movie day: Hitomi Hisono reinterprets Wedgewood classics with Japanese aesthetics.

 

Hitomi Hosono explains how she combined British and Japanese aesthetics to create a collection of ceramics for Wedgwood in this video Dezeen filmed at their factory in Stoke-On-Trent. Hosono, a ceramicist from Japan known for intricate porcelain pots featuring botanical forms, designed the collection in collaboration with Wedgwood, after being invited to take part in the brand’s artist in residence program. The collection is comprised of vases, bowls and ornamental boxes in an unglazed matte finish typical of Wedgwood’s signature Jasperwar – a kind of stoneware developed by the brand’s founder Josiah Wedgwood in the 18th century. Jasperware products typically employ relief decorations of human figures and natural forms known as sprigs, which are cast in clay molds and added to the pots. “Sprigs are like thin leaves made of clay,” explains Hosono in the interview. “I chose jasper sprigs from Wedgwood’s archive and applied them in a new way on the pots, with a Japanese aesthetic.”

Read more on Dezeen: https://www.dezeen.com/?p=1231065

movie day: She/Her/Herself – Four Generations of Women in Mingei

On March 27, 2019, as part of the celebration of our new ceramics exhibit, “The Persistence of Mingei: Influence through Four Generations of Ceramic Artists,” we hosted a special gathering with women artists featured in the exhibition. Rebecca Sive moderated this informal conversation, focused on each artist’s ceramic practice, their relationship to the Mingei influence, and the role gender has played in their practice and larger context. Panelists included Margaret Bohls, Linda Christianson, Maren Kloppman, Jan McKeachie-Johnston, Linda Sikora, Sandy Simon, and Rhonda Willers.