The Call for Submissions for the 2021 Winifred Shantz Award for Ceramics is now Open!

The Canadian Clay & Glass Gallery is calling for submissions to the 2021 Winifred Shantz Award for Ceramics. In order to be considered, applications for the award must be received electronically by Friday, April 30, 2021.

This prestigious national award allows practicing emerging ceramic artists to undertake a period of independent research, or other activities that advance their artistic and professional practice. The winner of the Award will receive $10,000. The selection is made by a jury comprised of respected contemporary ceramic artists and other arts professionals.

The winner and up to five finalists will have their work featured in a group exhibition at the Canadian Clay & Glass Gallery from September 2021 to January 2022. The exhibiting finalists will receive an artist fee commensurate with the current CARFAC Fee Schedule. The Award will be presented at the opening reception, held at the Gallery in Waterloo on Sunday, September 26that 2:00pm. Transportation and accommodation will be provided to the winner, as required. In order to be eligible for the Award, applicants must be available to attend the reception on September 26th and be prepared to make a brief artist talk. All details related to the exhibition and reception are subject to change according to relevant COVID-19 restrictions including dates, attendance, location, and possible online formats. The winner and finalists will be notified in early June.

 

To apply to the Winifred Shantz Award for Ceramics, you must be a Canadian citizen or have Permanent Resident status, as defined by Citizenship and Immigration Canada. You must also meet our definition of an emerging professional artist, which is an artist who:

  • has maintained a professional practice for five to ten years as of the application deadline date. Professional practice typically begins upon completion of a college or bachelor’s degree in ceramics. If alternate circumstances apply, demonstrate how you identify as an emerging artist in the cover letter portion of the application;
  • has developed skills through training and/or practice in the field;
  • operates or has consistent access to a ceramic studio;
  • has a body of work that incorporates a public presence and peer recognition; and
  • seeks payment for their work and has an active and engaged practice

Nurielle Stern, winner of the 2019 Winifred Shantz Award for ceramics, was invited by Tony Marsh, Director of the Center for Contemporary Ceramics at California State University, Long Beach, to be a visiting artist at the Center in 2020. Of her experience, Nurielle stated:

The Winifred Shantz Award combined with a Canada Council Arts Abroad Grant afforded me the opportunity to travel for this residency in order to produce large-scale ceramic sculptural pieces. During this residency, I was able to access the school’s amazing facilities to create ambitious work beyond what would be possible in my Toronto studio. It was a unique opportunity to learn from and receive feedback from peers and to make international connections with other visiting artists and become familiar with some of the galleries and museums in L.A. The CSULB Center for Contemporary Ceramics is a high profile residency, and I’m incredibly honoured to have been chosen for this opportunity. My fellow artists in residence in winter 2020 included Simone Leigh, Heidi Lau, and Sharif Farrag, among others. Many thanks to Tony Marsh, the Shantz Family and The Keith and Winifred Shantz Fund for the Arts, the Canadian Clay and Glass Gallery, and the Canada Council for the Arts.

To download the complete application guidelines for the 2021 Winifred Shantz Award for Ceramics, click here.

About the Winifred Shantz Award for Ceramics

The Winifred Shantz Award for Ceramics is supported by The Keith and Winifred Shantz Fund for the Arts, held at Kitchener Waterloo Community Foundation. This prestigious $10,000 award allows practising early career ceramic artists to undertake a period of independent research, or other activities that advance their artistic and professional practice. The winner and up to five finalists are also included in a group exhibition at the Gallery.

Past recipients of the award truly represent the best of the emerging ceramic artists in Canada. Joon Hee Kim of Oakville, Ontario was the winner of the 2020 Winifred Shantz Award for Ceramics. Click here to learn more about winners of the award in past years.

About Winifred Shantz:

The late Winifred Shantz was a driving force for the arts in Waterloo Region for more than 40 years. A successful ceramist, entrepreneur and visionary philanthropist, she was committed to finding ways to enable artists to reach their full potential.

call for entry: Filled Up

filled up

(a ceramic cup show)

The cup, one of ceramics’ more iconic images, has been used as a metaphor, a sculptural element, a sculptural foundation and a functional daily piece of dinnerware. The New Harmony Clay Project in cooperation with the New Harmony Gallery of Contemporary Art (NHGCA), a University of Southern Indiana division of outreach and engagement, is now accepting entries for its first annual juried cup show set to be exhibited in historic New Harmony, IN, at the NHGCA, December 5, 2020-January 22, 2021. Whether you choose to fill your cups with beverages, food, pencils, or ideology, this exhibition will feature over 100 handmade creations from artists across the country. This exhibition is made possible in part by the Arts Council of Southwestern Indiana, Lenny and Anne Dowhie Trusts, and the Indiana Arts Commission, which receives support from the State of Indiana and the National Endowment for the Arts.

quick facts

Exhibition Dates: December 5, 2020-January 22, 2021

Online Application Closes: October 31, 2020 (midnight)

Entry Fee: $15 for 1-3 entries

Notification Begins via Email: November 9-11, 2020

Shipped Work Due: November 17-24, 2020

Hand-Delivered Work Due: December 1-3, 2020

Return Shipping of Unsold Work: January 28-February 2, 2021

Hand-Delivered Unsold Works Picked Up: January 26-30, 2021

FULL DETAILS FOR ENTRY HERE.

call for entries: Clay: A Southern Census

 

 

 

 

 

 

“Clay: A Southern Census”
January 8 – 30, 2021
Juried by Ariel Bowman
Entries due July 30, 2020

The Clay Center of New Orleans seeks applicants for “Clay: A Southern Census,” our annual juried exhibition devoted to ceramic work by artists residing in the states that make up the U.S. Census Bureau’s “South Region,” which includes AL, AR, DC, DE, FL, GA, KY, LA, MD, MS, NC, OK, SC, TN, TX, VA and WV.

Open to ceramic vessels, sculptures and wall-mounted works, this exhibition will be on display January 8 – 30, 2021 in the Clay Center’s gallery space in the heart of New Orleans.

About the Juror
Ariel Bowman was raised in Dallas, Texas where her parents are both artists. Growing up, she spent a lot of time outside with animals. The undeveloped woodlands that surrounded her childhood home inspired her to create art that focused on the natural world.

As a sculptor, Ariel works in clay using a variety of mixed media techniques. Of her work, Ariel says, “I make sculptures of prehistoric animals that represent the wonder to be found in natural history. I am intrigued by animals that evolved with distinct features, such as unfamiliar tusks, strange elongated limbs, and unusual proportions. I use clay to bring these extinct creatures back to life, sculpting folds of flesh and filling their bellies with air.”
Ariel earned her Bachelors of Fine Arts degree in ceramics from the Kansas City Art Institute in 2011, and a Masters of Fine Arts degree from the University of Florida in 2018. She has studied abroad at the International Ceramics Studio in Hungary, and was awarded the Regina K. Brown NCECA undergraduate and graduate fellowships. Ariel has been an artist in residence at the Armory Art Center and her work has been collected by the Belger Arts Center, the Florida Museum of Natural History, and the San Angelo Museum of Fine Arts.

Apply online via EntryThingy
Download prospectus (PDF)