call for entries: Hard + Soft

about the exhibition

The Greater Denton Arts Council proudly
presents the 30th annual Materials: Hard + Soft International
Contemporary Craft Competition and Exhibition. Recognized as one of the
premier craft exhibitions in the country, Materials: Hard + Soft began
in 1987 and was originally initiated by area artist Georgia Leach Gough.
The exhibition celebrates the evolving field of contemporary craft and
the remarkable creativity and innovation of artists who push the
boundaries of their chosen media. In this anniversary year, we are
thrilled to be partnering with the National Endowment for the Arts to
expand this national exhibition to now include international artists.
Approximately 70 works will be selected by an esteemed juror for
exhibition at the Patterson-Appleton Arts Center in Denton, Texas.

Full details here: http://dentonarts.com/materialshardandsoft

MUST SEE: The Democratic Cup

What Can Happen Over a Cup of Coffee?

The Democratic Cup is a political fundraiser that aims
to stimulate dialogue, energize individual voices, and raise money for
seven progressive causes. The cups have been collaboratively made by
ceramic artists and illustrators based in the US who want to counteract
the divisive and hateful rhetoric of this year’s presidential election.
The Democratic Cup believes that these cups will act as agents of social
change by generating positive political discourse. On Tuesday,
September 20th, we’ll launch the shop and open up for pre-sales of cups. 
 

Our Mission

The mission of The Democratic Cup is twofold: raise money for
progressive nonprofit organizations and create a more genuine and
respectful dialogue in American political discourse. A democratic and
familiar object, the coffee cup, will act as a catalyst for social
change and true dialogue.

The Organizers

The Democratic Cup is the brain-child of Ayumi Horie in Maine and Nick Moen
in North Carolina. Makers with an interest in social practice, they
joined forces as a way to make a positive contribution to the political
dialogue in this year’s presidential election. Ayumi has gathered
together 26 of the best ceramic artists and illustrators in the US to
collaborate on cups and Nick is heading up the fabrication team at his
new design production studio, The Bright Angle.

Social Engagement

The Socially Engaged Craft Collective will continue in the long tradition of conversations over coffee by using the cups in a series of public and private acts.

Special Thanks

Special thanks to Anna Metcalfe and Janine Grant for their research on this project and Laurie Harris for her photographs from The Bright Angle.

 
CONTEST:

What

A graphic illustration that speaks to progressive values and opens the door to conversation.

Technical

The drawing should be:
-one color
-at least 4″ high and a maximum width of 8″
-300 dpi, preferably larger
-the original art should be drawn to scale, no substitutions if you are chosen

How To Submit

Submissions will only be accepted through Instagram and Facebook.

Deadline: Tuesday, September 27, midnight EST

Voting

Voting continues until Tuesday, October 4th, midnight EST. You can vote
for multiple submissions, but not vote more than once per entry. You
need not submit to participate in voting.

Winners

Winners will be notified on October 5th. One top winner will be chosen
by popular vote and five with be chosen by The Democratic Cup.

Rules

Lewd or inflammatory images will be removed.
 

 
Find out more about the project on their website: www.thedemocraticcup.com 

call for entry: The Cup, The Mug: A National Juried Exhibition of Drinking Vessels (USA)

Juror: Peter Pincus, ceramic artist and instructor living

and working in Rochester, NY.
A total of $1,000 in cash awards, “Best in Show”
receives $500!
In addition to the juried show, 5 artists were selected by the
juror and invited to be showcased along side the juried work.
Invited artists include: Birdie Boone, Chandra Debuse, Mike Helke,
Ted Neal, and Adam Posnak
Click here to submit  |  Deadline to submit: October 17, 2016
Main Street Arts Contemporary Art and Fine Craft
20 West Main Street
Clifton Springs, New York 14432

call for proposals – Open Engagement Conference

Open Engagement (OE) is an annual, three-day, artist-led conference
dedicated to expanding the dialogue around and creating a site of care
for the field of socially engaged art. The conference highlights the
work of transdisciplinary artists, activists, students, scholars,
community members, and organizations working within the complex social
issues and struggles of our time.

Since 2007, OE has presented seven conferences in two countries and
four cities, hosting over 1,300 presenters and over 5,000 attendees.
Annual programming is selected by committees comprised of artists,
educators, professionals, and community members from a free, open call
for proposals.

Curatorial Statement

“The only standard for judging socially engaged art should be how much justice it creates in the world.”  –– Rick Lowe

Justice is the theme of the 2017 Open
Engagement Conference. The weight of historical injustice interrupts
daily life nationally and internationally. There is no better time than
now, and no better city than Chicago, for examining pathways to create
justice and exploring the manifold artistic strategies that demand and
enact fairness, and equality. Chicago is a city that is under the
spotlight and in the news for horrific gun violence, devastating public
school closures, and police brutality that is carried out with impunity.
These are conditions, of course, that have been a part of black and
working class peoples’ lives in our city and across this nation for a
long time, but only most recently with the rapt attention of the media.

As the co-curators for OE 2017, we
are committed to an exhilarating and expansive exploration of this
year’s theme. We are equally committed to OE’s mission of creating a
site of critical care and
critical inquiry for the vast, complex and diverse field of individuals
and organizations working at the intersections of art and activism.

There is a fierce urgency of now
for artists and cultural workers who audaciously believe in the immense
capacity of art to help shift our sense of what is possible, to unleash
our radical imaginations, to model and experiment with new ways of
being in the world, to enact social change.

We believe socially engaged art and artists challenge us and one
another to ask trenchant questions, to reflect, to seek creative
solutions, to hold nations and institutions and each other accountable.
Some of the questions we encourage participants to grapple with,
formally and informally, during the conference include the following:

  • What does it mean to work in
    solidarity with communities that are marginalized and the most
    challenged by racial, economic, and gender injustice around issues that
    impact them?
  • As artists, curators, and cultural
    producers, how are we implicated in the particular conditions we are
    working in, all the while engaged in challenging and changing these
    conditions?
  • The radical power of social practice
    has come in many respects from its inclusivity. But this promise has
    not yet been experienced in the lived realities of most people who make
    up the field. How do we push for more fair and equitable distribution of
    resources?
  • Is it possible to advance solutions
    and encourage actions in a social movement for justice while preserving
    one’s individual artistic practice?
  • What is the unique contribution that
    art and artists can make to the efforts to create a more just society?
    In what ways do we want to continue to insist on the differences between
    artistic practices committed to social justice and the organizing that
    is taking place in grassroots communities?

In solidarity with the organizers of
Open Engagement, we will relentlessly push to ensure that the diversity
of people who make up the ecology of social practice can be present at
this year’s OE. Arundhati Roy has provocatively suggested the following:
“There’s really no such thing as the ‘voiceless’. There are only the
deliberately silenced, or the preferably unheard.” We want to hear from
the widest possible range of stakeholders.

No justice, no peace,
Romi Crawford & Lisa Lee

Find out more on the website: http://openengagement.info/