call for artists: Future Flux Prospectus for Concurrent Exhibition Proposals

by | Dec 17, 2015 | Uncategorized

51st ANNUAL NCECA CONFERENCE
Wednesday March 22 – Saturday, March 25, 2017
Portland, Oregon

Overview
NCECA is committed to the exhibition and expansion of contemporary
ceramic practice including diverse approaches that range from
utilitarian and designed objects to sculpture, installations,
site-specific works and performative events.

A member driven organization, NCECA is enriched by the innovation and
vision that emerges from our community to present ceramic art of the
highest caliber in the form of Concurrent Exhibitions (CEs). These
exhibitions represent an important feature of NCECA’s Annual Conference
experience bringing high visibility to the work of participating
artists. Moreover, NCECA’s efforts to site and promote Concurrent
Exhibitions expand awareness of and engagement with ceramic art for
audiences that travel to and reside throughout the conference’s host
region.

NCECA promotes CEs through the print conference guide, app, website,
Blog and social media. While NCECA makes efforts to cluster the shows
within art/ cultural districts to maximize viewer attendance, it is not
able to guarantee that all exhibition venues will be included on tour
routes.

2017 Exhibitions Focus
NCECA seeks exhibition proposals that have conceptual resonance with the theme of its 51st annual conference, Future Flux. The
conference will take place in Portland, Oregon and NCECA specifically
seeks Concurrent Exhibition proposals that resonate with our theme.  As
journey’s end for Lewis and Clark in the early 18th century, expedition and discovery have
framed our imagination of the Pacific Northwest. As we pass beyond
NCECA’s first fifty years, the interconnection of mind, materials, and
transformation at the heart of ceramic process, art and education can
serve as trail heads to our future. Our creative work in the 21st century increasingly engages with hybrid practices, issues of diversity, notions of community and dynamic change. How
will more sustainable models of ceramic art and education continue to
evolve? What are the essential competencies and capacities for ceramic
artists and educators today and for the future? How can we continue to
draw from rich historic traditions while reinvigorating their relevance
in rapidly changing global societies? Portland, Oregon, a city of
rivers, makers, and entrepreneurs is an ideal vantage point from which
to investigate these questions and others. NCECA seeks Concurrent
Exhibition proposals that will help transport us to the ways that
ceramic art and education will continue to matter going forward.

All proposals and accompanying support materials must be submitted online by midnight Wednesday, February 3, 2016 (EDT).  

Full details here: http://nceca.net/concurrent-exhibition-proposals/

Seeing Red @ Red Lodge Clay Center

by | Nov 2, 2015 | Uncategorized

Opening Reception November 6, 2015, 5-7 PM Exhibition

Exhibition Posted Online: November 9, 2015, by 10 AM Mountain Time

Seeing Red will feature the artwork of nine artists all working with
earthenware and red clay as their chosen material. Earthenware has had a
strong presence throughout the history of ceramics and continues to be a
desired material to work in, for both sculpture and functional
artworks. The invited artists for this exhibition will show everyone
how they see their visions of red and we could not be more excited to
have the Loft Gallery turned into a sea of red!

Artists included in the exhibition: Molly Anne Bishop, Jeremy Randall,
Tammy Marinuzzi, Matt Repsher, Kip O’Krongly, Miriam Griffin, Donna
Flanery, Justin Rothshank, and Arthur Halverson.



redlodgeclaycenter.com

September at the Canadian Clay and Glass Gallery: Julie Oakes and Paul Mathieu

by | Sep 20, 2015 | Uncategorized

Julie Oakes: Awestruck Calendar of Ecology  
and
Paul Mathieu: Flower Vases with Flowers in a Vase

Opening Reception: Sunday, September 20

 
Join us this Sunday to celebrate the opening of our fall exhibitions. Julie Oakes will present an Artist Talk at 1:30pm followed by the Opening Reception at 2:30pm. Members receive 20% off in the Shop all day.
 
 
 
Following her hugely successful Swounds exhibition in 2012, Julie Oakes returns to the Gallery with her new exhibition of sculptures and installations, Awestruck Calendar of Ecology.
Her work explores themes of spirituality found in nature while
addressing ecological concerns about the sustainability of the planet.
 
Awestruck Calendar of Ecology is made possible in part by a contribution from the The Kitchener and Waterloo Community Foundation – The Musagetes Fund.

In Flower Vases with Flowers in a Vase,
Paul Mathieu has created multiples of Matisse’s 1927 sculpture head
“Henriette.” Here, he flips the heads over and repurposes them as vases
onto which he creates various reproductions of famous still-life
paintings of ceramic vases with a bouquet of flowers.