Potters Council upcoming workshop

by | Jul 26, 2013 | Uncategorized

ALTERNATIVE FIRING SURFACES
October 11-13, 2013 | Minneapolis, MN

REGISTER NOW | READ MORE

Playing with fire
We
have five talented presenters who will provide instructions on
alternative firing surfaces, firing processes and different types of
kilns. We will be doing three hands on firing sessions: raku, aluminum
foil saggar, and pit firing. You’ll learn skills to create your own
approach to surfaces and how they relate to different alternative
firings. Presenters will show you how to play with fire and have you
ready to experiment in your studio.
Whether
you throw or handbuild, this conference has something for you to take
back to your studio. This conference is open to artists at all levels:
from enthusiastic amateur, to the teacher, and for the professional. No
matter your skill level, if you’re open to learning and connecting with
other ceramic artists then this is the conference for YOU!
Deadline to SAVE $50 is Sunday, July 28 Register Now
Limited Spots Available
Highlights:
Discuss
how to fire a raku kiln and how to convert an electric kiln into a
gas-fired kiln suitable for raku; Learn how to fire large work in a
small kiln; How to apply decoration in alternative firing processes:
raku, carbon marking, saggar, smoke firing, drawing on bisque slabs,
applying latex and glaze, and the addition of luster lines; to create
rich colors and microcrystalline surface details; Participate in hands on firing: aluminum foil saggar, pit firing, and raku horsehair and feather. Read more…  
Presenter: Billy Ray Mangham
Billy Ray Mangham

Presenter: Marcia Selsor
Marcia Selsor

Presenter: David Sturm
David Sturm
Presenter: Ken Turner
Ken Turner

Presenter: Sumi von Dassow
Sumi von Dassow

    

 

call for entry: artist profiles in FUSION Magazine

by | Jul 12, 2013 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday

SUBMISSION DATE EXTENSION
Established Artists, Fall Issue of FUSION Magazine
Deadline extended to: – July 22, 2013

The Established Artist
An artist who has created an independent body of work over a number of
years and who has received regional or national recognition through
publication or public presentation of his or her work and has
participated in a number of exhibitions.

FUSION: The Ontario
Clay and Glass Association invites submissions for a new FUSION magazine
column that will feature one clay artist and one glass artist in each
issue. The Spring issue will feature Emerging Artists, the Fall issue
will feature Established Artists, and the Winter issue will feature
Student Artists.

Submissions must include an artist statement
and/or biography that is no more than 300 words in length, along with
two professional quality images of recent work (within 12 months). The
images must be minimum 1200 pixels (4 inches) x 1500 pixels (5 inches)
at 300 dpi, JPEG Format. The images should be of professional quality.
Poor quality images will not be used. Featured artists will be selected
by the Magazine Committee.

Submissions must be sent
electronically to the FUSION Office at [email protected]. Please
use “FUSION Magazine, Feature Artist Column” as the subject heading of
your emailed submission.

Find more info about FUSION magazine online here.

emerging artist: Lydia Johnson

by | Jun 22, 2013 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday

“Making a great pot requires discipline,
dedication, and sincerity, values quickly dissolving in today’s society.
We live in a world that tells us that we must have what our neighbors
have to be happy. Throwing is an escape from this voice.

Pots are
relatable and accessible to every human being. They are not esoteric.
These useful, everyday objects often create their own significance only
made possible by the thought of the maker. Every detail, from form, to
foot, to handle, breathes personality into an inanimate object. Even the
most subtle details give each new pot the opportunity to speak
differently; the chance to become more graceful, more charming, more
reserved.

I view each piece as a three dimensional canvas. My
surfaces are where memory, music, and emotion are visualized with the
stroke of a brush. Layers of vibrant colors, abstract shapes and active
lines live in an indecipherable yet familiar landscape. Within this land
exist ideas of human fragility and understanding. It reaches for
momentary glimmers of a better future.”

lydiajohnsonceramics.com