Ever thought of being an underwriter for The Studio Potter Journal?

One of the other great things I got to do at this years NCECA was to get the word out about The Studio Potter. I’m such a firm believer in this periodical that I joined their board of directors last year. It’s been an interesting learning curve figuring out the behind the scenes of a publication. Super interesting to say the least.

If you have yet to acquaint yourself with the journal I suggest you hightail it over to their website and get yourself signed up or at least check out the online sample here.

So I’m also as a board member in charge of the Support Pages of The Studio Potter. What’s that you ask? Well the journal is non-profit and thus doesn’t have traditional ads. Instead they have underwriters.

The Support Pages provide a unique opportunity for makers,
galleries, suppliers and educational institutions to promote and present
their products and programs.

The Support Pages are built into The Studio Potter journal. The Studio Potter monthly electronic newsletter will contain a link to the underwriters’ websites. The Studio Potter website will feature a .pdf of the current and previous Support Pages.

The Support Pages are printed in full color, with production consistent
with the high-quality, exceptional design and printing standards of The Studio Potter.

You can see examples of past underwriters of the journal here.

Anyway, my point in tell you all this is that I encourage you to get in touch with me at [email protected] if you have any questions or if you might be interested in becoming a supporter of the journal through becoming an underwriter for The Studio Potter.

Thanks!
Carole
 

http://studiopotter.org

NCECA eye candy

There was far too much to do, far too much to see, far too many lovely people to meet over the last week in Milwaukee at NCECA. It had been the Portland NCECA years ago since I had last attended the annual conference. The clay world, and my role and engagement in it had changed substantially since. Take any full time parent and artist out of their day to day and place them in the all inspiring world of exhibitions, talks, and 2 in the morning late night chats with old friends about art and the result will likely be the overwhelmed yet childlike wonder and excitement that I felt over the last week. It wasn’t an exaggeration that I felt like a kid at Christmas. Seeing some of my favorite artists’ work in the flesh meant more in depth investigation and engagement in their work. Having my eyes opened to new, vibrant and challenging art also meant that I felt I needed to spend more time researching and expanding my views on contemporary ceramics. I have had my eyes and mind opened to the value, strength and support that this inclusive clay community offers.

There were so many ideas and discussions that I want to continue here online, and hopefully over the next few weeks once the thoughts have peculated and settled a bit (and of course when i can carve out some time) I’ll try to get posting some more thoughts on the blog again. I feel like that’s been something that has been missing over the years, something I’d like to grow. Perhaps I can try harder to get some of the amazing minds of this community doing more guest posts on the blog as well. If you’re interested or know someone please drop me a line!

For now it’s time for me to dive back into the studio; for 2 reasons. One because the last week was so damn inspiring and 2 because I’ve got bare shelves and a major sale at the end of April!

Thanks to everyone that made the point of stopping me and introducing themselves. I can’t remember the last time I received so many hugs or felt so happy. It really meant the world to me.

xoxox
Carole

ummm….sorry!

Wow. A whole week has gone by since I posted. Ummmm….errrr….I have an excuse, I swear! It’s called NCECA. I had good intentions to stay on top of blogging while I was there, but I guess I forgot how crazy NCECA really is. So stay tuned, there will be an epic post NCECA wrap up blog post forthcoming……

On your mark, get set, HIDE-N-SEEK!!!

62 artists to follow on Instagram — 25 pieces to be found
HIDE-N-SEEKAH is hiding 25 pieces of ceramic art in Milwaukee, WI during this year’s NCECA conference (March 19, 20, 21). Clues to find the pieces will be posted on artists own personal Instagram feeds. Which 25 of the 62 artists will be hiding pieces? Nobody knows!!!

Search “hidenseekah” on Instagram and follow all 62 participating artists (tap “following” in the upper right corner of the HIDE-N-SEEKAH profile for the full list of artists to follow). Keep your eyes peeled for clue images on Instagram during NCECA. FINDERS KEEPERS!!!

HIDE-N-SEEKAH is NOT an official NCECA event!

Check out this amazing photo album of the 62 artists on Facebook. 

HIDE-N-SEEKAH 2013 was recently covered by Garth Johnson in Ceramics Monthly, who have graciously allowed us to share the article with you here:
(click on the images to see it full size)

 https://docs.google.com/file/d/0B_UjTrzns_ykTDhFckJaS1pzWTg/edit

https://docs.google.com/file/d/0B_UjTrzns_ykTDhFckJaS1pzWTg/edit

Let’s not forget that it’s the amazing Adam Field behind all of this. 
Give that man a high five or a beer when you see him at NCECA this year!

#virtualclay – join us in the conversation

This is a chance for you to get involved in an NCECA panel whether
you’ll be in Milwaukee or not. Virtual Realities, Material World is a
panel addressing the role of social media in the professional lives of
four ceramic artists. This March join Michael Kline, Ben Carter, Adam Field and Carole Epp in person or through social media in the
conversation. Use #virtualclay on Twitter, Facebook and Instagram to pose questions, share ideas, build
community. We will be collecting your questions from now until Friday
March 21st. 

Thanks for adding your voice.