Two calls for artists from the Alberta Craft Council: Discovery Gallery and Potworks

ACC Discovery Gallery Call for Proposals

Annual Submission Deadline: July 15

The Discovery Gallery is dedicated to showcasing new work by
established and emerging craft artists and small group exhibitions. The
415 square foot space is located on the main level of the Edmonton
location and features 7+ exhibitions a year.

1.    Cover Letter
        – contact information: name, address, phone & email
        – detailed description & theme of the exhibition
        – number of pieces/artist in or expected to participate in exhibition
        – time of year preferred
2.    Current ACC Membership
3.    CV – Artist Resume
4.    Artist Biography
5.    Images with Image List
      – professional quality images (5-10 / jpg) of work that will be in the exhibition or representative of the work.
      – professional quality portrait of the artist (in the studio or against a neutral background)
      – the image list must include: title, year created, dimensions in inches, materials and technique
   
Your submission can be sent via
On-line: www.albertacraft.ab.ca/acc-submission-drop-box/
Email: [email protected]
Mail: Alberta Craft Council 10186-106 Street, Edmonton AB T5J 1H4

NOTE if you do not receive a message confirming we have received your submission, contact us.

 

Call for Entry: Potworks

Deadline: July 25, 2013

Pottery is an integral part of human existence around the world.  As
long as 2,000 years ago pots were being made in Alberta.  The province’s
current clay scene features a rich array of classic, innovative and
experimental work by studio potters, as well as prominent clay projects
and educational programs.

This exhibition is looking for Alberta ceramic artists who create
tableware or ceramic pieces related to cooking, dining and celebration. 
Work selected for this exhibition may include:

  • place settings
  • serving dishes
  • children’s sets
  • baking and cooking pieces (bean pot, tajine, casserole, etc.)
  • centerpieces
  • vases
  • candelabra
  • tea and other drinking sets

Potworks will run in the Alberta Craft Council’s Feature Gallery from October 5 – December 24, 2013. 

Submission Contents:

  • Current CV
  • Artist Biography & Statement
  • 3 – 10 Images with Image List
    • High quality images of the work to be presented in the exhibition
    • High quality portrait of the artist (in the studio or against a neutral background)
    • The image list must include: title, year created, dimensions, materials and techniques

Submissions can be sent online, email or mail.
Online: www.albertacraft.ab.ca/calls-for-entry
Email: [email protected]
Mail: Alberta Craft Council  10186-106 Street Edmonton, AB  T5J 1H4

NOTE if you do not receive a message confirming we have received your submission, contact us.

Call for artist: International Ceramic Symposium

From August 12 till August 25, 2013 Daugavpils Mark
Rothko Art Centre in cooperation with association “Daugavpils Clay Art
Centre” organizes International Ceramic Art Symposium “LANDescape”,
where 20 professional ceramists are invited to collectively create
ceramic fire sculpture ensemble as well as to make individual objects of
contemporary ceramics, drawing inspiration in Latvian nature and
cultural space.
Applications for participation in International Ceramic Art Symposium must be submitted till June 30, 2013.
Application and other materials added should be sent by e-mail: [email protected].
Contact person:
Valentins Petjko
+37120207533

Call for entry: International Contemporary Horse Teapot Exhibition

Time of
Exhibition:
 around April, 2014
Venues:  Noble Seafood Restaurants
        3883 North Hongmei Road, Shanghai, China
        66 North Shanxi Road,
Shanghai, China
        1 North Chaoyangmen
Street, Dongcheng District, Beijing, China
Organizer:
 Noble Seafood Restaurant   www.shnoble.com
Title of
Exhibition:
 Horse Teapot
Conditions of
Participation:
1.    
Each participant can exhibit 2 horse style
teapots at most, regardless of whether they are functional, semi-functional, or
non-functional.
2.    
Size of teapot should be no more than 40 cm. in
height, width or depth.
3.    
Participants can sell their teapots as well.  The commission is 50% of the retail
prices.
4.    
We prefer different style teapot, not only a
style with different colors.
5.    
The teapots must be ceramic.  The use of lava, cement or any other
material is not acceptable.
6.    
Collective teapots presented by two or more
creators (ceramists or designers) are acceptable.
7.    
The organizer agrees to undertake the following:
‧   all
expenses inherent to the exhibition and the promotion thereof
‧   insurance
of the exhibited works for the duration of the exhibition
‧   Chinese
customs’ formalities
‧   expenses
incurred in returning works (not including transport insurance)
‧   printing
of an illustrated invitation, catalogue, etc.
8.    
Invited artists must undertake:
‧   expenses
related to shipping the works to Shanghai (address & addressee will be designated at a later date)
‧   insurance
for the works during their transport to Shanghai
‧   all
expenses due to customs in their country of origin
‧   allow
photographs of his or her work may be reproduced, free of all rights, and used
for the exhibition or for the promotion
9.    
The organizer/exhibition center can not be held
responsible for any work that would be damaged or destroyed in transit.  If a work arrives damaged, the
organizer will have it restored as well as possible to allow for exhibition but
will not be available for sale.
Timetable:
1.    
Please email me the following materials by 30 October, 2013,
if you want to participate in this exhibition.
‧   your resume
‧   2 digital images of your personal photos/2
photos of you
(2 MG JPG file at least, good quality for publication)
‧   personal brief introduction (200~300
words, use the-third narrative, please see the following format)
Peter Lange (New Zealand)
Peter Lange, creator of the world first brick
boat and a leading figure in the craft/object art sector, has been awarded by
Creative New Zealand Craft/Object Art Fellowship this year.
Peter Lange has worked in ceramics for more
than 30 years and has been director of Auckland Studio Potters Center since
1997.  He changes his approach to
clay all the time.  Thirty years
ago he started working in the “Leach” tradition throwing high-fired
domestic-ware, but has at times embraced earthenware, slip-casting,
salt-glazing, brick sculpture, and experimental kiln-firings.  He enjoys illusion, irony and the
unexpect
ed?
Peter Lange has worked, taught and exhibited
in New Zealand and throughout the world. 
Highlights in recent years include being an official demonstrator at the
2002 Aomori Wood-fire Festival in Japan, and being selected to take part in a
terracotta and brick symposium in Eskisehir, Turkey in 2003.  In 1997, he taught at the Dubai Art Center
in the United Arab Emirates.
Peter Lange has twice received the Merit Award
at the Fletcher Challenge Art Award in 1985 and 1986.  His work features in a number of collections, including in
the Auckland Museum, Christchurch Art Gallery, the Beehive, Suzhou School of
Art and Zhengzhou Art School in China, and the Aberystwyth Arts Center in
Wales.
*   If
you have given me the above materials before, and there have been no recent
changes, you can just inform me and I will use your former materials.
2.    
Please email me 1 or 2 digital images (more are
better) of your each horse teapot by 30 January, 2014 (2 MG JPG file at least, good
quality for publication as well).
3.    
A jury committee will select the horse teapots.  If your teapot is selected, the
shipping points will be provided at a later date.
4.    
E-mail address:  [email protected]     Contact: Hwang
Jeng-daw

Call for entry: FUSION Pottery and Glass show 2013

Event: FUSION Pottery + Glass Show 2013

Description:
FUSION invites interested glass and clay artists to submit an application.

Ceramic and Glass
artists are invited to participate in our 17th annual juried show and
sale at the beautiful Artscape Wychwood Barns. Showcasing the best of
Ontario’s clay and glass works, FUSION’s Pottery & Glass Show and
Sale will be the premiere show for purchasing the best in clay and
glass. 

NEW
this year, we are pleased to be partnering with Artscape Wychwood Barns
and their Nuit Blanche events. As such the show will remain open all
night long from Saturday, October 5 to Sunday, October 6, 2013. We hope
you can join us.

Deadline Date: July 5, 2013
Details: Download 1 File PDF


Call for entry: Flow: The 2014 NCECA Invitational

Call for submissions now open!  Entry fee for NCECA members only $20 (Non members $35 or BECOME A MEMBER)   Flow: The 2014 NCECA Invitational will be on exhibition at the Milwaukee Art Museum from February 22 to March 23, 2014 in conjunction with Material World, the 48th Annual NCECA Conference, taking place at the Delta Center in Milwaukee, Wisconsin March 19 – March 22, 2014.

The NCECA Invitational is a themed, curated exhibition that features
leading edge, large-scale and often challenging ceramic art. Held in
even-numbered years, NCECA’s Exhibitions Director collaborates with the
host venue curator to develop an exhibition concept and select a
foundational group of artists’ works by invitation. Augmenting this core
selection, additional artists may respond to an open call for images of
ceramic works that support the theme.  This format brings established
reputations and emerging talent to bear on the selected theme and adds
vitality and fresh perspectives to ongoing discourse in contemporary
art. The exhibition is organized and co-curated by NCECA Exhibitions
Director, Linda Ganstrom and Mel Buchanan, Assistant Curator,
20th-century Design at Milwaukee Art Museum.

Concept
The 2014 NCECA Invitational explores the significance of flow in
a physical, historical and symbolic sense. Water flows. Glaze flows.
Clay flows. To flow is to move in a current, like a liquid. Yet you
don’t need water to flow. A line can flow. Air flows. Music flows.
Electricity flows. Ideas flow.  Artists can flow in a state of focused
motivation that brings a deep enjoyment to the process of their
activity. Energy flows. Time flows. Life flows. Our present fluidly
becomes our past. The museum promotes the flow of culture through the
presentation of artworks and ideas of material culture.

With their spectacular view of Lake Michigan, the dramatic windows of
the Baumgartner Galleria in the Milwaukee Art Museum allow the flow of
water and light to be a constant presence in the art gallery.  Whether
in the atmospheric form of mist, rain, ice or snow, water in its various
physical states transforms the elegant space, marking the flow of time
and seasons. Set in this dramatic chamber of changing light and color, Flow: The 2014 NCECA Invitational seeks
an elite group of memorable ceramic works that embody the spirit and
physical properties of flow, as well as connect the contemporary space
of the Calatrava architecture with the historic collections of the
Milwaukee Art Museum.

Linda Ganstrom and Mel Buchanan, Co-Curators

Apply Now


Media & Limitations
All works must be primarily ceramic or unfired clay. Mixed
media works will be accepted only if ceramic materials are the primary
media, although video documentation of projects involving ceramics is
encouraged.  The curators will make final determinations.  Large-scale
work can be accommodated. Floor works must be firmly stable.
Wall-mounted pieces can be accommodated.  Works may be hung from the
ceiling in specific places. Work must have been produced within the last
five years and not have been shown in previous NCECA sponsored
exhibitions, the Milwaukee Art Museum or the greater Milwaukee area.

Entry Guidelines
All entries must be submitted electronically through Juried Art
Services.  The initial curatorial phase will be accomplished through
review and selection of images of works submitted and available for the
exhibition. No substitutions will be allowed.  Artists may submit up to ten pieces with two images of each work, not to exceed 20 images.

Members fee is $20
Non-Members fee is $35
NCECA membership runs 12 months from the date of joining or
renewal. NCECA Membership fees are not included in any event
registration. Membership is a standalone annual fee. To renew or become
an NCECA Member go to: http://www.nceca.net/static/membership_home.php  . If you are unsure of your Membership status, please contact [email protected]

Before beginning submission, applicants must be prepared to provide the following:
o          Biographical statement, up to 100 words.

Each work submitted must include the following image details:
o          Title
o          Catalogue Statement – up to 200 words addressing the theme of “flow” as it relates to this piece.
o          Description – Date of Completion, Photo Credit (if artist,
type in ARTIST), Clay body, materials, and decorating/firing methods
o          Sale Status – For Sale or Not For sale
o          Image #s – Image 1, Image 1 detail = piece 1 w/detail
Image 2, Image 2 detail = piece 2 w detail
Etc. for each subsequent piece up to 10 pieces
o          Dimensions (inches) H x W x D
o          Weight (lbs.)
o          Retail Price
o          Insurance Value: Milwaukee Art Museum requires Insurance value to equal Retail Value
o          Estimated return shipping cost

No changes will be allowed once an entry is accepted into the database. Once
data is entered in the system, it cannot be altered.  Proofread your
data carefully as this information will be used to generate the
exhibition budget, catalog, insurance and publicity information. Your submission is considered a formal agreement that the work is available for exhibition, accurately described and priced. 

Calendar
Detailed information and Online Submittal form: Available March 8, 2013
Online Submittal deadline:  June 5, 2013 (midnight EST)
Acceptance notification: August 1, 2013
Contracts and Statements due: August 15, 2013
Delivery of accepted work: January 2 – January 22, 2014
Installation: February 11 – February 21, 2014
Exhibition dates: February 22 – March 23, 2014
Return of work:  By April 23, 2014
Deadline for submission of shipping reimbursement form: May 1, 2014

Apply Now

Shipping
Artists are responsible for shipping their work to and from the
Milwaukee Art Museum and insuring it while in transit.  Works may be
shipped or hand-delivered to the museum. The artist must contact the
Milwaukee Art Museum registrar’s office in advance of shipment,
informing them of the method of shipment and date of shipment. The
Museum cannot accept anything over the weekend.  Works should be shipped
in reusable containers with photographic documentation for re-packing.

NCECA has a limited budget for reimbursement of RETURN shipping only.
Reimbursement amounts payable to individual artists will be determined
based on estimated return shipping costs submitted at the time of entry.
The reimbursable amount will be calculated on an individual basis and
stated in the exhibiting artist’s contract.

Accepted work will be shipped to:
Registrar’s Office c/o
Milwaukee Art Museum
700 North Art Museum Drive
Milwaukee, WI  53202

Insurance and Sales
The Milwaukee Art Museum will insure all work upon its arrival
and until departure under its fine arts policy for the amounts specified
by the insurance value listed and up to the limits of the Milwaukee Art
Museum’s current insurance policy.  Certain restrictions apply.
The Milwaukee Art Museum will not conduct sales.  Work may be offered
for sale through the NCECA Office. A 30% commission on sales will be
retained by NCECA.  Return shipping reimbursement is available to
artists only.  In the event a work is sold, it is the responsibility of
the artist to arrange and pay for shipping to the buyer.

Photography and Permissions
Images of entries may be retained for the NCECA archives.
Images of works included in the exhibition may be reproduced in print
materials and posted on NCECA’s website, blog and social media. NCECA
also reserves the right to use images, biographical materials and artist
statements in reports and share them with the media. Images of works in
the exhibition may also be shared by NCECA within an image library as
part of accessCeramics.org

Various other educational and promotional materials may be created by
the Milwaukee Art Museum or NCECA. Works in the exhibition may be
photographed, telecast, and reproduced for press and publicity purposes
including but not limited to reproduction in newspapers, periodicals,
magazines, in television programs and on the Internet in connection with
the exhibition and the Milwaukee Art Museum.
Participating artists must agree to allow NCECA and gallery visitors to
photograph work while on display for educational and publicity purposes.

Catalogue
NCECA will produce a color catalogue documenting the exhibition
experience through artists’ bios and statements; color images of
artwork, and pertinent essays. The catalogue will be available for
pre-purchase and for purchase at the conference. Two complementary
copies of the color catalogue will be provided to each artist whose work
is included in the exhibition.

Reception
A reception during the NCECA conference will celebrate the exhibition.