British Ceramics Biennial and Ceramic Review Writing Prize

CR Writing Prize This year Ceramic Review is launching a new prize inspired by the British Ceramics Biennial to discover and stimulate new writing on ceramics. Entrants should write a short text that explores the BCB, Stoke-on-Trent’s ceramic heritage, or ceramics in general. Entrants are encouraged to be critical, theoretical, or experimental in their approach, and can submit up to 650 words. Writers, makers, and artists from all backgrounds are invited to submit their text to [email protected] by 13 November 2011. The winning entry will be published in an upcoming issue of the magazine and the winner will be awarded a two-year subscription. Bonnie Kemske, Ceramic Review Editor, explains the idea behind the prize: ‘People will always, and have always, talked about ceramics. With this prize we hope to give a greater voice to these discussions and to encourage a more critical approach and appreciation of the medium. Reviews, critical analysis, a short story, or a poem – we want to read it all.’ Guidelines for entry Entries should explore the BCB, Stoke-on-Trent’s ceramic heritage, or ceramics in general, and the competition is free to enter. Submit entries to [email protected] by 6pm on 13 November 2011. Entries should be by email only. Include your name, address, telephone number, and also the title of your entry in the body of the email. Do not send the entry text in the body of the email. Your submitted text of up to 650 words (poems can be no longer than 60 lines in length) should be sent as a Word document attachment to the email, headed with the title of the piece. No personal details should be included in the entry, but must be in the body of the email. You may submit one supporting image with your text; this should be submitted as a high-resolution digital image (300dpi) saved as a Jpeg, TIFF, or Photoshop file. You will receive confirmation of your submission via email. There is no restriction on the form or genre of your entry: we will accept poetry, short fiction, critical analysis, reviews, or experimental writing. All entries should be written in English, although the competition is open to international submissions. Entries should not have been published or accepted for publication elsewhere, including blogs, websites, and other social media, and not under consideration in any other competitions at time of entry. No corrections can be made after receipt of your entry. Eligibility You may submit either as an individual or as part of a collaboration, but each entrant may submit just one entry. There is no age restriction. The Judging Panel The Ceramic Review editorial team, and Amanda Fielding, independent curator and writer, and regular contributor to Ceramic Review. Prize There will be one overall winner to be notified by 30 November 2011. The winning entry will be published in a related issue of Ceramic Review by July 2012. The winner will also receive a two-year subscription (12 issues). Disclaimer The judges reserve the right not to select a winning entry if, in their opinion, no works entered reach a sufficiently high standard. The judging panel may select runners-up at their discretion and this may lead to publication. The judges are unable to comment on individual entries and cannot offer feedback. Copyright of the winning entry remains with the author, but Ceramic Review reserves the right to publish the winning entry/entries in its magazine and on its website, as well as retaining unrestricted rights to use the winning entries and any related material for PR purposes. Entries submitted posthumously will not be eligible. The judges’ decision (both as to eligibility and the winning entries) shall be final.See the website here.

Call for papers: A World in Making: Cities Craft Design

craft + design enquiry is pleased to announce a new call for papers for the fifth issue of the journal to be published in 2013.Guest Editor, Suzie Attiwill is calling for papers for this on the theme of A World in Making: Cities Craft Design as outlined below.On 12 March 1913, a naming ceremony took place in an empty paddock on a hill. This rural environment was to become a city, the capital city of Australia, the city of Canberra. The aspirations and the projections of the Griffins’ winning design for Canberra are an example of a world-in-making involving the practices of design and craft. This issue of craft + design enquiry will be published in 2013 – 100 years after this event and when, for the first time in history, more than half the world’s population live in cities. By 2030, this will increase to at least 60% with significant growth happening in cities of developing countries and the emergence of meta-cities with 20 million inhabitants. ‘The twenty-first century will be known as the century of the city’.1 This next issue of craft + design enquiry will focus on and highlight the role, contribution and potential of craft and design practices to the urban environment as well as the transformation of these practices – a world in making. ‘The thing is what we make of the world. … Things are our way of dealing with a world in which we are enmeshed rather than over which we have dominion. … It is our way of dealing with the plethora of sensations, vibrations, movements, and intensities that constitute both our world and ourselves’ … ‘We make objects in order to live in the world’.2 Situated in a journal published by Craft Australia, the nuances of craft – a practice which values making and materiality – will guide the selection of papers for publication. This emphasis on craft does not exclude design so much as bring focus to practices of design which engage ideas of making and materiality, where there is a sense of a hand(s) in making, a valuing of haptic encounters and an attention to the relation between people and surroundings. From small to large scale projects, from individuals to communities, an intimate approach to the question of how people inhabit and transform the urban environment is invoked. What are the potentials in this century of the city for craft and design practices? What is the contribution of craft and design to cities and liveability? What might a craft sensibility bring to urban inhabitation? What of an expanded idea of craft practice as a way of working and thinking which addresses spatial and temporal urban conditions? What of the emergence of new forms of practices to engage in the condition of the urban environment and the social, political and cultural forces of the twenty-first century?
Academics, practitioners, research students and others are invited to submit research papers and critical project works. A definition of research as ‘the creation of new knowledge and/or the use of existing knowledge in a new and creative way so as to generate new concepts, methodologies and understandings’ 3 is reiterated here to highlight the criticality of ‘new and creative’ in relation to research and to encourage the submission of research through craft and design practice, as well as about craft and design practices situated in a world in making – ‘the century of the city’. Authors are also encouraged to consider the inclusion of visual material as research. This issue of craft + design enquiry will be published in mid-2013. The CDE#5 Call for Papers closes on 30 June 2012.To submit a paper please register online by the closing date of 30 June 2012. Refer to author guidelines for further information.For inquiries relating to this issue or submission of papers, please contact the Guest Editor, Suzie Attiwill Administrative enquiries, please contact Jenny DevesVisit the website here.

Call for entry: Fourth Annual Cup Show: Form and Function

Gulf Coast State College Amelia Center Gallery is hosting a juried exhibition that explores the idea of the drinking vessel. The exhibition will focus on the function and concept of the drinking vessel, including its relation to history, politics, craft, technology, utility, and narrative. The exhibition will be a survey of the wide variety of approaches to contemporary ceramics through the lens of the most intimate and accessible vessel, the cup.

Juror
Linda Arbuckle is a professor at the University of Florida, Gainesville. Her work in majolica-glazed earthenware has been recognized through an Artists’ Fellowship from the National Endowment for the Arts, as well as a Florida Individual Artists’ Fellowship. Artist-in-residence positions in Wales and the People’s Republic of China have provided further balance of Eastern and Western resources in her works.

Eligibility
The exhibition is open to both functional and sculptural work that addresses the idea of “the cup”. Please submit only original work that has been completed in the last three (3) years. Amelia Center Gallery reserves the right to reject any work that is not suitably prepared for exhibition or that differs from the original submission.

Calendar
Application Due October 21, 2011
Notification Begins November 3, 2011
Accepted Work Due November 22, 2011
Opening Reception December 2, 2011
Show Closes December 22, 2011
Unsold Work Shipped January 3, 2012

Entry Fee. There is a non-refundable entry fee of $15 payable to Visionaries Ink.
Mail CD, completed entry form, and entry fee to our mailing address:
Gulf Coast State College
Visual and Performing Arts, Attn: Pavel Amromin
5230 West U.S. Hwy 98
Panama City, FL 32401-1041
850-769-3886 | www.gulfcoast.edu/arts/art/gallery/default.htm | [email protected]
Please visit their website or email them for full entry details and form.

Notification
Email notification will begin on November 3, 2011. Please be sure to include your email address on your entry form to ensure timely notification.

Shipment of Work
All artwork must arrive at the Amelia Center Gallery no later than November 22, 2011. All

Commission
Amelia Center Gallery will receive commission of 30% on all sales.

Call for entries: 3rd Biennial Central Time Ceramics juried exhibition

Bradley University Galleries, Peoria, IL

This exhibition is open to all ceramic artists over the age of 18, who currently reside in the Central Time Zone. Artwork submitted must have been completed within the last three years. All forms of ceramic expression are encouraged. The show will be judged by Delores Fortuna, MFA, a ceramicist with over 30 years of experience.

Entry Deadline: November 11, 2011

For more information download prospectus at
http://art.bradley.edu/bug/wp-content/uploads/2011/06/CTCfinal.pdf