by Carole Epp | Oct 20, 2019 | call for entry
The Whitegold and Garden Projects aim to make creative, innovative and activated public spaces that use art and gardening to celebrate the culture of clay country, enhancing its sense of place.
Current Opportunities
The Whitegold Project wishes to commission three artists to create art in public spaces for St Austell that inspires, challenges and reflect on this unique place. Off the main tourist trail, St Austell in Cornwall is an industrial town moulded from the china clay beneath its feet and which is now looking to creatively reshape its future. The project has the people of St Austell at its heart and is a St Austell Community Interest Company not-for-profit project in partnership with local business, local authorities and cultural organisations. Other opportunities will be posted here as they come on line. To keep up to date sign up to our mailing list.
TREMEN (passage)– a small covered passageway called Grants Walk: Budget £20,000
At the start of Grant’s Walk, coming from the town centre, is a covered passageway that is an important connection into the town from one of the main car parks at Priory Rd. It joins the main street in town, Fore St, with Biddicks Court behind. A contemporary artist, maker or designer is needed to lead on its refurbishment and create art for this space that makes a positive contribution to the environment. Download the full brief:
Whitegold Artists Brief TREMEN. Apply via Curator Space.
OPE (alley) – Chandos Place, an alley in the heart of the town: Budget £30,000
Artists, makers and designers are wanted to apply for this commission for Chandos Place, one of St Austell Town Centre’s main pedestrian thoroughfares which connects Fore St with Old Vicarage Place. It is a challenging space but one with scale and presence, and an important connection from the main street to the central square in St Austell.
Download the full brief Whitegold Artists Brief OPE Apply via Curator Space.
TREUDHOW (threshold)– a focal point on the western end of Fore St: Budget £15,000
We are seeking an exciting and innovative artist, maker or designer to create a new work for an important threshold at a key entrance into the town centre on the old Bodmin Rd. The location is also the start of one of the main ways out of the town towards the Clay Country – the villages that sit the ridge above St Austell town. In doing so the road passes Menacuddle Well and Wheal Martyn Clayworks – a museum dedicated to the culture of clay in the area. It also connects to the Clay Trails – a network of cycle and walking routes joining together Clay Country, the Eden Project and the town.
Download the full brief Whitegold Artists Brief TREUDHOW Apply via Curator Space.
CLOSING DATE FOR EXPRESSIONS OF INTEREST FOR ALL OF THE ABOVE IS THE 21st NOVEMBER 2019
whitegold.org.uk/commissions/
by Carole Epp | Oct 16, 2019 | call for entry
Gulf Coast State College Amelia Center Gallery is hosting its annual juried exhibition that explores the idea of the drinking vessel. The focus of the exhibit is on the function and concept of the drinking vessel, including its relation to history, politics, craft, technology, utility, and narrative. It is a survey of the wide variety of approaches to contemporary ceramics through the lens of the most intimate and accessible vessel – the cup. This year’s juror is Peter Pincus.
Full details HERE.
PLEASE NOTE DEADLINE HAS BEEN EXTENDED TO OCT 25th!!!
by Carole Epp | Aug 20, 2019 | call for entry
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We are pleased to be holding our 12th annual international call for entries, Beyond the Brickyard.
The selected works will be exhibited at the Archie Bray Foundation in Helena, MT, in early 2020.
This year’s exhibition will be juried by Chis Staley.
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Specifications
- The competition is open internationally to ceramic artists 18 years of age or older.
- Current residents of the Bray may not apply.
- Artists may submit up to 3 works for consideration, and up to 2 images of each piece (one complete photo plus one detail or alternate angle).
- All artwork must be for sale and available during the time of exhibition.
- The artwork exhibited must be the same piece(s) submitted for consideration.
- Submitted artwork must not exceed 24” in any direction or weigh more than 35 lbs.
- The artwork entered should be prepared for professional display and not so fragile as to be potentially dangerous to the work or others when shipped/displayed/handled with reasonable care.
- Artists are responsible for cost of shipping selected work(s) to the Archie Bray Foundation (ABF). Artists are responsible for their own insurance for shipping to ABF and during the time that artwork resides here. ABF will assume cost and shipping insurance for the return of any unsold work.
- For good image quality and a fast upload, your image files should be sized at and no larger than
1800 x 1800 pixels at 72 dpi (approximately 6″ x 6″ at 300 dpi)
Applying
Submissions to Beyond the Brickyard will only be accepted online. By clicking on the link at the bottom of the page you will be taken to Slideroom.com which will allow you to register and upload your images.
Submissions can be edited and are not officially submitted until you choose the “Complete Submission” tab and enter your payment method.
Submissions must be received online by midnight MDT, September 15, 2019.
Entry Fee
The cost of entering Beyond the Brickyard is $35 USD for up to 3 works.
All major credit cards are accepted.
Awards
From the successful entrants, three awards will be selected:
Juror’s Choice Award: $400
Director’s Choice Award: $400
People’s Choice Award: $100
Sales Commission
Artists will receive 50% commission of their work sold during exhibition, while ABF will retain 50%.
Exhibition Schedule
All applicants agree to the following schedule if selected to exhibit:
Applications due September 15, 2019
Entrants notified of jury results by email no later than October 31, 2019
Work to be received by Archie Bray Foundation by November 18, 2019
Work exhibited in Beyond the Brickyard, January–March 2020
Questions about your application?
For technical support please contact [email protected]
For questions about submission information please contact [email protected]
Your completed application must be received on or before September 15, 2019.
APPLY NOW
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archiebray.org/gallery_exhibitions/BTB_call_for_entries.html
by Carole Epp | Aug 14, 2019 | call for entry
Come Up To My Room (CUTMR)
Exhibition dates: Jan 16-19, 2020
Submission Deadline: August 23, 2019
Call for Submissions for Come Up To My Room 2020, the Gladstone’s Annual Alternative Art and Design Event is now open!
CUTMR is an annual 3-day alternative art and design exhibition created and produced by the Gladstone Hotel. It’s one of the only places where art and design intersect, with the historic hotel becoming a platform for site-specific, immersive installations. Visitors explore, discover, and engage in conversation with the artists. Different from their 37 permanent artist-designed hotel rooms, CUTMR presents temporary projects that occupy and alter spaces in dramatic, conceptual or experimental ways.
Artists are selected based on their body of work and not on proposals. This invitation allows artists to challenge themselves and try new things in this unconventional setting. The unique model allows for the evolution of ideas, risk-taking, and an element of surprise. Participants use art and design to converse, connect, collaborate, and construct delight in the unexpected.
The curators are looking for installations created for or adapted to the site and space. 2D and 3D art, craft, and design media/projects are very workable. Projects that incorporate video, sound, or light are appropriate for selected spaces.
Over the years many of the winning entries have been by fibre and textile artists:
Cleo Halfpenny’s “Stay a While.” Cleo is an emerging artist with a sculpture/installation-based practice working primarily with textiles as a medium.
Amanda McCavour’s room 2018. McCavour uses a sewing machine to create thread drawings and installations by sewing into a fabric that dissolves in water. She is interested in the vulnerability of thread, its ability to unravel, and its strength when it is sewn together.
Kathleen Wick’s room 202 focuses on her fascination with wool. Her installation used discarded wool blankets to scrutinize wealth and value in society where the need for environment conservation and the economy are pulling us in different directions.
To learn the particulars of submission visit: https://www.gladstonehotel.com/spaces/come-room-2020-call-submissions/
Submit your work directly here: https://docs.google.com/forms/d/e/1FAIpQLSfqwFMnMp1cYV07BTUpwb0KHCkA8K41aFJUa2CmdTDUqW_2-A/viewform
by Carole Epp | Aug 8, 2019 | call for entry
EXHIBITION DATES: November 8 – December 21, 2019
Awards Ceremony and Opening Reception: Friday, November 8 from 6 – 8 p.m.
JUROR: Garth Johnson
ABOUT THE JUROR: Writer, curator, and educator Garth Johnson is the Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art in Syracuse, New York. Johnson is known for his irreverent wit, which can be explored through his weblog, www.extremecraft.com. He has also exhibited his work and published his writing nationally and internationally, including contributions to the books Handmade Nation, Craftivity, Craft Corps, and the Smithsonian American Art Museum’s Nation Building. His book, 1000 Ideas for Creative Reuse, was published by Quarry. He is a self-described craft activist who explores craft’s influence and relevance in the 21st century.
AWARDS:
Special Exhibitions Committee Award: Solo Exhibition at The Center for Contemporary Art
First Prize: $500
Second Prize: $250
Third Prize: $100
DATES & DEADLINES:
Submission Deadline: Sunday, September 15th at 11:59 p.m. MT
Artist Notification: Friday, October 11th (by email)
In Person Delivery: October 29 – November 2nd during office hours
Deadline to Receive Shipped Artwork: November 1st
Exhibit Opening Reception: Friday, November 8 from 6-8 p.m.
Pre-paid Artwork Return and In-Person Pick-Up: January 2 – 10 during office hours
ENTRY FEE:
$35 for up to three entries
$25 for Members of The Center and art educators
Entry fees are non-refundable
ELIGIBILITY:
The exhibition is open to artists age 18 and older
SPECIFICATIONS:
The exhibition will consist of three-dimensional ceramics work. Wall-mounted pieces must be prepared and ready for hanging and no larger than 36″ X 36″. Free-standing pieces may not exceed 32″ X 32″ X 48″ or weigh more than 75 lbs. including box or crate. Work across a variety of display solutions is encouraged including video or film related to clay. Accepted work cannot be substituted and must be available for the duration of the exhibit. Please contact The Center with questions about oversize pieces or other shipping concerns before you apply.
SUBMISSION:
Submit up to three JPEG/JPG digital images. Upload options for image files:
File format: JPEG or JPG only
File dimensions: 1200 pixels or greater on the longest side
File size: 5 MB maximum
Information on how to resize your file can be found here.
VIDEO
File Type: MOV, MP4, WMV, 3GP, AVI, ASF, MPG, M2T, MKV, M2TS.
File Size: Under 100 MB.
Currently, linked media from YouTube, Vimeo, etc. is not accepted.
HOW TO ENTER!
2019 entries should be submitted through CallforEntry.org starting June 1.
You must set up an account to enter.
If you run across a problem while applying or have questions, please contact CallforEntry.org at [email protected].
SHIPPING/DELIVERY OF ARTWORK:
The artist is responsible for the cost of shipping or mailing artwork to and from The Center for Contemporary Art using Fed-X or DHL. A return shipping label and return postage must be included with the artwork. Artwork may also be hand-delivered to and picked up from The Center for Contemporary Art on the appropriate dates during the scheduled times.
INSURANCE AND SALE OF ARTWORK:
All artwork is insured for its declared value from the time it is received through January 10, 2020 while it is on the premises. Artists are responsible for insuring artwork during transit.
The Center for Contemporary Art receives a 30% commission on all exhibition sales.
MEDIA/PUBLIC RELATIONS: The Center for Contemporary Art reserves the right to use digital images of exhibited artwork for media, website, PR and advertising.
