emerging artist: Jasmine Wallace

BIOGRAPHY

Jasmine
Wallace is a Canadian Sculptor Born in Prince George, British Columbia,
Canada.  She comes from a family of self taught artists and grew up in
the artist community of Vancouver Island. Influenced by the various
disciplines of the studio artists that surrounded her, she quickly began
an art making practice using whatever materials were at hand. Since
that time her art making practice has been constant and diverse. In 2005
she graduated from Nova Scotia College of Art and Design with a Minor
in Drawing and a Major in Ceramics. During that time she studied abroad
as an assistant on a large public sculptural project with Professor Neil
Forrest at the Sculpture Symposium, International Ceramic Center in
Guldageraard, Denmark. In 2010 she completed a Master’s of Fine Arts
with a Major in Ceramics and a Minor in Museum Studies at the University
of Minnesota in Minneapolis, Minnesota. She has exhibited extensively
throughout Canada and the United States. Currently she lives and works
in Vancouver.

ARTIST STATEMENT

Witnessing the processes of time and history – construction,
deconstruction and the transformation of cities with the resulting
affects on the landscape are the main source material for the work.  I
am interested largely in the spaces that have been abandoned, destroyed
and transformed by such actions, such as dead zones, pockets of lands
cut off by roadways, abandoned industrial areas and residual landscapes.
In these locations the natural environment and the built environment
interact.  Within these forgotten spaces the two worlds are allowed to
form a relationship freely without any form of maintenance or control. 
The resulting relationships are the main inspirations for my sculptures,
drawings and installations.

Focusing on how plants and organic life intermingle within urban
centers, each work deals with the tension between the natural world and
the built world. Drawing inspiration from the cracks in sidewalks and
other concrete constructions where plants defiantly push themselves
through; I am reminded of the constant wrestling between the built and
the natural. We can all witness the persistence of the natural world
through the invasive grasses and weeds that bust through sidewalks, tear
down fences and destroy gutters. What is most inspiring is this idea
that no matter how hard we try to pave over nature, hide or destroy it,
it keeps fighting back and persevering. These small acts of defiance are
positive affirmations of the endurance of life in our seemingly chaotic
and unstable world – that no matter what happens – life will persist.

Opening this Friday – How To Make A Million Before Dinner by Vipoo Srivilasa

How To Make A Million Before Dinner – Vipoo Srivilasa
Edwina Corlette Gallery in Brisbane during 9-27 July 2013
Opening Friday July 9th @ 6:30 pm
2/555 Brunswick Street
New Farm  QLD  4005  Australia
T +61 7 3358 6555

View the entire exhibition here

And to keep you busy just a wee bit longer you should head over to the Design Files for a recent interview they did with Vipoo. If you’ve never had the pleasure of meeting Vipoo in person, this interview will give you some insight into his practice, his lovely charismatic demeanor, and his inspiring way of working and seeing the world. 

Ceramicist Vipoo Srivilasa in his St Kilda studio.  Photo – Eve Wilson.

 

emerging artist: Carly Slade

It was the honest
labor of hands that first drew Carly to clay. To that end, her work deals
with the aesthetic elevation of the everyday, of tasks, creatures and objects
alike, and the relationships that exist between them.
Growing up in “Oil Country” Alberta, Carly has been a fascinated since childhood
in how the things around her work, and an appreciation for the beauty in that.
She considers herself a “Mixed Media Sculptor with a sold clay base”, she is currently workout out of Calgary, AB.
 

 

emerging artist: Jenny Reed


My objective is to encourage appreciation for the interconnectivity I
see in beings and life processes. I am very interested in ethical
reasoning and perplexed by human activity, or inactivity, and how this
correlates to the rest of life. When creating work, I allow my pieces to
encompass my own emotions. I hope to spark feelings of compassion,
sympathy, and joy and to trigger a feeling of intimacy. I have a hopeful
attitude about the future and I want to share this with my audience.

As
a ceramic artist, I am influenced by the natural world. I appreciate
the material’s transformation from water, air and fire, as it reminds me
of my own connection with the earth. My childhood memories of working
with clay are still influential today as I maintain a playful attitude
with my work, both physically and conceptually.