In the wake of the recent Black Lives Matter movement, following the deaths of BIPOC individuals involving police, and the Indigenous Land Back movement, it became all too clear that the concept of diversity and inclusion is yet to be achieved. Systemic racism and neo-colonialism, homophobia and transphobia, racial profiling, the extreme right movement are still well anchored in our society, and emphasizing that we are far from being an inclusive society.
We announce a national open call for submissions from Canadian clay, glass and copper enamel artists for Myths and Realities, a national group exhibition that will spark conversation, and reflect on changes we must face related to important societal issues. We welcome submissions from artists who broadly embrace or identify with the theme of diversity and inclusion and all related issues in their artistic practices and experiences including, but not limited to, gender identity, sexual orientation, race, religion, and mental or physical abilities. Multi-media works and those that incorporate new media within the use of clay, glass, and copper enameling will be considered. The selected works will be presented in the exhibition from September 2022 to January 2023.
We at Make and Do will be partnering with the Ceramic School (https://ceramic.school) for the upcoming Ceramic Congress May 27-31, 2021. During the congress, we will be showcasing all the amazing ceramic works being made in our great country. We would like to highlight the work of Canadian ceramic artists from each province.
This is where you come in. Do you have a short video that you would like to share with the world? The video could be of your latest works, or a time-lapse of making a teapot, or even a guided tour of your studio! All we ask is that it’s 5 minutes or less and clay-related.
Le regroupement Make and Do s’associe avec The Ceramic School (https://ceramic.school) pour l’événement Ceramic Congress qui aura lieu du 27 au 31 mai 2021. Pendant toute la durée de la conférence, nous diffuserons l’extraordinaire travail des céramistes canadiens de chaque province et territoires.
Avez-vous une courte video à partager qui représente votre travail et vos valeurs? Nous désirons présenter votre travail actuel ou la démonstration d’une technique en intervalles de temps accélérées ou une visite d’atelier. Les vidéos ne doivent pas excéder 5 min et être sauvegardées en format mpeg. ou mov.
We are pleased to announce a national open call for submissions from Canadian clay, glass and copper enamel artists for Confined, a national group exhibition.
In March 2020, Covid-19 brought all of us to a standstill. Many artists didn’t even have access to their studios. As Covid-19 continues to affect us all in our daily life, we invite clay, glass, and copper enamel artists to express in their art what the imposed confinement meant for them.
The selected works will be presented in the exhibition starting in January 2022. A publication will also be produced.
The Canadian Clay & Glass Gallery is calling for submissions to the 2021 Winifred Shantz Award for Ceramics. In order to be considered, applications for the award must be received electronically by Friday, April 30, 2021.
This prestigious national award allows practicing emerging ceramic artists to undertake a period of independent research, or other activities that advance their artistic and professional practice. The winner of the Award will receive $10,000. The selection is made by a jury comprised of respected contemporary ceramic artists and other arts professionals.
The winner and up to five finalists will have their work featured in a group exhibition at the Canadian Clay & Glass Gallery from September 2021 to January 2022. The exhibiting finalists will receive an artist fee commensurate with the current CARFAC Fee Schedule. The Award will be presented at the opening reception, held at the Gallery in Waterloo on Sunday, September 26that 2:00pm. Transportation and accommodation will be provided to the winner, as required. In order to be eligible for the Award, applicants must be available to attend the reception on September 26th and be prepared to make a brief artist talk. All details related to the exhibition and reception are subject to change according to relevant COVID-19 restrictions including dates, attendance, location, and possible online formats. The winner and finalists will be notified in early June.
To apply to the Winifred Shantz Award for Ceramics, you must be a Canadian citizen or have Permanent Resident status, as defined by Citizenship and Immigration Canada. You must also meet our definition of an emerging professional artist, which is an artist who:
has maintained a professional practice for five to ten years as of the application deadline date. Professional practice typically begins upon completion of a college or bachelor’s degree in ceramics. If alternate circumstances apply, demonstrate how you identify as an emerging artist in the cover letter portion of the application;
has developed skills through training and/or practice in the field;
operates or has consistent access to a ceramic studio;
has a body of work that incorporates a public presence and peer recognition; and
seeks payment for their work and has an active and engaged practice
Nurielle Stern, winner of the 2019 Winifred Shantz Award for ceramics, was invited by Tony Marsh, Director of the Center for Contemporary Ceramics at California State University, Long Beach, to be a visiting artist at the Center in 2020. Of her experience, Nurielle stated:
The Winifred Shantz Award combined with a Canada Council Arts Abroad Grant afforded me the opportunity to travel for this residency in order to produce large-scale ceramic sculptural pieces. During this residency, I was able to access the school’s amazing facilities to create ambitious work beyond what would be possible in my Toronto studio. It was a unique opportunity to learn from and receive feedback from peers and to make international connections with other visiting artists and become familiar with some of the galleries and museums in L.A. The CSULB Center for Contemporary Ceramics is a high profile residency, and I’m incredibly honoured to have been chosen for this opportunity. My fellow artists in residence in winter 2020 included Simone Leigh, Heidi Lau, and Sharif Farrag, among others. Many thanks to Tony Marsh, the Shantz Family and The Keith and Winifred Shantz Fund for the Arts, the Canadian Clay and Glass Gallery, and the Canada Council for the Arts.
The Winifred Shantz Award for Ceramics is supported by The Keith and Winifred Shantz Fund for the Arts, held at Kitchener Waterloo Community Foundation. This prestigious $10,000 award allows practising early career ceramic artists to undertake a period of independent research, or other activities that advance their artistic and professional practice. The winner and up to five finalists are also included in a group exhibition at the Gallery.
Past recipients of the award truly represent the best of the emerging ceramic artists in Canada. Joon Hee Kim of Oakville, Ontario was the winner of the 2020 Winifred Shantz Award for Ceramics. Click here to learn more about winners of the award in past years.
About Winifred Shantz:
The late Winifred Shantz was a driving force for the arts in Waterloo Region for more than 40 years. A successful ceramist, entrepreneur and visionary philanthropist, she was committed to finding ways to enable artists to reach their full potential.
Craft ACT: Craft + Design Centre invites craftspeople, designers, makers and curators at all levels of experience and across a variety of mediums to propose new exhibitions for the 2022 artistic program.
“As a 50-year-old membership organisation, we love to collaborate with artists to curate an extraordinary artistic program which embeds contemporary craft, making and design at the centre of everyday life in Australia’s capital, a global city of design,” said Rachael Coghlan, CEO + Artistic Director.
Craft ACT’s exhibition program is highly regarded and has received multiple awards. Artists whose work is featured in the Craft ACT artistic program place their work in view of collecting institutions, business and industry, individual collectors and audiences. It is a valued opportunity to foster innovation and excellence, and to help artists make a living from their practice. Experimental and traditional exhibitions, as well as regional, national and international projects, can be supported.
Recently, the high-quality exhibition program has expanded its reach and legacy by moving to deeper digital engagement. “Expanded digital engagement was a pivot during the Covid-19 lockdown but has turned into a deeply meaningful and valuable dimension of our core programming. In addition to showcasing new work, building artist’s CVs and commissioning critical essays, exhibitions selected for the Craft ACT artistic program will be supported by online videos, catalogues, interviews and professional photography,” said Coghlan.
About the exhibition program
The annual artistic program showcases and supports recent graduates and early career artists, high-calibre and iconic practitioners, as well as craft and design researchers. Every proposal is assessed by a panel of respected artists across the craft mediums of ceramics, textiles, glass, jewellery and furniture, as well as design. This rigorous ‘peer review’ approach is considered the gold standard in the arts sector, helping to promote excellence, represent diversity and remain at the cutting edge in contemporary craft and design. Selection is highly competitive every year. Craft ACT receives more applications than can be accommodated.
About Craft ACT: Craft + Design Centre
Since 1971, Craft ACT has played a vital role in sustaining Australia’s high-quality studio practice and supporting craftspeople, designers and audiences. We are proudly one of Australia’s longest continuous-running membership organisations in the visual arts and we have much to celebrate. Craft ACT is recognised as a leading centre in Australian craft and design, with a vision to strengthen the dynamic link between the arts – as encompassed in the craft sector – and the broad creative industries and design sector.
Submissions due
Proposals must be received by 11.59 pm (AEST) Sunday 21 March 2021. Late proposals will not be accepted.
