by Carole Epp | Aug 4, 2019 | residency opportunity
Banff International Curatorial Institute Fellowship Winter 2020
Program Overview
The Banff International Curatorial Institute (BICI) Fellowship program supports established curators, arts writers, cultural critics, researchers, and artists in focusing deeply on the development of their work. The program allows for self-directed research over an extended period of 12 weeks, within the creative and intellectually stimulating environment of Visual Arts at Banff Centre. Up to four participants will be selected by an international jury for this unique, fully scholarshipped program.
In addition to focusing on their own practice, participants will engage with other artists-in-residence in Visual Arts programs to grow their networks and expand their research. They will visit studios, join reading groups, share knowledge through presenting research in progress, as well as engage with each other and Banff Centre’s curatorial and artistic staff.
What does the program offer?
The BICI Fellowship allows visual arts professionals to develop work and pursue critical research. Scheduled programming is light to allow for self-directed project development as well as opportunities to connect and collaborate.
Participants may work on the continuation of an existing project, the early development of a substantial new project, create work towards a confirmed external publication or exhibition, or conduct research involving BICI publications and Banff Centre’s permanent collection and archives. Projects and research that are timely, socially relevant, and of high artistic merit will be considered.
Participants can attend talks and presentations by faculty and guests of Visual Arts programs and Walter Phillips Gallery, and expand networks by connecting with artists from around the world. Participants will also have a private office or studio space, accessible 24 hours a day. In addition, the program offers funding to cover tuition, accommodation, and an on-campus meal plan.
Who should apply?
The BICI Fellowship is open to mid- to- senior-level curators, arts writers, cultural critics, researchers, and artists exploring original topics within visual arts. Artists working in practice/material-based studio research are welcome to apply.
Applicants should have an established exhibition/publication record, have completed formal training in visual arts at the post-secondary level, or have equivalent experience and recognition from their peers.
Deadline to apply is Sept 4th, 2019
Full details HERE.
by Carole Epp | Jul 28, 2019 | residency opportunity
Open to emerging and established visual artists in ceramic or overlapping interdisciplinary practices. Applications are accepted on-line only.
The program provides ceramic artists the ability to work in a supportive community environment of like-minded individuals, to share their expertise and vision, to inspire excellence and create work at the highest level in a nurturing and creative environment.
The residency is a multi-faceted experience that will include opportunities for teaching, community outreach, interaction with other artists, and studio care, and will culminate in an exhibition of new work.
Professional Development, Opportunities & Obligations
The Resident Artist Program offers individuals the opportunity to further develop their work, and to establish professional practices and standards. Both Centers offer the support of their staff and facilities to help Resident Artists reach the next stage of development in their careers.
The Caetani Centre, ACNO & VCAC will facilitate workshops, receptions, and public programming based around the participating artist’s work. All organizations work together to provide additional opportunities for public educational programs, artist presentations, and feedback from other artists and mentors. The artist may propose additional events and community programming if they choose.
As a relatively new program, the Caetani Centre is interested in feedback and constructive criticism, and requests that the participant submit an exit survey upon completion of their project.
Artists-in-Residence are requested to leave a piece of art in the community, if possible.
Exhibition Opportunity
Residents will have the opportunity to exhibit their work in the Vernon Community Arts Centre’s Lobby Gallery, with technical support from the VCAC. Curatorial support is provided by the Caetani Center, and the artist will contribute to and receive a small publication about their residency and exhibition.
Selection of Applicants
The program is open to both emerging and established artists. The ideal candidate should have a minimum of post-secondary training completed or in progress with a major in ceramics, be self-directed and able to work independently. Preference is given to candidates who have demonstrated artistic excellence as well as interest in experimentation and innovative techniques.
The successful CeramAIR Resident has a genuine commitment to working with clay, a willingness to work with the local community, and a desire to grow in the development of their own work. They bring a high level of professionalism and competency to the studio that enriches the quality of our programs and facility.
A selection committee composed of arts professionals will review and select candidates for the program. Selection is based on the body of work presented, cv and project proposal.
Full details can be found HERE.
by Carole Epp | Jul 28, 2019 | call for entry
Presented by the Shaped Clay Society at Syracuse University and Gandee Gallery.
Apply Now
The Almighty Cup Show show is a fundraiser for the Shaped Clay Society, a student run clay club at Syracuse University. All entry fees go directly to the club to support student scholarships, activities, and conference attendance and provides professional development through local, national and international experiences in the field of ceramic arts. The Shaped Clay Society is committed to giving its members the necessary tools and experiences to successfully take their art into the communities of the world. Contact Information: Devon Gelhar, Shaped Clay Society President, [email protected].
Juror: Garth Johnson, Curator of Ceramics at the Everson Museum of Art, Syracuse, NY
Eligibility: Open to all residents of the United States of America.
Entries: $30 for up to 5 entries. Maximum file size 7 MB. Minimum size 5″ in short direction @ 150 dpi. Maximum 2 images per entry. Digital images should be labeled with the artist’s last name_first name and the entry #. (Charlie Brown would be brown_charlie_1a) Cups must be made primarily of clay. The idea of cup may be interpreted freely. Work may not exceed 12 inches in any direction or 20 pounds. All exhibited work must be for sale. A 50% commission will be taken on all sales. Selected pieces must be available for the duration of the exhibition. Substitutions for accepted work will not be allowed.
Shipping and Insurance: The artist is responsible for the shipping and insurance of the work to the gallery. Gandee Gallery will be responsible for insurance during the exhibition and return shipping of unsold works.
Documentation: Gandee Gallery reserves the right to photograph all works displayed in the exhibition. These images may be used for documentation, sales, promotion and publicity.
Awards: CLAYSCAPES Pottery in Syracuse, NY along with the Shaped Clay Society will be sponsoring awards of up to $500.
Important Dates:
May 9: Online application available
August 26: Online application closes
September 6: Notification begins via e-mail
October 2: Work due to Gandee Gallery
October 19: Show opens at Gandee Gallery and Online.
January 12: Show Closes.
Full details HERE.
by Carole Epp | Jul 28, 2019 | call for entry
The exhibition will run from December 6, 2019 to February 1, 2020 and will be held at Wayne Art Center, 413 Maplewood Avenue, Wayne, PA, 19087, 610-688-3553, craftforms.org.
Juror – Jane Milosch, Executive Director, Smithsonian Provenance Research Initiative in the Office of the Under Secretary for History, Art, and Culture, Smithsonian Institution
Wayne Art Center is pleased to welcome Jane Milosch, Executive Director, Smithsonian Provenance Research Initiative in the Office of the Under Secretary for History, Art, and Culture, Smithsonian Institution, as the juror for the CraftForms 2019 exhibition.
ABOUT THE JUROR
Jane Milosch is founding director of the Smithsonian Provenance Research Initiative in the Office of the Under Secretary for History, Art, and Culture, Smithsonian Institution. Previously she was Senior Program Officer for Art, directing pan-Institutional art programs, new interdisciplinary initiatives and strategic planning efforts for the arts at the Smithsonian. She completed the Getty Leadership Institute program. Milosch was Chief Curator at the Renwick Gallery of the Smithsonian American Art Museum, curator of the Cedar Rapids Museum of Art in Iowa, and of the Detroit Institute of the Arts. As Fulbright Scholar in Munich, she was managing editor for Prestel art books and consultant to art museums, galleries, and other cultural institutions. Her research interests include modern and contemporary art, craft, and design, especially the intersections of art, science, design, and technology.
ELIGIBILITY REQUIREMENTS
- Artists must be 18 years of age or older.
- Works submitted must be original in design. Collaborative works are accepted.
- Work must have been completed in the last 2 years. (Created after 2017)
- Work previously exhibited at Wayne Art Center is not eligible.
- All work must be for sale.
- Work must remain on display for the duration of the exhibit.
AWARDS
$10,000+ in prize awards will be presented by juror Jane Milosch during the CraftForms 2019 Preview Party December 6, 2019.
Full details HERE.
by Carole Epp | Jul 28, 2019 | call for entry
Online Application Closes: November 30, 2019 (midnight)
Entry Fee: Members: Free | Non-Members: $20 for 3 entries
Notification Begins via Email: December 20, 2019
Shipped Work Due: January 29-February 21, 2020
Hand-Delivered Work Due: February 24-28, 2020
Exhibition Dates: March 6-March 13, 2020
Return Shipping of Unsold Work: March 14-17, 2020
Hand-Delivered Unsold Works Picked Up: March 14 (at gallery) or March 16-20 (by arrangement)
Specifications:
The application is open to all artists 18 years and older. An artist may submit 1-3 original works, which have been completed in the last two years. Works not gallery-ready or not exhibiting good craftsmanship, may be omitted from the exhibit. Accepted works that differ significantly from the entry images or suffer from poor presentation will be disqualified.
Work may not exceed the dimensions of L–6” W–6” H–8” (including handle) or weigh over 2lbs.
Images should be submitted as jpegs and sized at 300dpi and 10 inches (3000 pixels) on its shortest side. Files should be labeled first name_last name_entry number (e.g. John Smith would be john_smith_2.jpg).
Media Restrictions:
Drinking vessels (cups, mugs, yunomis, tankards, tumblers, goblets, tea bowls, etc.) must be made primarily from clay and 100% functional with food safe glazes. Work may not exceed the dimensions of L–6” W–6” H–8” (including handle) or weigh over 2lbs. All exhibited work must be for sale. Selected pieces must be available for the duration of the exhibition.
Before you apply: If you are new to photographing 3-D artwork, or would like a refresher on good photography practices, please read this article Photographing Cups
Contact Information:
Jessica Broad | Savannah Clay Community
[email protected]
