CALL FOR ENTRIES: Fired, A View of Ceramics, Manifest Gallery, Ohio due Mar 2

DEADLINE: MARCH 2, 2011

Exhibit Dates: April 15 to May 13, 2011

For millennia people have made things out of burnt earth. From bowls and jars essential for preserving foods to ensure survival, to written documents and official seals, to talismans of devotion for various deities and other ritualistic purposes. Ancient kilns were one of humanity’s earliest forms of factory-based mass-production. Today the role of fired earth persists in both old and new ways. FIRED is an invitation for artists to submit works that in some way represent the use of the medium of ceramics. There is no other thematic restriction, and our jury fully expects to consider a range of types of work, from the very traditional to highly unexpected ‘contemporary’ interpretations of the medium. Manifest’s goal is to assemble a diverse array of works of ceramics for an exhibit spanning our Drawing Room and Parallel Space galleries that will be unified by virtue of its exploration of the medium, but intriguing and insightful due to the wide variety of approaches taken by artists working in ceramics. Eligibility: FIRED is open to everyone. Professionals as well as students are encouraged to enter. The only limitation is that entries must represent original works of art and represent the incorporation of ceramics as an essential part of the work. Media: Open to all traditional and non-traditional genre and media, including mixed media, which incorporate ceramics in some significant way. Jury and Curator: Manifest’s selection process involves a complex two-part system. This exhibit will be juried by a 5-9 member panel of professional and academic advisors with a broad range of expertise. The jury will then pass along their recommendations to the exhibit curator who will make the final selections from the jury-approved pool. Catalog: Manifest will produce a full-color catalog documenting the work selected for exhibit. Each exhibiting artist will receive one free copy of the catalog. Manifest is unique among galleries and museums around the world for designing and producing a high-quality full-color book for every exhibit produced. By offering one complimentary copy of the catalog to exhibitors, Manifest continues to expand how it serves its non-profit mission and the artists who make it all possible. Artists will receive their copy either in person when picking up work after the exhbit, or with the return shipment of their artwork. Additional copies can be purchased via the online bookstore. For examples of past catalogs visit Manifest Press. Delivery and Return of Work: All work accepted for the exhibition must arrive ready to install. Works not gallery-ready, or not exhibiting good craftsmanship, may be omitted from the exhibit. Accepted work that differs significantly from the entry images or suffers from poor presentation, will be disqualified. Please note that professional-level presentation is a must. Work may be hand delivered or shipped. Shipped works must be sent in an easily reusable container/packaging with return shipping prepaid. Works will be returned in the same manner as delivered or via UPS/USPS. All work must arrive at Manifest by the specified date (see calendar below). Accepted work will remain on display for the duration of the exhibition. Works not claimed within 30 days of the end of the exhibit will become the property of Manifest. The artists are responsible for all shipping costs. Calendar:

March 2 March 14 March 21 April 9 April 15 May 13 May 14-20 Deadline for receipt of entries Notifications sent by email Hi-res images needed for catalog and PR Artwork due to Manifest by this date Opening reception Final Day of Exhibition Pick-up/ship artwork

Insurance: Works will be insured while on gallery premises. Insurance covers theft, vandalism, damage caused by gallery patrons or staff (in accordance with insurance policy). PLEASE NOTE: Insurance does not cover damage caused during shipping due to any reason, including mishandling by carrier or failure of packaging to protect works in transit. Also not covered is damage caused to work by failure of the work itself, its mounting systems installed by the artist, or disintegration/degradation due to the nature/quality of materials or craftsmanship. Entry Fee: Each work submitted must be accompanied by a $10 non-refundable entry fee. Number of entries is unlimited. Entry fee must be paid by U.S. check or U.S. or International money order made payable to MANIFEST, or by credit card via PayPal. (If paying by PayPal PLEASE use the paypal link provided on the page that follows the submission of the online entry form.) Detail images may be included at no additional cost, but should only be included if necessary for understanding the nature or quality of the artwork. How many works should I submit?
The average number of works submitted to typical Manifest calls is 3. Some artists like to submit several more, especially if they have a couple different bodies of work which they’d like our jury to consider, or if they have a suite of works that are interrelated. While we have absolutely no minimum number required (other than one), nor do we give an advantage to those who submit more, it is helpful to have a few options to select from. Our jury often gains insight into one work by seeing it in context with a few others by the same artist. And we do routinely accept pairs or sets of work by artists once they are determined to be a finalist. Sale of Work: All work, unless indicated as not for sale (NFS), will be available for sale during exhibit. Manifest Gallery will retain a commission of 30% on all artwork sold during the exhibition. Images: In an effort to conserve resources Manifest accepts only digital images/files for consideration. See specifications below. The Gallery will retain the submitted images of accepted artwork and reserves the right to use the images in publications and gallery publicity. CD’s of works not selected will only be returned if accompanied by a SASE. SUBMISSION DETAILS / TO ENTER >>
via artrubicon

Genesee Pottery Call for Entries: College Clay Collective 2011

The best in college ceramics at the Firehouse Gallery at Genesee Pottery. Juried by Kathy King: Visiting Artis Program Coordinator, Assistant to the Acting Director and Instructor at the Office of the Arts Ceramics Program at Harvard. Entry fee; $15 for one entry, $20 for three entries The Firehouse Gallery at Genesee Pottery is seeking original ceramic work from emerging artists who are currently enrolled in a college program. Work may be functional or sculptural. Mixed media work must be predominantly ceramics. Submission deadline is Feb. 5th, 2011 (postmarked) College Clay Collective Prospectus and Entry Form http://www.geneseearts.org/genesee-pottery/Call-For-Entries.php The Genesee Center for the Arts & Education is located in Rochester, New York.via SJSU’s Art Blog

Feats of Clay XXIV, 2011 call for ceramic art

Lincoln Arts and Culture Foundation, located in Lincoln, California, will present its 24th annual juried competition of ceramic works April 23rd – May 29th, 2011 featuring artists residing or working in the United States, Mexico and Canada. This celebratory exhibition of contemporary ceramic art (sculptural, non-functional, functional) will be held on the property of the renowned Gladding, McBean Terra Cotta Factory, and displayed inside an original 35 foot beehive kiln and in the historic architectural design studio. Access to the exhibit is by tour only. Juror is Donna Billick, a ceramic artist living in Davis, California. Billick Rock Art has been creating large scale public art for 35 years, using ceramic, mosaic, tile terrazzo, bronze and steel. She is co-founder of the Art/Science Fusion program at the University of Davis. Cash awards. Artists may enter up to three works which use 70% clay as the primary medium. Works must not exceed 36″ or 90cm in any direction-No Exceptions. Works must have been made after January 2010. Entry fee. Deadline February 4th, 2011 (postmark) PDF of prospectus: 2011 Prospectus Link to website: http://www.lincolnarts.org/featsofclay.htmvia SJSU’s Art blog

Time to give a little love back….

Maybe it’s because Hallmark is shoving candy hearts down my throat, or maybe it’s just because I have such amazing readers…but i reckon it’s time to give a little love back and share some more from the amazing readers of musing with another “Artist of the day” month. Think back to December of 2009 or April of 2009 (wow i let a whole year go by without a month long showcase? Why didn’t you all revolt?!)

So here’s the drill:
You – send me some jpeg images of your amazing (primarily clay based) work; a brief bio or write up about your work; a website link or means for your adoring fans to get in touch with you.
Me – I’ll promise to post an artist a day for the entire month of February. First come, first serve basis. If you send it, it will be posted. This is not juried.

Why? Because it’s a great way for you to get your work shown to a wide audience of art lovers that make up this wonderful and supportive clay community. Plus it makes the blog look extra special gorgeous on a day to day basis. And well, maybe just maybe, there might be a prize in the mix somewhere…..(gotta be in it to win it right?!)

So send your images, etc. ASAP to [email protected]
Please help me out by putting “artist of the day” in the subject line.
And if you know of someone whose work should be shown here, please, please pass this post along.

Alright guys – now it’s in your hands!