call for entry: 5th China Shanghai International Modern Pot Art Biennale
Shanghai, CHINA
Entry Deadline: 28 October 2016
www.gejun.com.cn/news/
Shanghai, CHINA
Entry Deadline: 28 October 2016
www.gejun.com.cn/news/
The Greater Denton Arts Council proudly
presents the 30th annual Materials: Hard + Soft International
Contemporary Craft Competition and Exhibition. Recognized as one of the
premier craft exhibitions in the country, Materials: Hard + Soft began
in 1987 and was originally initiated by area artist Georgia Leach Gough.
The exhibition celebrates the evolving field of contemporary craft and
the remarkable creativity and innovation of artists who push the
boundaries of their chosen media. In this anniversary year, we are
thrilled to be partnering with the National Endowment for the Arts to
expand this national exhibition to now include international artists.
Approximately 70 works will be selected by an esteemed juror for
exhibition at the Patterson-Appleton Arts Center in Denton, Texas.
Full details here: http://dentonarts.com/materialshardandsoft
The mission of The Democratic Cup is twofold: raise money for
progressive nonprofit organizations and create a more genuine and
respectful dialogue in American political discourse. A democratic and
familiar object, the coffee cup, will act as a catalyst for social
change and true dialogue.
The Democratic Cup is the brain-child of Ayumi Horie in Maine and Nick Moen
in North Carolina. Makers with an interest in social practice, they
joined forces as a way to make a positive contribution to the political
dialogue in this year’s presidential election. Ayumi has gathered
together 26 of the best ceramic artists and illustrators in the US to
collaborate on cups and Nick is heading up the fabrication team at his
new design production studio, The Bright Angle.
The Socially Engaged Craft Collective will continue in the long tradition of conversations over coffee by using the cups in a series of public and private acts.
Special thanks to Anna Metcalfe and Janine Grant for their research on this project and Laurie Harris for her photographs from The Bright Angle.
A graphic illustration that speaks to progressive values and opens the door to conversation.
The drawing should be:
-one color
-at least 4″ high and a maximum width of 8″
-300 dpi, preferably larger
-the original art should be drawn to scale, no substitutions if you are chosen
Submissions will only be accepted through Instagram and Facebook.
Voting continues until Tuesday, October 4th, midnight EST. You can vote
for multiple submissions, but not vote more than once per entry. You
need not submit to participate in voting.
Winners will be notified on October 5th. One top winner will be chosen
by popular vote and five with be chosen by The Democratic Cup.
Lewd or inflammatory images will be removed.
Juror: Peter Pincus, ceramic artist and instructor living
Open Engagement (OE) is an annual, three-day, artist-led conference
dedicated to expanding the dialogue around and creating a site of care
for the field of socially engaged art. The conference highlights the
work of transdisciplinary artists, activists, students, scholars,
community members, and organizations working within the complex social
issues and struggles of our time.
Since 2007, OE has presented seven conferences in two countries and
four cities, hosting over 1,300 presenters and over 5,000 attendees.
Annual programming is selected by committees comprised of artists,
educators, professionals, and community members from a free, open call
for proposals.
“The only standard for judging socially engaged art should be how much justice it creates in the world.” –– Rick Lowe
Justice is the theme of the 2017 Open
Engagement Conference. The weight of historical injustice interrupts
daily life nationally and internationally. There is no better time than
now, and no better city than Chicago, for examining pathways to create
justice and exploring the manifold artistic strategies that demand and
enact fairness, and equality. Chicago is a city that is under the
spotlight and in the news for horrific gun violence, devastating public
school closures, and police brutality that is carried out with impunity.
These are conditions, of course, that have been a part of black and
working class peoples’ lives in our city and across this nation for a
long time, but only most recently with the rapt attention of the media.
As the co-curators for OE 2017, we
are committed to an exhilarating and expansive exploration of this
year’s theme. We are equally committed to OE’s mission of creating a
site of critical care and
critical inquiry for the vast, complex and diverse field of individuals
and organizations working at the intersections of art and activism.
There is a fierce urgency of now
for artists and cultural workers who audaciously believe in the immense
capacity of art to help shift our sense of what is possible, to unleash
our radical imaginations, to model and experiment with new ways of
being in the world, to enact social change.
We believe socially engaged art and artists challenge us and one
another to ask trenchant questions, to reflect, to seek creative
solutions, to hold nations and institutions and each other accountable.
Some of the questions we encourage participants to grapple with,
formally and informally, during the conference include the following:
In solidarity with the organizers of
Open Engagement, we will relentlessly push to ensure that the diversity
of people who make up the ecology of social practice can be present at
this year’s OE. Arundhati Roy has provocatively suggested the following:
“There’s really no such thing as the ‘voiceless’. There are only the
deliberately silenced, or the preferably unheard.” We want to hear from
the widest possible range of stakeholders.
No justice, no peace,
Romi Crawford & Lisa Lee
Find out more on the website: http://openengagement.info/