by Carole Epp | Feb 27, 2012 | Uncategorized
“Since it began, the International Film Festival on Clay and Glass has welcomed on each occasion film directors and producers, ceramic artists, glassmakers, artists, archaeologists, ethnologists, museum curators, gallery owners, architects, teachers, journalists, enlightened amateurs, students etc.
The aim of this biennial event is:
To develop the creation and distribution of films on clay and glass, supporting their makers the world over.
To stimulate international cultural exchanges, deepening technical knowledge of ceramics and glass creation across the world, together with the various forms of artistic expression and the history of civilizations.
To increase the influence of clay and glass, and by implication that of the arts, the prime mission of Ateliers d’Art de France.
The 8th edition of the festival will be held on 30, 31 March and 1 April 2012 in Montpellier.
(Re)discover clay & glass from more than 30 documentary, animated or experimental films on artists, workshops, techniques or traditions : 2 days of film screenings, interspersed with meet ups and exchanges between professionals and amateurs from all over the world… And the opening evening on the 30th of March with a screening of films on major art personalities from of the 20th century who had worked in the field of ceramic at one point in their lives.”
For more info please visit their website.
or contact:
Ateliers d’Art de France
6, rue Jadin
75017 Paris | France
tél. +33( 0)1 44 01 08 30
fax. +33 (0)1 44 01 08 35
[email protected]
www.ateliersdart.com
by Carole Epp | Feb 9, 2012 | Uncategorized
These aren’t clay, but still an amazing process.
Many thanks to Vipoo Srivilasa for sharing this.
FACETURE from Phil Cuttance on Vimeo.
The FACETURE series consists of handmade faceted vessels, light-shades and table. Each object is produced individually by casting a water-based resin into a simple handmade mould. The mould is then manually manipulated to create the each object’s form before each casting, making every piece utterly unique. The FACETURE process First the mould of the object is hand-made by scoring and cutting a sheet of 0.5mm plastic sheet. This sheet is then folded, cut and taped into the overall shape of the product that is to be cast. The mould’s final shape, and strength, is dictated by which triangular facets I pop in and out. I do this each time I ready the mould for the next object, meaning that no two castings are the same. I then mix a water-based casting resin that is cast in the mould where it sets solid. The resin is poured into the hollow mould and rolled around to coat and encase the sides, controlled by me on the casting jig on the machine. The material soon sets creating a hollow solid object. Then another, different coloured measure of resin is poured into the same mould, and swirled around inside, over the first. When it has set, the mould is removed to reveal the solid set cast piece. The casting appears with sharp accurate lines and a digital quality to its aesthetic, a visual ‘surprise’ considering the ‘lo-fi’, hand-made process from which it came. The mould is then cleaned and ready for re-use. Each vase is handmade, unique, and numbered on the base. Available in two sizes; tall – 45 x 12 cm approx. small – 34 x 8 cm approx Standard colours – Charcoal, blue, yellow, pink, white. Custom colours available. email [email protected] to for pricing and to order. Images by Petr Krejci & Phil Cuttance The FACETURE project was created with the support of Creative New Zealand.
www.philcuttance.com
by Carole Epp | Jan 22, 2012 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Extruding Clay from max cheprack on Vimeo.
Dear all,
As a student at the Holon Institute of Technology in Israel researched and pioneered a process in Clay excursion, this exciting process led to my passion.
My research examined the extrusion process in a new material – clay. For this purpose, I built two pneumatic extruders (for two different die sizes) that push clay through the die. The Semi industrial process enabled me to manipulate the material, with never-before-seen precision and complexity. My research led to the creation of various objects that illustrate the many possibilities of this technology. Finally, I chose to express the result of my research process in a new design for a stool. The final result is inspired by the material culture of the Middle East so as to express time and place. The research opens up new possibilities in ceramic design and shows great promise as a method of production and design.
All priced and available on
etsy.com/people/MaxIndustialDesigner
by Carole Epp | Jan 21, 2012 | Uncategorized
TRÀILER DOCUMENTAL “ENCAIX” from Ignasi Llobet and Eva Rodríguez on Vimeo.
Trailer of the documentary made by Eva Rodriguez and Ignasi Llobet on a work of art Contemporary artists Jordi Marcet and Rosa Vila-Abadal.
“The pieces fit. Tones attract. Not all fit in harmony, some accept the company, others turn away. Place the right piece, but you know that this piece marks the direction of the end . the fragments escape, slip, fall down and many are broken. one by one. one plus one. lace. lace. lace. Feel the pleasure of the fit, agile and fast. a magic moment: everything fits. Everything flows. “
You can see more works of the artists on their web: www.terracroma.net
