Deadline fast approaching – NCECA/crafthaus Conference Scholarship

NCECA/crafthaus Conference Scholarship Submission FormHow to apply:Copy/paste this form into a word.doc, fill out form and e-mail it to: [email protected] with the reference “NCECA Scholarship.”
Extended Deadline for email application: February 3, 2012

NO SUBMISSION FEE.
Questions, problems? e-mail [email protected].Judging Criteria:
NCECA Board member Sam Chung will select one scholarship recipient based on a review of images posted on the applicants’ crafthaus pages and brief responses to a short questionnaire (see application form for details).Scholarship Details:


  • Complimentary pass to the 46th Annual NCECA Conference taking place in Seattle, WA from March 28-31, 2012.
  • Push Play catalog.
  • Shuttle tour ticket, enabling the scholar to get to the conference exhibitions.
  • One-year additional NCECA membership once the current membership expires.
  • One-year additional crafthaus membership once the current membership expires.
  • Prominent blogspace on crafthaus for one year. NCECA provides reciprocal blogspace on an NCECA website.
  • NCECA will work with the winning candidate to include him/her in events and meetings with NCECA, staff board and conference presenters.

I. Applicant Contact Information:

Name:

Street Address:

City/Zip Code/Countrye-mail:

phone:

Eligibility: Application for the scholarship is open to current, enrolled crafthaus and NCECA members (must be current members ofboth organizations) regardless of location or background.Please check:O I am a current, enrolled member with crafthaus and NCECA.II. Blog

The recipient will receive prominent blog space on crafthaus and the NCECA website geared towards the recipient’s field of expertise. Crafthaus and NCECA expect the recipient to blog at least twice monthly.
Blogging topics and timeline:

  • Prior to conference: Introduction to audience, overview of own work, preparations for conference, introduction to conference theme, speakers, exhibitions.
  • During Conference: Daily evening updates on conference experience, such as exhibition review, speakers etc. Note: These blog updates will be brief to enable the scholar to fully concentrate on the conference itself.
  • After conference: Bi-weekly updates starting with continued, further in-depth conference coverage, then moving on to topic of scholar’s choosing as described in application. Continuation of blog for 6-12 months max.

Answer each of the following questions in 200 words or less:

  1. What are your goals as a maker and as a writer?
  2. What kinds of ideas, issues, people and/or work do you want to share through your blog entries?
  3. What personal attributes make you stand apart from other applicants for this opportunity as the NCECA/crafthaus Scholarship recipient?


III. Images:

Your submission will be reviewed from the images you posted to your new or current crafthaus profile solely! All applicants are strongly encouraged to update their photos on the site accordingly. Add new images or delete images that are no longer relevant.Remember to include media information, measurements and all other relevant information with each photo. Update your crafthaus page with relevant educational and/or updated CV information.TAG your photos with your name, media, and other relevant info!!

Submitted by:_______________________________________


Date: _______________________________________________


Deadline for email application: February 3, 2012

e-mail entry to: [email protected], reference “NCECA Scholarship.”

Ceramic Artist Residency at Core Clay, Cincinnati, OH, USA

Core Clay is a privately owned clay studio with 40+ artists sharing space. We house a sculpting studio for a mannequin prototype sculptor and a retail space for clay supply. We host workshops with nationally known andlocal artists. Each of these areas interacts with the artists in residence. The Clay supply business offers a line of tools, clay and glaze materials available at most clay supplies, as well as our own in-house designed glazes and tools exclusive to Core Clay. This area involves formulating and mixing glazes for sale, creating plaster forms, and keeping inventory levels accurate. The mannequin sculpting involves the creation of full-size human forms, then mold-making and casting of those forms. A major part of this business involves learning to photograph work, as well as safely packing and shipping finished prototypes. The public studio houses 40 artists who share ideas and interact with each other artistically. One of the most valuable parts of sharing space with other artists is to see an idea work its way through the group, changing with each incarnation. This area involves general studio maintenance, kiln loading, clay pugging, teaching beginners, and glaze mixing Workshops are an important opportunity to learn from outside artists and they require extensive preparation. Artists in Residence working in this area will learn the details of putting together a multi-day event, from searching for presenters and arranging to feed and house a large group of people, to following up afterwards. This job involves developing publicity and computer skills. The Goal of the Artist in Residence Program:
We provide an opportunity in an artists community for clay artists at the beginning of their careers to get a start as full time professional artists. Our dream is to create a community of artists that fosters creativity and practicality in the arts, and grows a long term group of contacts for artists long after their program has ended. We offer a working relationship with professional artists–wheel throwers, and full-time figurative sculptors. Artist in Residence Required Activities

  • Maintain professional journal for future artists in residence
  • Participate in monthly critique
  • Create 2’x2’ tile for artist in residence wall or design a personal cone 6 or lowfire glaze
  • minimum 5 hours per week on creation of work or clay study/research
  • participate in one or more juried exhibitions or art fairs throughout residency
  • Attend or teach studio classes
  • 5 hours labor each week

Artist in Residence Opportunities

  • Monthly Clay outings
  • Clay supplies at cost during residency
  • Firing at cost during residency
  • Free attendance at visiting artist workshops in exchange for labor at workshop
  • Free workspace during residency
  • Opportunities to participate in sales at Core Clay
  • Free housing in exchange for labor (quantity of labor depends on housing situation)
  • Opportunities for additional income in exchange for labor beyond the original contract hours

So, how do you apply? Deadlines:

  • January 1st
  • April 1st
  • July 1st
  • October 1st

Artist in Residence Application:

  • A portfolio of 20 shots of work (printed, on disc, or slide, we’re not picky)
  • Recommendations from 3 ceramic artists or instructors
  • A brief statement of goals and objectives to work toward during residency. What do you expect from your experience?
  • Fill out this application
  • Put all these into an envelope and send it to:

Core Clay Attn: Laura Davis 2533 Gilbert Ave Cincinnati, OH 45206 Artist in Residence Formats:

  • One year, 3 positions
  • Six month, 1 position
  • Three month, 1 position

CALLS FOR SUBMISSIONS – residency and exhibition opportunity


Klondike Institute of Art & Culture (KIAC), Dawson City, Yukon

1. EXHIBITION PROPOSALS
2. ARTIST IN RESIDENCE

DEADLINE: APRIL 1, 2012
www.kiac.ca

1. EXHIBITION PROPOSALS – ODD Gallery, Dawson City, Yukon
We invite professional artists and curators of all experience to submit proposals for exhibitions of contemporary visual art. The ODD Gallery is housed in the main Klondike Institute of Art & Culture building. We are accepting proposals for general exhibitions in 2013 as well as proposals towards our yearly thematic project The Natural & The Manufactured. The ODD Gallery supports CARFAC-recommended exhibition and artist talk fee rates, and offers shipping support. Please visit http://www.kiac.ca/oddgallery/submissions/ for more information.

2. ARTIST IN RESIDENCE – Klondike Institute of Art & Culture, Dawson City, Yukon
We invite artists of all experience to submit proposals for a work-creation, development or research tenure of 4 to 12 weeks in our Macaulay House residence in 2013. The residence accommodates two artists at a time, and features private studios and bedrooms, as well as a shared living space and kitchen. We are accepting proposals for general residencies, as well as two specific residencies: our Dawson City International Short Film Festival Residency and our yearly thematic The Natural & The Manufactured Residency. Please visit: http://www.kiac.ca/artistinresidence/ for more information.

Klondike Institute of Art & Culture
Box 8000, Dawson City, YT, Y0B 1G0
867.993.5005
[email protected]
www.kiac.ca
Follow us on Facebook

Contact: Tara Rudnickas, ODD Gallery and Residency Program Director
[email protected]
(867) 993 5005

Call for Papers – Deadline January 31st

Ceramics and Sculpture: Different Disciplines and Shared Concerns

A Call for Papers for a One-Day Conference to be held in Cardiff at Amgueddfa Cymru – National Museum Wales, 5 July 2012

UWIC logo

Background

Relationships between ceramics and sculpture are a focus for research at Cardiff School of Art and Design. This research has demonstrated that the interests of studio ceramicists and sculptors in Britain either overlapped or came into particularly sharp focus at certain periods during the last century or so. The Henry Moore Institute, Leeds, has in the last few years awarded research fellowships to explore such relationships and one outcome was the exhibition A Rough Equivalent, curated by Dr Jeffrey Jones in 2010 http://www.henry-moore.org/hmf/press/press-information/henry-moore-institute1/a-rough-equivalent . Both ceramics and sculpture now have to make a case for their survival as discrete disciplines within higher education and, increasingly within the arts, categories are blurred. Recently an issue of Interpreting Ceramics www.interpretingceramics.com was devoted to interdisciplinary approaches in American ceramics and the 2012 issue of the journal will address relationships between ceramics and sculpture. Against this background the conference seeks to illuminate shared concerns by examining points of formal, conceptual, theoretical and material convergences between the two disciplines, while also addressing key points of difference.

Scope

The conference conveners welcome a variety of papers that engage with the encounter between ceramics and sculpture. The terms ‘ceramics’ and ‘sculpture’ are intended to be interpreted broadly and include vessels, figurative work, collaborative work, installation and performance. Papers representing new research are particularly welcome and authors are invited to submit proposals based on, but not limited to, the following themes:

  • Contextual grounding for the relationships between ceramics and sculpture.
  • Materials and processes.
  • Formal and conceptual language.
  • The role of education.
  • The role of curatorial practice in making relationships between ceramics and sculpture manifest.
  • Institutional cultures.
  • Case studies of individual artists, movements, debates etc.
  • The iconography of the artist in the studio.

Submission, Presentation and Publication of Papers in Interpreting Ceramics

  • Proposals for papers (300 words) accompanied by short biographies of the authors (150 words) should be submitted by 31st January 2012 in ‘Word’ format.
  • All successful papers will be included in a special issue of Interpreting Ceramics to be published in conjunction with the conference.
  • A number of slots will be available for presentations on the day of the conference. However it will be possible to publish additional papers in Interpreting Ceramics. If potential authors are unable to attend the conference (for example, international contributors) then ‘publication only’ submissions will be accepted.
  • A detailed schedule for the submission, presentation and publication of the papers is available for potential authors and enquiries should be made by to [email protected] (please note new email address for Cardiff Metropolitan University).

The conference is an initiative of Cardiff School of Art and Design (Cardiff Metropolitan University, UWIC) and Amgueddfa Cymru – National Museum Wales. Collaborative partners are Interpreting Ceramics; Welsh Institute for Research in Art and Design (WIRAD); National Centre for Ceramics in Wales.

Call for entry – PANEVEZYS INTERNATIONAL CERAMIC SYMPOSIUM’2012

CONDITIONS

The organizers of the Panevezys International Ceramic Symposium invite artists to apply for participation in the 2012 symposium. The symposium concludes with the installation of each participant’s outdoor sculpture and an exhibition of the work produced during the symposium. The participants will be required to donate 3 pieces of artwork: one (large) outdoor sculpture which will be installed in the Gallery Sculpture Garden and 2 smaller pieces which will become part of the Civic Gallery and the sponsors’ art collections. All other works are the property of the artist.

ORGANIZERS AND SPONSORS

The Panevezys Civic Art Gallery, Ceramics Company UAB Midene, The Panevezys City Council, and the Ministry of Culture of the Republic of Lithuania.

TIME AND LOCATION

July 2 to August 4, 2012; in the City of Panevezys, Lithuania.

PARTICIPANTS

* Twelve artists will be invited.
* All participants pay their travel expenses to and from the Vilnius International Airport (VNO).
* The participants should have health insurance and bring any necessary medication, including over-the–counter brands, as those items may not be available in Lithuania.Application materials must include the following:

  • Completed application form, APPLICATION FORM (*.doc)>>
  • A sketch or plan for a proposed outdoor ceramic sculpture (maximum base 1×1 m),
  • Slide or photo portfolio with a minimum of 10 artworks (need not be large scale),
  • Resume.

– Application must be received by February 15, 2012.
– Notification of acceptance (or regrets) will be sent out in March.
Send applications to:
Jolanta Lebednykienė, Director
Panevezys Civic Art Gallery
Respublikos 3
LT-35199 Panevezys
LITHUANIAFind more details here.
Tel./Fax: (country: 370, city: 45) 584802
E-mail: [email protected]
www.arspanevezys.lt