by Carole Epp | Jan 8, 2011 | Uncategorized
By Paul Scott (UK)
April 11th – 15th 2011
Once again Guldagergaard proudly presents Paul Scott and his printmaking course for those with some experience of print and/or ceramics and/or glass. Discover a range of transfer technologies and direct printing or develop a particular aspect of a process or technique.
The “Vitrified Print” courses have formed an important part of the developing knowledge in the field, and are well known for being very informative and hugely enjoyable. Vitrified Print will be structured to encourage the students research interests to take priority over a rigid teaching format. This allows the individuals to develop a technique or process under expert guidance. For those wishing to have a specific program of work, the workshop will concentrate initially on direct drawing – monoprint transfers – then go on to consider the processes of relief and intaglio printing as well as screenprinting and lithography. We will examine the theory of traditional decal production but concentrate on alternative transfer technologies, direct printing and the role of laser printer and photocopier in ceramic and glass transfers.
Emphasis will be placed on developing high quality work and processes using minimal specialist equipment, so that participants will be able to continue using the new technologies and methods in their own studios. The course will include a series of illustrated lectures on printed ceramics, their origins and contemporary roles and functions.
Paul Scott
Paul is well known for his research through his books, in particular ceramics and print. He has curated exhibitions and held workshops around the world. In short: He is one of the world’s top people in the field of print techniques!
Prices
Please note that all materials and firings are included in the price.
Workshop: 2750 DDK
Students and Members of Friends of Guldagergaard: 2550 DDK
Accommodation
We have a special deal for four nights incl. breakfast with Hotel Postgaarden which is close to Guldagergaard. Just contact Jette (postgaarden(at)postgaarden-skaelskoer.dk) there and tell her that you are a workshop participant here.
If you would like to stay elsewhere please take a look at our list of accommodation.
Please contact us if you have any questions.
Time
Usually the workshop takes place between 10 AM – 5 PM
Check their website here.
by Carole Epp | Jan 6, 2011 | Uncategorized
The Magic of Glazes and Firing
This workshop will be a general overview of ceramic glazes and glaze materials as well as different firing methods. John will discuss oxides, cones, kilns, firing dynamics and various cycles and properties of ceramic materials. It will be done in a fun and relaxed atmosphere of question and answer as well as some more structured lecture periods. The content of the talk will be directed by the participants’ interest. This class is structured for students of all levels.
Instructor: John Britt
Day/Time: Friday, January 14, 7 pm – 8 pm Free Slide Lecture
Saturday, January 15, 9 am – 5 pm
Sunday, January 16, 9 am – 1 pm
Class#: W-18, Room to be determined
Tuition: $150 (Members $135)
Cheltenham Center for the Arts
439 Ashbourne Road
Cheltenham
Pennsylvania
19012
http://www.cheltenhamarts.org/node/799
via Clay Club
by Carole Epp | Dec 24, 2010 | Uncategorized
March 5-6: Adrian Arleo – Transformations
Having worked with the human form for more than 25 years, I’ve figured out a few problem solving techniques and a lot of dos and don’ts. This two-day workshop will be chockfull of demonstrations for coil building the figure, and various surface finishes, both low-fired and non-fired . Anatomical perfection will not be addressed; rather, the demonstrations will focus on building techniques: how to use a base and rod for building tall standing figures, how to begin a seated figure, how to make a head and facial features, how to keep forms from slumping, caving in or cracking. If you’ve had a recurring technical problem, bring it up and we’ll try to remedy it.
The second half of the workshop will be about developing surface textures
and experimenting with different tools and found objects. I’ll share the low-fire glazes that I use, and discuss application techniques. Layering of Terra sigillata is a surface finish we’ll demonstrate, Non-fired paints can add amazing richness to ceramic forms; wax encaustic and casein (milk paint) are favorites that will be talked about as well. Registration form is available here
by Carole Epp | Nov 13, 2010 | Uncategorized
Exhibition runs Nov 20th – Dec 19th
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Opening Reception: Sat. November 20th 5-7:00 p.m.
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WORKSHOP: November 18 & 19th, 9:00am-3:00pm
Exploring Form with Sam Harvey and Alleghany Meadows
MENDOCINO COLLEGE
1000 Hensly Creek Rd. Ukiah, CA 95482
This is a 2-day demonstration workshop featuring two distinct approaches to conceiving and constructing with clay. Sam Harvey will demonstrate his innovative coil building techniques. Alleghany Meadows will demonstrate his techniques working with porcelain, both on and off of the potter’s wheel.
Cost for this workshop is just $10 per day with a potluck dish to pass (additional $5 without). For more information, please call 707-468-3087 |
Regular Business hours: Wed – Sun 12:00 – 5:30
510-540-8729 / [email protected]
by Carole Epp | Oct 31, 2010 | Uncategorized
Julie York’s work deals with complex themes – means of processing information, cognition and recognition, how one sees and perceives objects – issues typically not explored within the ceramics medium. She is one of a handful of young makers currently redefining the use of clay in sculptural work and her efforts have been recognized. York received the Pew Fellowship in the Arts in 2007, the Independence Foundation Fellowship in 2006 and two Creative Production Grants from the Canada Council for the Arts.
Julie York is an Assistant Professor of Visual Arts and Material Practice at Emily Carr University, where she teaches in the Ceramics Department. She received her BFA from Emily Carr Institute of Art and Design in 1996 and her MFA from New York State College of Ceramics at Alfred University in 2000. Subsequently she has held fellowships and residencies at the Clay Studio in Philadelphia and at the International Ceramic Research Centre, Guldagergaard, in Skaelskor, Denmark.
Models, Mold Making & Casting Techniques Demonstrations
Monday, November 8, 2010 | 9 am – 4 pm
Tuesday, November 9, 2010 | 9 am – noon
Conflation of Object and Image
Lecture Monday, November 8, 2010 | 7:00 pm
All events:
Ceramics Studio University of Manitoba
School of Art
203 FitzGerald Building
University of Manitoba
Winnipeg, MB
R3T 2N2
204.474.9367
umanitoba.ca/schools/art/
