Relaunched at the Saatchi Gallery in May 2009, COLLECT has an enviable reputation as a premier, annual fair for contemporary craft. Through its presentation of work from the best international applied artists, COLLECT has become a prestigious event in the international cultural calendar gaining the respect and support of many private collectors, museum curators and galleries.
For more info please visit their website.
Bio
As a child my parents took me on numerous trips to wonderful places such as Berea College, Arrowmont School of Arts and Crafts, and any potter’s studio that was open along the roadside. My parents always had Rowe Pottery and Bennington Pottery around the house and I became intrigued by the texture of the clay and the raised slip decoration. At the time I just thought it was fun but, in retrospect, it was the foundation for my love for ceramics.
When I enrolled at Kalamazoo College I planned on majoring in Biology. However when I was a sophomore my dad sat me down and advised me that he thought I should pursue what I really loved and what made me happy. At that point I changed majors and graduated in 2002 with a B.A. in Fine Arts and Art History.
Having worked for several ceramic artists I decided to open my own studio in 2005.
Artist Statement
I strive to make work that is well made and a pleasure to hold. My work is decorated with images that range from humorous to more abstract. My hope is to create pieces that enhance everyday life from drinking your morning coffee to enjoying your favorite piece of cake.
My designs are influenced from taking walks. It is during these walks alone I clear my head and observe everything from architecture to wildlife. Did you know there are freshwater jellyfish? Or what osage oranges are? I like looking at objects without distractions so I can absorb their form and process it into my own designs.
www.bellajoypottery.com
01. Stacked Rotary Servers, hand-built porcelain, cone 6, 19 x 11 x 7,” 2009.
02. Server with Nesting Plates, hand-built porcelain, cone 6, 18 x 15 x 5,” 2010.
03. Nesting Bowl Set, hand-built porcelain, cone 6, 10 x 10 x 5,” 2010.
04. Triangle Bowls #1, hand-built porcelain, cone 6, 6 x 6 x 4,” 2010.
05. Circle Server, hand-built porcelain, cone 6, 20 x 20 x 4,” 2009. @font-face { font-family: “Arial”; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: “Times New Roman”; }div.Section1 { page: Section1; }
@font-face { font-family: “Arial”; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: “Times New Roman”; }div.Section1 { page: Section1; } ARTIST STATEMENT Some of my favorite childhood memories were formed around the dinner table with family and friends, eating and engaging in conversation. My work continues this dwindling tradition, and serves as a reminder of the importance of these experiences. Through my ceramic vessels, I investigate the important ritual of sharing a meal. This work is my contribution to reintroducing the lost art of communication around the dinner table.
Although I draw formal inspiration from mass-produced objects, I strive to reclaim the directness of human interaction with the material. I celebrate what my unique touch offers that is lost with a machine. Through subtle manipulation and gesture, I instill my work with personality, energy, and softness. The process of inventing and constructing these forms with my hands offers a reconnection to past traditions including the notion of honoring the humility of craftsman. In a face paced culture where communications is overwhelmed by current technology, my work and research offers an incentive to rediscover personal conversation and get back to the table.
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*** Special Note: Shannon Merritt is the Featured Artist at the Gallery of BC Ceramics from February 15th to March 15th make sure you stop by to see her work in person!
(gallery information here: http://www.bcpotters.com/Gallery/index.html )
Artist Biography
Shannon Merritt grew up in southern Ontario, tidy and shy. She received a B.A. in Native Studies from Trent University and moved to Yellowknife, NT where she spent winter nights tickling the aurora borealis, and summer days portaging her canoe through the forests of biting flies.
Shannon is a graduate of the Kootenay School of Arts in Nelson, BC where she lives, waking each day to the view of Elephant Mountain. She considers herself a writer disguised as a potter.
Artist Statement
I’m a potter and I’ve a fondness for words. I spent the better part of two days taking apart a typewriter so that I could press the keys into the flesh of the clay, recording my thoughts and observations onto pots. I’ve collected a number of things that are used as stamps. These miscellaneous cast-offs are more valuable than trimming tools and include antique letterpress blocks, pieces of retired machinery, and a caribou tooth from my adventures in the North. Together, the words and symbols become a story of my rhythm of making. Lessons, kindnesses, tattletales and laughs are highlighted using coloured slip beneath a clear glaze.
I am making modern day folk pots to create an intimacy in the way we consume the foods of our time. These hand built or wheel thrown and altered pots speak of precious functionality: bowls that are meant to be sipped from, and mugs with inverted handles, so that the user can cradle the cup, warming the hands. The proof of alteration has been left to remind the user of the individual attention the pot received.
These techniques come from a millennium of making, and applying them to contemporary functional porcelain pots is an exciting way of story-telling. It’s incredibly personal this shared journaling. And what I’m finding is that the pots I write stir something in the people who use them. It’s almost as if we’ve witnessed something together, like we share a great secret.
The words are a reaching out; a minute’s worth of conversation between us.
I am studio potter and teacher living on Vancouver Island. After many years without a place to call my own, I opened my studio and gallery, Dirty Girl Clayworks in 2004. My pots offer a contemporary, playful perspective on creating artful pottery that one can use to celebrate the everyday moments as well as unique occasions.
My work is informed by historical slipware. I use bright, fun colours, images, and text which reflect my belief that playfulness is an integral part of life. I have a love of words, both oral and printed. I find that the slip wants to be written on and into, carved and layered.
Text and simple, silhouette style stencils are the basis of my surface decoration. With this simple base I use printmaking techniques and inspiration from graphic novels, photography, poetry, politics, graffiti, and children’s books to tell stories on clay.
