Residency Opportunity – Archie Bray Foundation

Archie Bray Foundation

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The Bray will be awarding ten $5,000 fellowships along with ten short-term summer scholarships in 2013!

Resident Applications due March 1, 2013.

“Being
able to provide this generous financial support to each and every
resident artist helps the Bray fulfill its mission and reinforces its
commitment to furthering ceramic art.”–Steven Young Lee, Resident Artist
Director

Click to jump to:
Why Apply? | Residency Opportunties | Fellowships | Summer Scholarships | Questions?

 

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Why apply for a residency at the Bray?

What defines a Bray residency and the reasons for doing one turn out to be as varied and unique as the individuals involved. Some artists come to develop a portfolio for graduate school, some use their residency as a transition from school to establishing their own studio and others see it Kenyon Hansenas a chance to escape from daily routine and recharge their creative enthusiasm. For all artists, it is a period of time to focus intensely on their work, explore new ideas and techniques, and push their artwork to new levels.

Probably
the most important reason for coming to the Bray is the opportunity to
work within a community of artists actively creating art. Artists from
around the world come to work at the Bray, bringing with them a vast
range of experiences and diverse esthetics approaches.

New residents are chosen once a year in March by the Bray’s
director and two additional rotating jurors. The selections are based on
the quality of the work, its artistic merit, and the diversity and
experience of the prospective group. The Bray studio program is
minimally structured, with no formal critiques or syllabi unless
initiated by the artists. Resident artists are expected to be
self-motivated and help out with various tasks around the Bray.

Residency Opportunities

There are three general residency options at the Archie Bray Foundation–long-term
fellowship (1-2 years), short-term summer resident between July and
October (3-4 months) or short-term resident between October and June
(1-3 months). On a regular basis there are a total of 10 long-term
residents and 10 short-term summer residents.

Sunshine CobbStudio space is provided free to all residents.
Resident Artist expenses include the cost of materials and firing but
are subsidized by the Bray and offered at reduced prices. Residents are
responsible for their own housing and living expenses while in Helena,
but are given use of the community kitchen space in the Resident Center.

For more images and information on the resident facilities click here or check out our web site at www.archiebray.org/residence_program.

Fellowships

Each
fellowship awards $5,000 to support a long-term resident artist who
demonstrates exceptional merit and promise. The Fellows are expected to
embrace the Bray experience of community and creative exchange, and have
the opportunity to focus their attention to produce and exhibit a significant body of work during their residency.

Jonathan ReadCurrently
at the Bray, there are six private individuals who have each committed
to providing fellowships for long-term residents. With the help of a
grant received in 2012 from the Windgate Charitable Foundation, four
more fellowships will be awarded, allowing all ten long-term residents
to receive fellowship support.

To apply for a fellowship check the appropriate box on your
Residency Application form and include a letter of intent stating you
artistic goals and interest in the Bray Fellowship program.

To find out more about the fellowship program click here or go to our wesbite at www.archiebray.org/residence_program.

Summer Scholarships

Jacob Foran, Summer 2010The Bill and Stirling Sage Scholarship fund
was established by Evelyn Sage in honor of her late husband Bill and
their son Stirling. The Bill and Stirling Sage Scholarship awards an
annual $800 scholarship to a promising young artist between the ages of
18 and 35.

The Eric Myhre Scholarship was established
in 2002 by Tootie Myhre in honor of her late husband. The award provides
a $750 scholarship to a summer resident artist of any age who
demonstrates exceptional merit and promise.

In 2012, the Windgate Summer Scholarships were established. Eight short-term summer residents will be awarded $700 to help cover expenses during their time at the Bray.

To apply for the scholarships include a letter of intent in
your application stating you artistic goals and interest in the Bray
resident program.

To find out more about the scholarship program click here or go to our website at www.archiebray.org/residence_program.

Questions?

If
you have any questions about the Bray’s resident or fellowship
opportunities please contact Rachel Hicks, Director of Programs and
Communications at 406/443-3502 ext.13 or at [email protected].

For technical support the online application contact [email protected].

Your completed application must be received on or before
March 1, 2013.

The
Bray is a nonprofit educational organization dedicated to the
enrichment of the ceramic arts, located at 2915 Country Club Ave. in
Helena, just 1/3 mile west of Spring Meadow Lake.

This project is
supported by the National Endowment for the Arts, and in part by the
Montana Cultural Trust, the Montana Arts Council, the Bray Business
Alliance and the friends and members of the Bray.

archiebrayfoundation
2915 Country Club Ave, Helena, Montana 50602
406/443-3502
www.archiebray.org
www.facebook.com/ArchieBrayFoundation
www.twitter.com/archie_bray

Don’t forget to apply to Red Lodge – deadline tomorrow

The Long-Term Residency (September 1 – July 31)
is ideal for committed individuals in transition from post
baccalaureate studies to graduate school, as well as those pursuing the
development of professional artistic careers. Self-directed ceramic
artists searching for the time, space and resources needed to explore
new ideas and create new work will enjoy the rural mountainous setting.
Accepted residents will be provided with studio space, housing,
utilities, and a monthly stipend in exchange for twenty hours of work
per week at the Clay Center. Responsibilities will include assisting in
the retail operation of the gallery, teaching community clay classes, as
well as cleaning and maintenance of the studio and gallery. Residents
will be responsible for personal living expenses, as well as all
material and firing expenses. The application deadline is February 1st annually.

www.redlodgeclaycenter.com/residency-info.php

Funded Residency Opportunity – Deadline FEB 1st

Link to website for details – http://projectart01026.wordpress.com/apply-for-residency/

PROJECT ARTIST RESIDENCIES AND STUDIO RENTALS are available in a
restored 19th century former mill building located in the small town of
Cummington, Massachusetts. The funded residencies are intended to
provide a place and support for emerging and professional contemporary
artists, writers, curators or critics to complete a specific project.
International artists working in ceramics with an upcoming US exhibition
are encouraged to apply and produce
works in the US to avoid costly international shipping. Up to four
studio rentals are available for ongoing production of art either short
or long term. One funded resident studio is available for a 150 square
foot space in the shared group studio. Other spaces are available in
the group studio in 150, 200 and 400 square feet spaces and there is one
private, 800 square foot studio. Studio rentals rent monthly, include
basic utilities and cost $250, $300 and $350 accordingly. Artists have
24 hour access to their studio however between 8pm and 8 am it is quiet
work only. Artists are expected to maintain a relatively clean and
organized environment in their own and shared spaces.

Project
Art only provides studio space. Housing, food, supplies, materials and
firings are not included. A list of local housing is available, some
within walking distance. While a car is highly recommended for a short
term residency it is possible to exist without one. There is a
hardware and general store within walking distance. Supplies can be
ordered and delivered in advance. Transportation to and from the
airport can be arranged.

For artists working in ceramics –
electric firings and spray booth are available on site. Supplies can be
purchased in advance and delivered. There are several wood kilns in
nearby studios that are potentially available to residents – a list can
be provided but all arrangements are the responsibility of the artists.

STUDIO RENTALS – same as the residencies described above, however, the
rentals are for year long terms, are not project based and can be
renewed.

RESIDENCIES – Project Art seeks proposals for short
term artist residencies that range from a minimum of two weeks to a
maximum of three months. In 2013, the residencies are offered June 15 –
September 15. Proposals will be reviewed and chosen according to
individual merit, space needs and time availability. Each year, one of
the proposals is awarded a funded studio which is provided rent free for
up to three months. The funded residency is chosen from among the
applications submitted.

FUNDED ARTIST RESIDENCY – One 150
square foot studio space is available for up to three months. It
includes basic work tables and shelving, access to an electric kiln for
firing, shared workspace and public areas. Does not include cost of
firings or materials. Additional space may be available and is awarded
based on quality of project and studio availability.

A public
presentation of completed artwork or project is required at conclusion
of residency. The studio is not generally open to the public but there
are periodic public events, tours and visiting professionals.

APLLICATION DUE DATE – postmark February 1, 2013

APPLICATION INSTRUCTIONS

February 1, 2013 | All applications will be reviewed by Project Art
director, Leslie Ferrin along with current studio artists. Artists will
be selected on the basis of quality of work, ability to produce work in
a group setting and potential for positive interaction with the
professional arts community in the Berkshires, Pioneer Valley and
Hilltowns of Western Massachusetts.

April 15, 2013 | Notification – accepted applicants will have two weeks to commit to attending the residency.

May 1, 2013 | Upon confirmation, a security deposit of $200 is due by
May 1, 2013 refundable upon completion of residency and return of space
to original condition. Written cancellation more than 30 days before
start date will result in return of 50% of deposit.

TO APPLY – our application package must include each of the following items. Incomplete packages will not be considered.

1. Completed application form.

2. FEE WAIVED for 2013 $15 non-refundable application fee – payable by check or money order to Project Art.

3. Ten images of recent work in jpeg format on a CD. (images must be at
least 72 dpi). Do not submit images embedded in a program such as
PowerPoint or as a .pdf file)

4. Image List stating Title, Medium and Size corresponding to the image file names.

5. Bio (100 words max.)

6. Artist Statement (500 words max.)

7. Curriculum Vitae

8. Two references with name and contact information.

9. Residency proposal letter stating your intended course of
exploration during your residency and space requirements and desired
time frame. (500 word max)

Please include a hard copy as well as a digital file of all documents on a CD.

Please mail or fax application to:

PROJECT ART
54 Main Street
Cummington, MA 01026

Contact: Leslie Ferrin
Cell 413.446.0614
Fax: 413.634.8833

[email protected]

If you would like your materials returned, please provide SASE

Upcoming deadline for Artists – in – Residence Program @ Arrowmont

 The ideal candidate for the Arrowmont Artists-in-Residence Program is
an early career, self-motivated individual able to work well
independently and within a larger organization. The successful resident
is eager to be involved with Arrowmont’s diverse existing program
offerings such as workshops, conferences, community partnerships and
exhibitions. Candidates who enjoy the team spirit in working with staff,
other residents and visiting artists/instructors are encouraged to
apply. The five artists selected each year work in a variety of media
which reflects the strength of Arrowmont workshop offerings and
resources. The Arrowmont Artists-in-Residence Program is open to
permanent residents of the United States.

HOW TO APPLY: Applications must be postmarked by February 1st
Download and complete application (pdf).
• Resumé

Personal statement addressing reasons why you want to be an Arrowmont
Resident and your goals while at Arrowmont. Include any other personal
information you feel best describes you and your work.
• Twenty (20)
digital images of your most recent work submitted on a CD. Label images
with the title, medium, size and date executed. Images must be high
quality JPEGs with a minimum resolution of 800×600 pixels at 300 dpi. An
image identification sheet is also required with your submission. This
sheet must include your name and contact information at the top of the
page, followed by thumbnail images of all work submitted on the CD.
Please note submitted CDs will not be returned.
• 2 letters of recommendation (sent with application packet)
• $25 nonrefundable processing fee. Make check payable to Arrowmont School of Arts and Crafts.

NOTE: The application will show in your window for printing.
To Save: You must choose File>Save to save the application to your computer.

Adobe Reader required for PDFs.


www.arrowmont.org/artists-in-residence/how-to-apply

epic arrowmont post (eye candy galore)

As anyone whose every attended a residency can attest to it’s beyond all else overwhelming. This is not a bad thing by any means, but it does result in the inability to verbalize adequately all of the amazing conversations, sights, sounds, and artworks that surrounds you. My intentions were to blog everyday and share all the details of my trip to Arrowmont, yet now that i’m finally siting at the computer i’m lost, not sure where to begin, and more than slightly aware of the magnitude of information that has been packed into my brain over the last few days.

As many of you might know this is my first real venture away from my littlest babe so it’s been a time for re-awakening the dormant parts of my creative brain after a long sleep. This alone has made the transition back into a communal studio where academic and creative language abounds a bit stressful for me. The theoretical mind is a muscle that if not stretched dies off and not much short of shock therapy is needed to get it working again.

So i began my travels with a day of flights from the cold north of
Saskatchewan down into the Southern United States and the great state of
Tennessee. I’ve never been this far south in the USA and quite honestly
had no idea what to expect. There is as always with Americans a
generosity and kindness, humor and sincerity that always brings me back
to the USA happily. Tennessee has a wealth of beautiful scenery to
behold and the drive from Knoxville to Gatlinburg (where Arrowmont is
located) was a road trip to burn into memory. The Smoky Mountain
National Park was lovely this time of year and I predict would be even
more breathtaking in the summer or fall months. 

A little on why I’m here: Early last year I received one of those emails that makes you giddy and uncontrollably dance happily around your kitchen (hopefully only for you to see). Jason Burnett, one of my current favorite contemporary potters contacted me regarding The Ceramic Surface Forum, which is a week long forum in it’s second year. Its an initiative that Jason pitched to Arrowmont and which Arrowmont eagerly supported, and somehow, just somehow I got on the ceramic gods good side and was invited to participate this year. I’ll be posting images of the other artists work over the next few days and will get around to posting links to all of their websites right away as well. For me this was the perfect way to start off my year. Last year was a blur, a baby, some sales, a move, who knows what else. And at the end of it all i was shocked to realize that a year had gone by without me having made even one new figurative sculpture. What?! I know. Embarrassing. That part of my brain had given itself up to the survival mode of parenting and craft sales. But in the fall I had applied for a grant with the Saskatchewan Arts Board which I recently found out I had received. This grant would financially support this residency as well as a research based trip to Los Angeles later this spring (more on that another time) and the production of a new body of figurative work.

So i looked that this week away at Arrowmont as the perfect way to start sketching ideas and content development for this new project. Plus on top of it all I would be surrounded by artists with a wealth of knowledge, particularly regarding ceramic surface techniques which I could learn from, test and possibly incorporate into new surface treatments for my figurative work.

Urgh glaze testing. How I hate thee. But with only a week and the inability to really bring anything back with me there was no point in making any sculptures – even if the idea of a weeks worth of uninterrupted days could have resulted in more physical work than what i created all last year. So instead i’m spending a lot of time peering over shoulders and learning, engaging in conversations about clay, craft, academia, life, you name it, and basically easing my way back into a making mode. Needless to say it’s been lovely, truly exactly what i needed and more.

For now I’ll leave you with some eye candy from around the studio as i’m eager to get away from this computer and back to the studio. I promise to fill you in more about Arrowmont, Gatlinburg and all of the artists i have the pleasure and honor to be working beside as soon as i have a spare minute. Until then enjoy!