We are accepting submissions for Cup: The Intimate Object XVII, which we will host this fall. Each year this international exhibition brings together some of the most exciting handmade cups in contemporary ceramics. We welcome submissions by national and international artists in all stages of their careers, from current students and artists who are just emerging on the scene to those who are well established.
We require submissions to include exactly five outstanding cups that are the same ones you would send for the show if accepted. You can review all submission requirements and details under Gallery Submissions on our website. As usual it is free to submit cups for consideration for this exhibition.
View submission details and important show dates here.
We look forward to seeing your cups!
Artists from Cup: The Intimate Object XVI pictured above (L to R): Avesha DeWolfe, Helle Bovbjerg, GretaMichelle Joachim, Louise Lovelace, Rom Marinkovich, Adriana Christianson, Jana Evans, Allee Etheridge, Annemiek Hamelink, and Maureen Marcotte
VisArts invites artists working in the expanded field of ceramics to apply for “This Moment of Rupture”.
“This Moment of Rupture” is a juried national survey of contemporary ceramics today. We seek a broad spectrum of works that both celebrate traditional forms and that challenge the conventional definitions of craft. During “this moment of rupture” with the related crises of the pandemic, racial uprisings, climate change, and economic decline, how are ceramic artists responding? Is there a renewed sense of emotional purpose? Is activism playing a role in contemporary ceramic practice? We are seeking artists who work in an expansive variety of media but that all incorporate ceramics in some way, be it with traditional methods, or with processes such as 3d printing, or as a part of performance art, mixed media and more. Artists may submit up to 3 works for consideration.
This exhibition will be juried by the founder and director of Red Dirt Studio, Margaret Boozer.
Application Deadline: Monday, June 7, 2021 before midnight*
In the wake of the recent Black Lives Matter movement, following the deaths of BIPOC individuals involving police, and the Indigenous Land Back movement, it became all too clear that the concept of diversity and inclusion is yet to be achieved. Systemic racism and neo-colonialism, homophobia and transphobia, racial profiling, the extreme right movement are still well anchored in our society, and emphasizing that we are far from being an inclusive society.
We announce a national open call for submissions from Canadian clay, glass and copper enamel artists for Myths and Realities, a national group exhibition that will spark conversation, and reflect on changes we must face related to important societal issues. We welcome submissions from artists who broadly embrace or identify with the theme of diversity and inclusion and all related issues in their artistic practices and experiences including, but not limited to, gender identity, sexual orientation, race, religion, and mental or physical abilities. Multi-media works and those that incorporate new media within the use of clay, glass, and copper enameling will be considered. The selected works will be presented in the exhibition from September 2022 to January 2023.
The Canadian Clay & Glass Gallery is calling for submissions to the 2021 Winifred Shantz Award for Ceramics. In order to be considered, applications for the award must be received electronically by Friday, April 30, 2021.
This prestigious national award allows practicing emerging ceramic artists to undertake a period of independent research, or other activities that advance their artistic and professional practice. The winner of the Award will receive $10,000. The selection is made by a jury comprised of respected contemporary ceramic artists and other arts professionals.
The winner and up to five finalists will have their work featured in a group exhibition at the Canadian Clay & Glass Gallery from September 2021 to January 2022. The exhibiting finalists will receive an artist fee commensurate with the current CARFAC Fee Schedule. The Award will be presented at the opening reception, held at the Gallery in Waterloo on Sunday, September 26that 2:00pm. Transportation and accommodation will be provided to the winner, as required. In order to be eligible for the Award, applicants must be available to attend the reception on September 26th and be prepared to make a brief artist talk. All details related to the exhibition and reception are subject to change according to relevant COVID-19 restrictions including dates, attendance, location, and possible online formats. The winner and finalists will be notified in early June.
To apply to the Winifred Shantz Award for Ceramics, you must be a Canadian citizen or have Permanent Resident status, as defined by Citizenship and Immigration Canada. You must also meet our definition of an emerging professional artist, which is an artist who:
has maintained a professional practice for five to ten years as of the application deadline date. Professional practice typically begins upon completion of a college or bachelor’s degree in ceramics. If alternate circumstances apply, demonstrate how you identify as an emerging artist in the cover letter portion of the application;
has developed skills through training and/or practice in the field;
operates or has consistent access to a ceramic studio;
has a body of work that incorporates a public presence and peer recognition; and
seeks payment for their work and has an active and engaged practice
Nurielle Stern, winner of the 2019 Winifred Shantz Award for ceramics, was invited by Tony Marsh, Director of the Center for Contemporary Ceramics at California State University, Long Beach, to be a visiting artist at the Center in 2020. Of her experience, Nurielle stated:
The Winifred Shantz Award combined with a Canada Council Arts Abroad Grant afforded me the opportunity to travel for this residency in order to produce large-scale ceramic sculptural pieces. During this residency, I was able to access the school’s amazing facilities to create ambitious work beyond what would be possible in my Toronto studio. It was a unique opportunity to learn from and receive feedback from peers and to make international connections with other visiting artists and become familiar with some of the galleries and museums in L.A. The CSULB Center for Contemporary Ceramics is a high profile residency, and I’m incredibly honoured to have been chosen for this opportunity. My fellow artists in residence in winter 2020 included Simone Leigh, Heidi Lau, and Sharif Farrag, among others. Many thanks to Tony Marsh, the Shantz Family and The Keith and Winifred Shantz Fund for the Arts, the Canadian Clay and Glass Gallery, and the Canada Council for the Arts.
The Winifred Shantz Award for Ceramics is supported by The Keith and Winifred Shantz Fund for the Arts, held at Kitchener Waterloo Community Foundation. This prestigious $10,000 award allows practising early career ceramic artists to undertake a period of independent research, or other activities that advance their artistic and professional practice. The winner and up to five finalists are also included in a group exhibition at the Gallery.
Past recipients of the award truly represent the best of the emerging ceramic artists in Canada. Joon Hee Kim of Oakville, Ontario was the winner of the 2020 Winifred Shantz Award for Ceramics. Click here to learn more about winners of the award in past years.
About Winifred Shantz:
The late Winifred Shantz was a driving force for the arts in Waterloo Region for more than 40 years. A successful ceramist, entrepreneur and visionary philanthropist, she was committed to finding ways to enable artists to reach their full potential.
