by Carole Epp | Sep 13, 2011 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
{Juried by Jennifer Allen}
About the Exhibition:
Currents: Influenced by Place, is a national (USA) juried exhibition that highlights our personal connection to clay through place. Whether it is our current location, where we came from or where we anticipate going, physically and mentally, our sense of place affects us as artists. Sponsored by H.O.T. Clay, and organized by its members, the exhibition will take place at the Focus Gallery, at the University of Florida campus in Gainesville, Florida.
Eligibility:
The show is open to anyone nationwide 18 years of age or older. Submitted work should be at least 60 percent clay and must have been completed within the last 2 years.
Dates and Location:
The opening reception will take place Friday, December 2nd from 7pm to 9pm at the Focus Gallery at the University of Florida. All accepted works must be shipped and returned at the cost to the artist. If your work is accepted, please deliver it with a return shipping form that has been paid for in advance. All works that do not include return shipping will be considered a generous donation to the H.O.T. Clay Club.
Entry Procedures:
Submission in digital format via CD is required. Each CD should contain your entry images (jpeg 1200×900 at 300 dpi) as well as a brief artist’s statement, resume, and completed entry form in PDF Format. Up to three entries with one detail image per entry may be submitted. Works that differ from submitted images beyond acceptable parameters will not be shown. Images should be labeled as such: LastnameFirstnameEntrynumber.jpg. Please add “detail” when necessary.
Application Information:
There is a non-refundable entry fee of $25 per artist, with a maximum of 3 works per individual. Please make checks payable to University of Florida.
Please deliver in person or mail applications to: Lindsay Rogers, University of FL SAAH, PO Box 115801, Gainesville, FL 32611-5801. Application materials will not be returned.
Important dates:
Submission Deadline: Sept 15th 2011
Notification to artist: Oct. 15th 2011
Deadline for delivery of artwork:
Oct. 31- Nov. 4th 2011
Exhibition dates:
Nov. 21st – Dec. 9th 2011
Reception: Dec. 2nd 2011
Return shipping of artwork:
January 20th 2012
Juror Profile:
Jennifer Allen makes thoughtfully created porcelain vessels. She exhibits her work internationally and currently teaches at Bowling Green State University. www.jenallenceramics.com
by Carole Epp | Sep 9, 2011 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
The NICHE Awards competition is open to professional craft artists over the age of 21 who reside in America or Canada and are actively involved in the design and production of craftwork supplied to galleries and/or craft stores. The NICHE Student Awards competition is open to any craft student residing in and attending an American or Canadian undergraduate, graduate or certificate arts program. Submitted work must have been produced or introduced after August 31, 2010 to be eligible. Work previously submitted to the competition will not be accepted. Artists may enter as a student for up to one (1) year after graduation; however, work submitted must have been produced while an artist was still a student. Professionals may only submit work produced within the U.S. or Canada. Work produced in secondary studios within other countries may not be submitted. NICHE magazine reserves the right to merge categories that do not accrue an appropriate number of applications. The only way to enter the 2012 NICHE Awards or 2012 NICHE Student Awards is by completing an application online. Paper applications will not be accepted. One application per artist is allowed. Each application allows for up to three pieces of work to be submitted; no more than two pieces may be submitted in the same category. The competition is judged on a per piece basis, not on an application basis. It is therefore possible to be up to a three-time winner. Artists may enter in either the professional division or student division, not in both. Entries must be submitted by the artist in the artist’s name, not in the name of a company or school. No additional images showing detail will be accepted for jurying. The image photo submitted may be enlarged by the judges to see detail. Each image must be a separate piece of work and show the work in its entirety. Applicants may not enter an individual piece in more than one category. Installation art will not be accepted in any category. The cost to enter is $40 for professional, $20 for current Buyers Market exhibitors and $18 for students. The application fee can be paid by check or money order only. Note the applicants name with the payment. Please mail payments to: NICHE Awards
3000 Chestnut Ave., Ste. 300
Baltimore MD 21211DEADLINE IS SEPTEMBER 30th
Find all the details here: http://www.nicheawards.com./
by Carole Epp | Sep 8, 2011 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
November 4 – December 12, 2011
The sUgAR Gallery in Bentonville, AR, is seeking submissions for a juried, contemporary craft exhibit. Regional and national entries are accepted. All work should exemplify excellence in craft, including but not limited to pottery and ceramics, basket weaving, painting, weaving and textile arts, woodcarving, jewelry and glass blowing. The juror is Leo Mazow, PhD., Associate Professor of Art History at the University of Arkansas and former Curator of American Art at the Palmer Museum of Art at The Pennsylvania State University. The sUgAR Gallery is a student-run collaboration between the Departments of Architecture, Art, Landscape Architecture and Interior Design at the University of Arkansas. This progressive gallery facilitates new opportunities for the University of Arkansas’ visual art, architecture and design community to connect directly with Northwest Arkansas’ creative industry. Submissions should be mailed to: Finer Things Exhibit
c/o Cambry Pierce-Duperier-Newton
Fine Arts 116
University of Arkansas
Fayetteville, AR 72701 Submission Guidelines:
– A maximum of 3 works, two images per work for a total of 6 images on a CD
– All works must be original, created within the last two years, and not exceed 60” in any dimension
– Images should be 300 dpi, minimum 4” x 6” in .jpeg format
– Files should be labeled with artist’s last name and title of work
– CD should be labeled with artist’s name and contact information (including email) and include an inventory list (with prices) and artist statement as separate files
– Accepted work should be exhibit-ready, with appropriate hardware for display
– Artists are responsible for shipping to and from the exhibition
– The sUgAR Gallery takes a 20% commission on sales with all proceeds funding future exhibits at the gallery
– Artists who wish to have their submission materials returned will include a self-addressed, stamped envelope Submission Deadline (EXTENDED): September 21, 2011
Notification via email: September 30, 2011
Work received at gallery: October 22, 2011
by Carole Epp | Aug 29, 2011 | Uncategorized
Adelaide, Australia 28th September – 1st October 2012Call for papers and workshops2012 Australian Ceramics Triennale will provide a platform for discussion, debate and theexchange of ideas amongst local, national and international ceramics practitioners, educators,collectors, critics and cultural theorists.We are now seeking proposals for papers and workshops that explore clay as a subversivemedium capable of challenging artistic, cultural and social norms.Please register your personal interest in the presentation of papers and/or workshops of 1 to 3days duration relevant to the conference theme at
[email protected] of particular interest in the field of studio ceramics include:• Art and craft traditions and their interaction with contemporary practice.• Industrial processes and alternative technologies – challenges and research.• Hybrid or cross disciplinary practices and the development of mixed media.• Indigenous ceramics practice – development, academic, personal and cultural.• Critical writing and documentation.• Exhibition practices, public and private – current trends, funding and collecting.Submissions for papers:A 400 word abstract to be emailed to
[email protected] for workshops:A one page proposal including time frame and budget to be emailed
[email protected] Dates:Abstracts ( for papers and workshops) due: September 30th, 2011 – 5pmNotification of abstract acceptance: October 30th, 2011, by emailFull proposed paper due: February 29th, 2012 – 5pmNotification of accepted papers: March 30th, 2012, by emailFinal paper due: June 30th, 2012 – 5pmSelection of papers: All abstracts and workshop proposals will be reviewed initially by theconference steering committee and then authors will be invited to submit full papers for juriedselection.
by Carole Epp | Aug 21, 2011 | Uncategorized
Sunday 11 Sep 2011, 10:00AM to 3:00PM Is the studio potter a romantic notion of the past? What does the future hold for ceramics and are we ready to meet these changes? 
Join Michael Keighery as he discusses ideas of how the ceramic studio potter might operate in the future. Once referred to as a “techno potter”, Michael Keighery’s witty practice gives ceramics a contemporary spin with the aid of technology, promoting lateral thinking.
About the Artist: Michael Keighery’s practice of mixed media, ceramic-based, and performance art, is collected and exhibited world wide. His work has been featured in major contemporary art events including the Second Beijing International in China and the Huntington Gallery Boston USA. In the past five years he has exhibited solo in Sydney (Object Galleries, Mura Clay, SCA and UWS galleries), as well as in Brisbane City Gallery and New England Regional Art Museum.
His work is represented in public collections including the National Gallery of Victoria, Powerhouse Museum, Artbank and the Taipei Fine Arts Museum, as well as regional galleries across Australia.
Michael has had a distinguished career as an arts educator and policy maker most recently as Head of Fine Arts Program UWS from 2003 to 2007, National President (Australia) International Association of Art (IAA), Chair of National Association of the Visual Arts (NAVA). Cost: $20p/person (includes afternoon tea). Limited places available. Phone to book.
