call for entry: Filled Up

filled up

(a ceramic cup show)

The cup, one of ceramics’ more iconic images, has been used as a metaphor, a sculptural element, a sculptural foundation and a functional daily piece of dinnerware. The New Harmony Clay Project in cooperation with the New Harmony Gallery of Contemporary Art (NHGCA), a University of Southern Indiana division of outreach and engagement, is now accepting entries for its first annual juried cup show set to be exhibited in historic New Harmony, IN, at the NHGCA, December 5, 2020-January 22, 2021. Whether you choose to fill your cups with beverages, food, pencils, or ideology, this exhibition will feature over 100 handmade creations from artists across the country. This exhibition is made possible in part by the Arts Council of Southwestern Indiana, Lenny and Anne Dowhie Trusts, and the Indiana Arts Commission, which receives support from the State of Indiana and the National Endowment for the Arts.

quick facts

Exhibition Dates: December 5, 2020-January 22, 2021

Online Application Closes: October 31, 2020 (midnight)

Entry Fee: $15 for 1-3 entries

Notification Begins via Email: November 9-11, 2020

Shipped Work Due: November 17-24, 2020

Hand-Delivered Work Due: December 1-3, 2020

Return Shipping of Unsold Work: January 28-February 2, 2021

Hand-Delivered Unsold Works Picked Up: January 26-30, 2021

FULL DETAILS FOR ENTRY HERE.

UPCOMING NCECA OPPORTUNITY DEADLINES 

2021 ANNUAL EXHIBITION

Deadline, October 7, 2020
The 2021 NCECA Annual will run from February 5- March 28, 2021 at the Weston Art Gallery, Aronoff Center for the Arts in Cincinnati, Ohio. Exhibition Curator Shannon Rae Stratton shares that according to physician’s Vivek H. Murthy and Alice Chen, the corona virus could cause what is being called a “social recession.” They speak about how the longer we go without personal contact, the more social bonds fray and unravel, leading to harmful effects on mood, health, our ability to learn and work, and our overall sense of community. Many artists working in craft value the field for its history of peer-to-peer exchange, mentorship, functionality and proximity to the body. It’s a field that identifies itself with connection and touch, with craft objects – whether functional design or conceptual art – often serving social functions. This call invites artists to consider the tension between together and apart, interdependence, belonging, hospitality and modes of support that allow people to extend themselves with mindfulness and compassion towards each other and to the non-human world. We encourage submissions that deal with collective grief and mourning, rage, empowerment, joy, care and compassion – but all through work grounded in connection, interdependence and the social. Visit https://nceca.net/2021-nceca-annual-social-recession/ to learn more and submit your work.

2021 NCECA JURIED STUDENT EXHIBITION

Deadline, October 7, 2020
The 2021 NCECA Juried Student Exhibition will take place from January 24-March 20, 2021 at DAAP Galleries of the College of Design, Architecture, Art, and Planning at University of Cincinnati. Ceramic artists Jessika Edgar and Malcolm Mobutu Smith will select works for the exhibition. The exhibition is open to students enrolled in undergraduate, graduate, and post-baccalaureate programs based in the United States of America, Canada, and Mexico. (Applicants must be working towards a degree or be a post-baccalaureate at the time of submission.) Visit https://nceca.net/2021-nceca-juried-student-exhibition/ to learn more and apply.

September 30, 2020 – 2021 Venue Generated Exhibitions- Cincinnati https://nceca.net/2021-venue-originated-exhibitions/

October 14, 2020


October 28, 2020

call for artists: 2021 Cheongju International Craft Competition

Starting in 1999 and producing 1,700 award-winning works from 47 countries,
we are presenting the competition guidelines for <2021 Cheongju International Craft Competition>, a representative event of the Cheongju Craft Biennale 🙂
The total prize for this competition is KRW146,000,000.
– Competition 1: Craft Competition
– Competition 2: Craft City Lab Competition
In both competition, you can apply for any age and nationality, and winners will receive awards, including a certificate and a plaque.
The application period is
from May 1st to 31st, 2022.
For details, visit the official website
Please check ▼

call for entry: 2021 NCECA Annual – Social Recession

Curated by Shannon Rae Stratton

Hosted by:
Weston Art Gallery
Aronoff Center for the Arts
650 Walnut Street
Cincinnati, Oh 45202
513-977- 4166
www.westonartgallery.com

ENTRY DEADLINE:  Wednesday, October 7, 2020   (11:59pm MDT)

EXHIBITION DATES: February 5 – March 28, 2021

ABOUT THE NCECA ANNUAL
The NCECA Annual blends impactful attributes of invitational and open juried models of exhibition development. Exhibition curator Shannon Rae Stratton’s organizing concept is brought to life through the work of three invited artists. The curator will select additional works and artists for the exhibition through an open call for submissions.

Stratton shares the following about her vision for the exhibition:

According to physician’s Vivek H. Murthy and Alice Chen’s March article for the Atlantic, the corona virus could cause what is being called a “social recession.” They speak about how the longer we go without personal contact, the more social bonds fray and unravel, leading to harmful effects on mood, health, our ability to learn and work, and our overall sense of community. Their concern stems from an already growing body of national and global research on the epidemic of loneliness that reports, at the lowest 22% of American adults, and at the highest 50%, are struggling with loneliness. That is more adults than smoke or have diabetes. 

Many artists working in craft value the field for its history of peer-to-peer exchange, mentorship, functionality and proximity to the body. It’s a field that identifies itself with connection and touch, with craft objects – whether functional design or conceptual art – often serving social functions. 

While Murthy and Chen were concerned with fraying social bonds based on enforced separation, the legacy of settler colonialism and white suprematism that has shaped capitalism, Western culture and specifically the United States, has long disrupted social bonds, destroying communities, histories and traditions in its wake. 

This call for artwork for the NCECA Annual invites artists to consider the tension between together and apart, interdependence, belonging, hospitality and modes of support that allow people to extend themselves with mindfulness and compassion towards each other and to the non-human world. As the list of untenable and ailing structures that have caused harm begin to crumble, what change can be supported through connection, compassion and empathy?

Living in a culture that places a high value on individuality has obscured the reality of interdependence – the fact that nobody thinks or creates in a vacuum. If anything, people are all vectors for one thing or another, transmitting ideas that have coalesced in and around us at any given time. Empathy is the nourishment required to sustain a tender “us” now and in the future. 

Interested artists are encouraged to submit works that draw on their personal and cultural experience to explore themes of the social and how social connection, as a renewable resource, is a means for addressing the challenges we face both individually and as a society. We encourage submissions that deal with collective grief and mourning, rage, empowerment, joy, care and compassion – but all through work grounded in connection, interdependence and the social.

Full Details HERE.

 

Call for Proposals: SOLO ARTIST EXHIBITION @ The Clay Center of New Orleans

 

 

 

 

 

 

February 26 – March 27, 2021
Juried by CCNO Committee
Entries due September 15, 2020

The Clay Center of New Orleans seeks proposals for a solo artist exhibition to be on display February 26 – March 27, 2021 in the Clay Center’s gallery space in the heart of New Orleans.

This call is open to proposals for all forms of contemporary ceramic artwork, including functional studio pottery, sculptures and sculptural vessels, and installation work. Mixed media proposals are acceptable but clay must the primary material.

Apply online via EntryThingy
Download prospectus (PDF)

www.nolaclay.org/calls-for-entries.html