by Carole Epp | Dec 12, 2019 | call for entry
Ceramic Competition & Invitational
The San Angelo Museum of Fine Arts hosts a juried ceramic competition every two years. The competition is open to all artists who are residents of the United States, Canada, and Mexico. All work completed within the last two years, both functional and sculptural, is eligible.
April 17, 2020 – June 28, 2020
The 23rd San Angelo National Ceramic Competition
Juror: Jo Lauria, Los Angeles, CA
Jo Lauria is a Los Angeles-based curator, writer, and educator who received her curatorial training at The Los Angeles County Museum of Art. She is a specialist in the fields of design, craft, and decorative arts, with particular emphasis on modern and contemporary studio ceramics.
Lauria is the organizer of several national touring exhibitions as well as author of numerous publications: biographies that chart the lives and work of contemporary designers and craft artists; and survey books that chronicle major movements in the field. Most recently she received the American Ceramic Circle Book Award for Ralph Bacerra: Exquisite Beauty. Currently she is a contributing writer to Ornament Magazine, Mentor Faculty of Otis College of Art and Design, and Adjunct Curator of the American Museum of Ceramic Art (California).
Enter the competition HERE.
Entry Deadline is January 30, 2020.
April 12, 2019 – July 7, 2019
San Angelo Ceramic Invitational Exhibition (non-competition year)
The 2019 San Angelo Ceramic Invitational Exhibit featured the work of six Texas ceramic artists: Alejandra Almuelle, Mary Fischer, Angela Gallia, Linda Gossett, Shikha Joshi, and Kym Owens.
www.samfa.org/ceramic-competition
by Carole Epp | Dec 2, 2019 | call for entry
LIP SERVICE
A cup is one of the most intimate objects that we interact with on a daily basis. When we sit with our tea, coffee or beverage of choice, we are in communion with this drinking vessel through its touch to our lips and its feel in our hands. Furthermore, when we drink with a handmade object, we are also connecting with the maker of the object, one pair of hands to another. Selected through a jurying process by nationally renowned Massachusetts-based potter Mary Barringer, this exhibition will feature 100 drinking vessels by artists from across the country– cups, mugs, teabowls, yunomi, shot cups, martini cups, bourbon cups, wine goblets, espresso mugs, tumblers and more. We seek a diverse array of objects that invite use and handling, and are made for different hands, different aesthetics and different liquids. A feast for the eyes, each object is meant to be taken home and enjoyed one beverage at a time.
JUROR
Mary Barringer received a BA in art from Bennington College and has been a studio artist since 1973, making both sculpture and functional pottery. Her work has been exhibited internationally, and she has taught widely at universities, art schools, and craft centers and including Ohio University, Hartford Art School, and Anderson Ranch. In addition to her studio work she has written and lectured on the history of ceramics, and from 2004 until 2014 she served as editor of The Studio Potter journal. She lives in western Massachusetts.
AWARDS
A Juror’s Choice Award ($300) and a Director’s Choice Award ($100) will be determined from the actual works and will be announced during the Opening Reception.
ELIGIBILITY
Lip Service is open to all artists over 18 residing within the United States and Canada.
FEES
$30 per entry (for up to 5 works)
ENTRY PROCEDURES
Applications will be accepted online only; www.callforentry.com
Submission begins September 1, 2019 and ends January 15, 2020
NUMBER OF WORKS
No more than 5 pieces of artwork may be submitted. Jurying will be conducted from images of actual works available for the exhibition. No substitutions allowed. Submissions that include more than 5 works or more than one detail image per work may be excluded from adjudication.
MORE DETAILS HERE.
by Carole Epp | Oct 27, 2019 | call for entry
An international fine craft competition featuring handcrafted items, to include everything from furniture, elegant vases and jewelry boxes to wall hangings, pottery and sculpture made by hand from glass, clay, wood, metal, fiber and more.
Juror: Holly Jerger
Cash Award Prizes
1st Place $1,500
2nd Place $1000
3rd Place $750
4th Place: $500
People’s Choice: $350
A full color catalog of the show will be available for purchase.
Juror: Holly Jerger
Holly Jerger is the exhibitions curator at Craft Contemporary (formerly Craft & Folk Art Museum) in Los Angeles, CA. Since 2015, she has organized or co-organized numerous exhibitions at Craft Contemporary, including Chapters: Book Arts in Southern California, Gronk’s Theater of Paint, Betye Saar: Keepin’ it Clean, and Melting Point: Movements in Contemporary Clay. Prior to her appointment as exhibitions curator, Jerger served as senior curator of public engagement (2005-2014), developing 90 programs annually. She holds a Bachelor of Fine Arts from Ball State University, Indiana, and a Master of Fine Arts from the University of Nebraska-Lincoln, where she also taught. She has served on the boards of the Museum Educators of Southern California (MESC) and the Los Angeles Printmaking Society.
Exhibition Designer: Kelly Bennet
Kelly Bennett is the Chief Preparator at UC Berkley Art Museum and Pacific Film Archive, and the Principal and owner of Art Pro Net. Kelly brings her over 15 years of experience to designing the layout of and overseeing installation of the Craft Nouveau Exhibition. She holds a Master of Arts in Arts Management from SUNY and previously served as the Exhibitions Manager for the Asian Art Museum.
Important Dates
Deadline to enter: November 14, 2019
Exhibition Dates: January 3 – March 7, 2020
Notification: November 21, 2019
Shipping deadline of work to Blue Line Arts: December 28, 2019
Hand deliver work to Blue Line Arts: December 29th or 30th, 2019
Opening Reception: January 18, 2020, 4 – 8 pm
Closing Reception: February 15, 2020, 4 – 8 pm
Pick up unsold work from Blue Line Arts: March 8th or 9th, from 10 am to 3 pm
Eligibility
● Open to artists everywhere: national and international
● All artwork must be original and completed within the last two years
● Artwork cannot have been previously exhibited at Blue Line Arts
● All wall pieces must be ready to hang
● All artwork must be for sale
● Accepted artwork that differs significantly from the image in online submission will be disqualified
● No accepted entry may be withdrawn or sold outside of the exhibition prior to the closing date
● Blue Line Arts handles all sales transactions. Non-member artists receive a 50% commission from all gallery sales and members receive a 60% commission
● Size limitations: art must be able to enter through the doors with a clearance of 94”h x 91”w. Ceilings in the gallery are 10 feet high. No work over 60 lbs will be accepted.
● The artist is responsible to pay for all shipping and should have a prepaid label from FedEx or UPS (No US Mail) for the return of artwork. Please mark the outside of your box with your last name in bold letters.
● All shipping of fragile art must be packed as in this link. Please visit: https://www.fedex.com/downloads/shared/packagingtips/howtopack.pdf
Entry Fees: There is a non-refundable entry fee of $45 for the By Hand show. This initial fee covers 3 image uploads; there is a $5 fee for every additional image upload.
Application Requirements: Applicants must apply using the form on the Call for Entry (CAFE) website. You must be 18 years or older to apply.
Questions: If you have any questions about submissions, please contact Blue Line Arts staff during open hours at (916) 783-4117 or email [email protected]
www.bluelinearts.org/international-fine-craft-2019
by Carole Epp | Oct 20, 2019 | call for entry
Deadline: November 15 annually
The Saskatchewan Craft Council Gallery presents solo, two-person, and group exhibitions reflecting craft history, contemporary practice, and innovation. The SCC Gallery policy prioritizes showing Saskatchewan artists and curators, but aims to include at least one touring or out-of-province exhibition each year.
For each of the six exhibitions accepted to the Saskatchewan Craft Council Gallery annual schedule, the SCC will provide installation assistance; insurance; promotion; documentation; administrative labour; and artist fees to be paid to the artist(s). To assist the SCC with the cost of the aforementioned labour and staffing, a 40% commission will be retained on any sales resulting from an exhibition.
The SCC encourages applications from self-identified members of under-served communities. We encourage submissions from Indigenous artists, artists with disabilities, new Canadians as well as people from visible and invisible minorities.
Criteria
The SCC Gallery is committed to showcasing fine craft artists; other forms of visual art may be considered in addition to an exhibition that has a primary focus on craft.
Please ensure your application is complete. Applicants who submit incomplete, inaccurate, or misleading information may be deemed ineligible for consideration.
Each applicant must fulfill the requirements of the Exhibition Application Package.
Download the introduction and a helpful checklist here: SCC Exhibition Application Introduction and Checklist
Download the Application form here: SCC Exhibition Application Package
If you are having trouble opening the PDFs in your browser please try the following steps:
- Download the file directly
- Try a different browser
Certain conditions on your computer, such as security settings or browser cookies, can prevent you from viewing a PDF. Try any of the following browsers that you have not already tried:
- Google Chrome
- Mozilla Firefox
- Microsoft Internet Explorer
- Apple Safari
If all else fails, email Steph and Maia at [email protected] and they will email you the PDF documents directly.
Process
The Exhibitions & Education Coordinators along with the SCC Curatorial Committee assess all applications annually. Information from each applicant is sent to members of the Curatorial Committee prior to the annual review meeting, where proposals are considered along with their support material. The Curatorial Committee acts in an advisory capacity to the Exhibitions Coordinators. Applicants will be informed of the Curatorial Committee and Exhibitions Department’s decisions following the curatorial meeting in late December – mid January of each year. Additional Curatorial Committee meetings may be scheduled as decided by the Exhibitions and Education Coordinators.
In preparing your application, please consult the SCC’s archive of previous exhibitions, as well as the SCC gallery floorplan.
You can also refer to this blog post for more information or tips for submitting your proposal!
Questions can be directed to:
Stephanie Canning or Maia Stark
Exhibitions and Education Coordinators
[email protected]
306-653-3616 ext 2
by Carole Epp | Aug 8, 2019 | call for entry
EXHIBITION DATES: November 8 – December 21, 2019
Awards Ceremony and Opening Reception: Friday, November 8 from 6 – 8 p.m.
JUROR: Garth Johnson
ABOUT THE JUROR: Writer, curator, and educator Garth Johnson is the Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art in Syracuse, New York. Johnson is known for his irreverent wit, which can be explored through his weblog, www.extremecraft.com. He has also exhibited his work and published his writing nationally and internationally, including contributions to the books Handmade Nation, Craftivity, Craft Corps, and the Smithsonian American Art Museum’s Nation Building. His book, 1000 Ideas for Creative Reuse, was published by Quarry. He is a self-described craft activist who explores craft’s influence and relevance in the 21st century.
AWARDS:
Special Exhibitions Committee Award: Solo Exhibition at The Center for Contemporary Art
First Prize: $500
Second Prize: $250
Third Prize: $100
DATES & DEADLINES:
Submission Deadline: Sunday, September 15th at 11:59 p.m. MT
Artist Notification: Friday, October 11th (by email)
In Person Delivery: October 29 – November 2nd during office hours
Deadline to Receive Shipped Artwork: November 1st
Exhibit Opening Reception: Friday, November 8 from 6-8 p.m.
Pre-paid Artwork Return and In-Person Pick-Up: January 2 – 10 during office hours
ENTRY FEE:
$35 for up to three entries
$25 for Members of The Center and art educators
Entry fees are non-refundable
ELIGIBILITY:
The exhibition is open to artists age 18 and older
SPECIFICATIONS:
The exhibition will consist of three-dimensional ceramics work. Wall-mounted pieces must be prepared and ready for hanging and no larger than 36″ X 36″. Free-standing pieces may not exceed 32″ X 32″ X 48″ or weigh more than 75 lbs. including box or crate. Work across a variety of display solutions is encouraged including video or film related to clay. Accepted work cannot be substituted and must be available for the duration of the exhibit. Please contact The Center with questions about oversize pieces or other shipping concerns before you apply.
SUBMISSION:
Submit up to three JPEG/JPG digital images. Upload options for image files:
File format: JPEG or JPG only
File dimensions: 1200 pixels or greater on the longest side
File size: 5 MB maximum
Information on how to resize your file can be found here.
VIDEO
File Type: MOV, MP4, WMV, 3GP, AVI, ASF, MPG, M2T, MKV, M2TS.
File Size: Under 100 MB.
Currently, linked media from YouTube, Vimeo, etc. is not accepted.
HOW TO ENTER!
2019 entries should be submitted through CallforEntry.org starting June 1.
You must set up an account to enter.
If you run across a problem while applying or have questions, please contact CallforEntry.org at [email protected].
SHIPPING/DELIVERY OF ARTWORK:
The artist is responsible for the cost of shipping or mailing artwork to and from The Center for Contemporary Art using Fed-X or DHL. A return shipping label and return postage must be included with the artwork. Artwork may also be hand-delivered to and picked up from The Center for Contemporary Art on the appropriate dates during the scheduled times.
INSURANCE AND SALE OF ARTWORK:
All artwork is insured for its declared value from the time it is received through January 10, 2020 while it is on the premises. Artists are responsible for insuring artwork during transit.
The Center for Contemporary Art receives a 30% commission on all exhibition sales.
MEDIA/PUBLIC RELATIONS: The Center for Contemporary Art reserves the right to use digital images of exhibited artwork for media, website, PR and advertising.
