC reserves the right to use photographs or digital images of any accepted work for the purpose of publicity.

DELIVERY + RETURN OF WORK
Artists are responsible for pre-paying all shipping charges to and from the exhibition site upon selection by the juror. Accepted works must be hand-delivered or shipped according to the instructions provided in the Artist Contract. Entries will be insured by GDAC while in its custody. Insurance value for pieces NFS should reflect fair market value. No work may be withdrawn before the close of the exhibition. Sending an entry to this exhibition shall imply an agreement on the part of the sender to all conditions above.

DEADLINES AND EXHIBITION DATES

September 30, 2020 | Deadline for acceptance of online entry materials (by 11:59 PM)

November 14, 2020| Notification forms sent to all artists

December 6, 2020 | Artist contracts are due

January 4 – 16, 2021 | Shipped and hand-delivered artwork due at the Arts Center

February 5, 2021 | Opening Reception 6:00 – 8:00 PM. Award Ceremony 7:00 PM.

February 5 – May 8, 2021 | Exhibition on view at the Patterson-Appleton Arts Center

May 9 – 29, 2021 | De-installation and return of artwork

For additional questions about the competition and exhibition, contact [email protected]

Full Details HERE.