call for entry: Sydney Teapot Show 2014
 |
|
| Claire Locker – overall winner 2013 |
 |
| Tanya Bechara |
“The
Inner City Clayworkers Gallery in Glebe are currently looking for fresh
new entrants for the Sydney Teapot Show 2014. If you have not entered
before (are not already on their mail-out list), and you have at least a
Diploma in Ceramics, why not take part this August? Have a look at our
website to see winners from 2013.
http://www.clayworkers.com.au/content/sydney-teapot-show-2013
Inner City Clayworkers Gallery in Glebe are currently looking for fresh
new entrants for the Sydney Teapot Show 2014. If you have not entered
before (are not already on their mail-out list), and you have at least a
Diploma in Ceramics, why not take part this August? Have a look at our
website to see winners from 2013.
http://www.clayworkers.com.au/content/sydney-teapot-show-2013
To be considered, just send your CV and photos of examples of your ceramic work to our email: [email protected]
If
we like what we see, we will include you in our mail-out of entry forms
which will include details of the 2014 categories and prize values.
we like what we see, we will include you in our mail-out of entry forms
which will include details of the 2014 categories and prize values.
 |
| Denise McDonald |
emerging artist: Rosalie Duligal
My work is from my imagination.
This work in called ”My Tiny Garden”
Each flower is a task to fire they have to be placed on pins just like a real garden it has it’s problems to bloom.
emerging artist: Tilly Troelstrup
Tilly Troelstrup- Artist
Statement
Statement
What interrupts it? A line
carries on its course until its environment jars its path, forcing the line to
adjust if it wishes to continue. I layer line drawings on ceramic pots to
represent the adjustments and changes we all experience in our relationships to
people, places and things.
carries on its course until its environment jars its path, forcing the line to
adjust if it wishes to continue. I layer line drawings on ceramic pots to
represent the adjustments and changes we all experience in our relationships to
people, places and things.
The ways that clay naturally
responds to manipulations creates an environment for my line drawings to
respond to. By embracing the handmade qualities of clay and its sensitivity at
varying stages, an unintentional dent early on becomes a valley for a line to
cross at a later stage. This open minded practice creates opportunities for my
most present emotions during making to present new ideas, based on the freedom
to express real time.
responds to manipulations creates an environment for my line drawings to
respond to. By embracing the handmade qualities of clay and its sensitivity at
varying stages, an unintentional dent early on becomes a valley for a line to
cross at a later stage. This open minded practice creates opportunities for my
most present emotions during making to present new ideas, based on the freedom
to express real time.
A strong interest in writing has
led to the discovery of wonderful correlations between the poetics of ceramics
and the romance of verbal expression, both highly capable of creating a
response unique to each user. Contemporary graffiti, spoken word,
disintegrating architecture and fleeting emotions during high stress all
influence a passionate affair with reflection, in order to best be present in
the moment.
led to the discovery of wonderful correlations between the poetics of ceramics
and the romance of verbal expression, both highly capable of creating a
response unique to each user. Contemporary graffiti, spoken word,
disintegrating architecture and fleeting emotions during high stress all
influence a passionate affair with reflection, in order to best be present in
the moment.
By reflecting on my life’s
lessons in abstract patterns on pots, my forms have come to hold a geography of
the heart on their surface. Each pot tells a story of an experience whose
resulting lesson becomes the story. These experiences to be had are unique to
each person, and highly personal, but the larger lessons we learn come to be
much the same. It is my hope that viewers are drawn to the abstracted surface
and as they follow it around the pot, they reflect and inherently agree to
play. The quiet that consumes them as they follow the line is a rare serenity
my pots offer viewers, for but a moment, in our constantly rushing society.
lessons in abstract patterns on pots, my forms have come to hold a geography of
the heart on their surface. Each pot tells a story of an experience whose
resulting lesson becomes the story. These experiences to be had are unique to
each person, and highly personal, but the larger lessons we learn come to be
much the same. It is my hope that viewers are drawn to the abstracted surface
and as they follow it around the pot, they reflect and inherently agree to
play. The quiet that consumes them as they follow the line is a rare serenity
my pots offer viewers, for but a moment, in our constantly rushing society.
monday morning eye candy: Noriko Kuresumi
Take my Illustrative Pottery Workshop with the Ceramics School
about me
Follow me on Instagram
Carole’s Website
MAKEANDDO.CA
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