by Carole Epp | Nov 18, 2020 | call for entry
A national juried exhibition of functional & Decorative works
by clay artists who play with fire
juried by Mark Shapiro
March 13 – April 24, 2021
Deadline for Entry: December 4, 2020
CALL FOR ENTRY
Saratoga Clay Arts Center seeks submissions of functional and decorative works by clay artists who play with fire. These works are plucked from altered atmospheres – those changed by wood, smoke, salt or the like. Juror and Massachusetts potter Mark Shapiro writes, “The extent to which firing demands and engages the potter varies broadly, depending on type of kiln, its design, how it is loaded, fired, and even cooled. The continuum from computer-programmed electric top-loaders to gas kilns (in their heating and cooling and reduction cycles), and the many configurations of wood kilns from small “fast-fire” to subway-car length anagamas that fire for a week or more, demand increasing preparation and commitment. Before pots even go into the kiln, there is wood to split, stack, and season, as well as teams of stokers to recruit and organize.
“In physically building the fire and manipulating it as it unfolds—adjusting burners and dampers, varying stoking rhythms and wood types, and playing with the atmosphere—we come closer to the impossible: we stand at the mouth of the forbidden chamber of the glowing kiln and actively alter the surface of our hardening wares. Physically engaging the firing at its source (the burner and stoke ports that make the heat), at the primary and secondary air vents that mix the combustion, and at its exit (manipulating passive and active dampers that control the flow), not to mention introducing sodium or building charcoal, we become palpably connected to the un-survivable interior of the kiln. Our fiddling, stoking, adjusting, and throwing stuff into the fire touches something transgressive, elemental, and essential. These firings perhaps enact the universal myth—Promethean and global—of stealing fire from the gods. We potters are really trying to get away with something.”
Those of you are trying to get away with something, playing with fire, or embracing the unknown gifts of the kiln gods, this exhibition is for you.
FULL DETAILS HERE
by Carole Epp | Nov 18, 2020 | call for entry
Breakfast
Exhibition dates: April 10 – August 28, 2021
Opening reception Saturday April 10, 2021, 1 – 4 p.m.
Location: Museum on Main Street
Part of the Washtenaw County Historical Society
500 N. Main St., Ann Arbor, MI 48104
Entry Deadline: January 31, 2021
Entry Fee: $35 per entry/piece (with a maximum of 3 images per entry) payable by check or PayPal
This exhibition is about celebrating the first meal of the day, breakfast. The intention of this juried exhibition is to showcase the best in contemporary dinnerware as it relates to the theme Breakfast, either functional cereal bowls, toast racks, batter bowls, syrups, toasters, egg cups, shirred egg servers, juicers, butter dishes, coffee pots, tea pots, or related breakfast paraphernalia, or a sculptural work relating to breakfast, no larger than 18” in all dimensions, as created by artists and designers in all media from the United States and Canada. Accepted design drawings should be no larger than 18” x 24” drymounted ready for installation. The International Museum of Dinnerware Design is the only museum in the world devoted to the subject of dinnerware, international in scope, no material limitations, including functional ware, ancient to futuristic, and fine art referencing dinnerware.
Eligibility and Rules:
No media restrictions. Open to all artists and designers in the U.S. and Canada. Each entry must demonstrate the artist’s/designer’s personal interpretation of the theme “breakfast” whether that be in the form of a functional piece or sculpture or design concept model or drawing. Work should be no larger than 18” in all directions (except in the case of design drawings). Entries will be juried on creativity/innovation and artistic merit/aesthetics. If an entry is a functional piece, then one of the images must include actual breakfast food in or on the work. No wall pieces will be accepted except in the case of accepted design drawings, which must arrive drymounted and ready for installation and should not exceed 18” x 24.” All work must have been completed in the last two years. Work submitted may not include perishable materials. Please include the dimensions of the work, as well as materials, along with a brief biography and artist’s/designer’s statement about this particular work. The work does not need to be for sale; however, the the International Museum of Dinnerware Design will retain a 30% commission on any work sold during exhibition.
Juror: Ursula Hargens
About the Juror: Ursula Hargens is a ceramic artist and educator based in Minneapolis. She received an MFA from the New York State College of Ceramics at Alfred University; an MA in Art & Art Education from Columbia University, Teachers College; and studied ceramics at Nova Scotia College of Art & Design. She is a three-time McKnight Artist Fellow, has received additional awards from the Jerome Foundation and the Minnesota State Arts Board. Most recently, she was named 2020 Ceramic Artist of the Year. Ursula has been teaching art for many years and is co-founder and Program Head of Minnesota New Institute for Ceramic Education (MN NICE), an advanced certificate program in ceramics, developed in 2014 in partnership with Northern Clay Center.
Application deadline and fees:
Application forms (which include information such as artist/designer name, contact information, description of the work, materials, dimensions, and whether it’s for sale) can be submitted via mail or scanned into an email. Get Entry Form. Submit with (a) high resolution digital image(s) (via email) and include information about each image. Also include an artist’s/designer’s statement and brief biography. Artists/designers will be notified of acceptance of work by February 15, 2021. Accepted work must be received no later than March 1, 2021. Design drawings accepted into the exhibition must be received drymounted on foam core ready for installation.
Juried from digital image(s) (email [email protected]) Images must be high resolution.
Entry fee: $35 per entry
FULL DETAILS HERE
by Carole Epp | Nov 4, 2020 | call for entry
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Eutectic Gallery seeks applicants for Women of Woodfire, a juried and invitational exhibition of artists identifying as women who have devoted their careers to incorporating wood firing into their ceramic practice.
Taking place at Eutectic Gallery from June 4 – 26, 2021, and in collaboration with co-organizers Lindsay Oesterritter and Careen Stoll, Women of Woodfire is the second iteration of an ongoing visual conversation between established and rising voices in the field, showcasing innovative techniques and diverse perspectives. This exhibition coincides with the Northwest Woodfire Conference taking place in Newberg, Oregon June 3 – 5, 2021, and will be juried by Eutectic’s Director and co-owner, Brett Binford.
Entry deadline is 11:59 p.m. Pacific Standard Time (PST), December 31, 2020.
Full prospectus at https://eutecticgallery.com/call-for-entries |
Contact: Sarah Chenoweth Davis [email protected]
by Carole Epp | Nov 2, 2020 | call for entry
About the Exhibition
Small Favors engages artists’ creativity in new and exciting ways with the challenge of making pieces on a very small scale. For some artists, the work they create is similar to what they normally make, but at a reduced scale. Others use it as an opportunity to break away from what they create in their daily studio practice. The works exhibited are incredibly varied in material, form, and aesthetics. Though small in scale the artworks created for this exhibition are huge in impact.
Exhibition Dates: March 5, 2021 – May 9, 2021.
Preview Reception: Thursday, March 5, 6-7pm
Application Deadline
January 20, 2021
Requirements
- Each work submitted must fit within a 4 inch cube.
- Size limit is 3.75″ x 3.75″ x 3.75″
- Artists may submit up to 3 objects
- Each object will be judged individually
- Image file names should not have any spaces in them
- Use Chrome for best functionality with the application portal
FULL DETAILS HERE.
by Carole Epp | Oct 21, 2020 | call for entry
April 9 – May 22, 2021
Juror by Judi Tavill
Entries due November 15, 2020
The Clay Center of New Orleans seeks applicants for its annual “Sculpture National” exhibition, a juried group show that explores and celebrates clay as a sculptural fine art medium.
Open to sculptures and sculptural wall-mounted works or installations that are at least 50% ceramic materials, this exhibition will be on display April 9 – May 22, 2021 in the Clay Center’s gallery space in the heart of New Orleans.
Entries due November 15, 2020
Apply online via EntryThingy
View prospectus (PDF)
www.nolaclay.org
by Carole Epp | Oct 14, 2020 | call for entry
Thirteenth Annual Cup Show: “Form and Function”
Gulf Coast State College Amelia Center Gallery is hosting its annual juried exhibition that explores the idea of the
drinking vessel. The focus of the exhibit is on the function and concept of the drinking vessel, including its relation
to history, politics, craft, technology, utility, and narrative. It is a survey of the wide variety of approaches to
contemporary ceramics through the lens of the most intimate and accessible vessel – the cup.
Juror
Mike Cinelli Mike Cinelli is a ceramic artist, father and occasional husband residing in Taylor, Mississippi. His
work has been displayed nationally and internationally in numerous juried and invitational exhibitions, with work
displayed as far away as Skopelos, Greece, where he attended a one month residency at the Skopelos Foundation for
the Arts. He has received various jury awards, including the Studio Potter Merit Award. He was featured in the
August 2016 issue of Ceramics Monthly as a contributor to “From Idea to Finished Form”. Currently, he is
attempting to juggle his studio practice, being a father and husband, and maintaining a rigorous schedule of
complaining on the internet.
Prizes
$100 Best of Show prize will be awarded by the juror.
Eligibility
The exhibition is open to both functional and sculptural work that addresses the idea of “the cup”. Please submit
only original work that has been completed in the last three (3) years. Amelia Center Gallery reserves the right to
reject any work that is not suitably prepared for exhibition or that differs from the original submission.
Entries and Fees
Please submit your entries online via Smarter Entry at https://client.smarterentry.com/acg. Each artist may submit
up to three (3) images with the following specifications. Images must be saved as JPG, TIF, or PNG files not greater
than 2MB. The longest side should be 1,280 pixels or greater. The files should be titled with the artist’s first and last
name and entry number (example: SteveSmith1.jpg). All in one word, file names cannot have special characters.
Please do not submit any other materials (CV, resume, statement, etc.). All submissions are due October 15.
Description Please select your clay body from the dropdown menu and include a detailed description of firing and
decoration techniques in the Additional Notes window.
Entry Fee There is a non-refundable entry fee of $35 for up to three (3) entries. You may submit additional entries
for an extra fee of $5 per image. All fees are paid online via Smarter Entry https://client.smarterentry.com/acg.
Notification
Email notification will begin on October 28
Shipment of Work
All artwork must arrive at the Amelia Center Gallery no later than November 9. All shipping and insurance fees to
the exhibition will be the responsibility of the artist. Please pack cups in a well-secured package (double boxed),
with any special handling/packaging instructions clearly visible. Packaging will be reused for return shipment. The
Amelia Center Gallery will pay for return shipping and insurance of all unsold work. Our mailing address is
Gulf Coast State College, Visual and Performing Arts, Attn: Pavel Amromin, 5230 West U.S. Hwy 98, Panama City,
FL 32401-1041
Commission
Amelia Center Gallery will receive commission of 30% on all sales.
Photography
Amelia Center Gallery reserves the right to photograph works, and use submitted photo materials of accepted
pieces for the purposes of documentation, education, publicity, promotion and future grant proposals.
Liability
Every precaution will be taken in handling the work. The gallery reserves the right not to exhibit work that is
deemed too fragile or not suitably prepared for presentation. The gallery will insure all works for the duration of the
show, and return shipping. Artists will be responsible for insuring work in transit to the galley. Submission of work
to this exhibition shall constitute an agreement to conditions set forth in this prospectus and permission to
reproduce work for the purposes of documentation, education, publicity and promotion.
