call for applications: 2019 Transformation Fellow

Deadline November 28, 2018                                                                                     

The Department of Art at the University of Nevada, Las Vegas (UNLV) invites applications for a Transformation Fellow for a term from February 19 to April 6, 2019.

During the course of their term here, the Transformation Fellow will support diversity, equity, and inclusion as a critic and mentor within the Bachelor of Arts (BA) Bachelor of Fine Arts (BFA) and Master of Fine Arts (MFA) programs and engage with communities at UNLV and in Las Vegas at large.

While there are no formal teaching requirements for the Transformation Fellow, this is a “working” residency program. In addition to the primary objective of furthering one’s creative or critical practice during their time in Las Vegas, Fellows will be asked to fulfill at least 6 hours/week in service work with, and on behalf of, the Department of Art. In addition to conducting studio visits with students, attending Spring semester Graphic Design and Media programming, BFA and MFA Thesis and Midway exhibitions, and participating in discussions and group critiques of student work, the Fellow’s plan should include a community engagement component. This may involve the following types of activities which relate to the Transformation Fellow’s own creative practice, skills, and interests:

  • hosting a short series of salons or pop-up exhibitions to address key topics of relevance to artists, designers, and the Las Vegas community;

  • presenting a public lecture;

  • activating a collaboration between Department of Art students and the local community or a local non-profit organization.

The fellow will have 24-hour access to a studio space. An 8,000 USD honorarium, and a 2,000 USD housing/travel stipend will be provided. The Department of Art will serve as a resource and help facilitate introductions to students and the local community. There will be a separate budget for engagements.

The Transformation Fellow will be an artist, scholar, designer, educator, curator, or community arts leader who has at least one solo exhibition, publication, or significant public or collaborative project of note. This position is open to those who have a terminal degree or comparable experience and those who have followed traditional and nontraditional paths.

UNLV is an Equal Opportunity/Affirmative Action educator and employer committed to achieving excellence through diversity. All applicants will receive consideration for employment without regard to, among other things, race, color, religion, sex, age, creed, national origin, veteran status, physical or mental ability, sexual orientation, genetic information, gender identity, gender expression, or any other factor protected by anti-discrimination laws. UNLV employs only United States citizens and non-citizens lawfully authorized to work in the United States. Women, under-represented groups, individuals with disabilities, and veterans are encouraged to apply.

Founded in 1957, UNLV is a public degree-granting institution of approximately 30,000 students and 3,000 faculty and staff. UNLV is located on a 332-acre campus near the Las Vegas Strip. It is ranked #1 for diversity by US News & World Report, and designated by the federal government as a Hispanic Serving Institution. About 70% of the students are students of color. Many are the first in their families to attend College. UNLV offers one of the most affordable University educations in the US.

The Department of Art is reviewing and revising its curriculum and programming to create a model for professional development in all areas of the arts, design, and art history, to teach the diversity of culture and identity in the US and its democratic values, and to prepare graduates for success in competitive and evolving communities through access to cutting-edge fabrication equipment, new critical and creative contexts, and opportunities for exhibition, discussion, and critique linked with various progressive and interdisciplinary partners in Las Vegas and beyond.

To apply:

Please submit by November 28, 2018, as a single PDF to [email protected] with “Transformation Fellow” in the subject line:

  1. a cover letter;

  2. a project proposal for your time at UNLV that defines transformation and addresses how you will involve students, faculty, staff, and diverse members of various communities in your undertaking;

  3. A bio and CV with contact information for 2 references;

  4. A portfolio, as applicable, with 5-10 pages of work. Please embed images within pdf and link to vimeo for video. We will review up to 10 minutes of video submissions.

Email questions to Wendy Kveck at [email protected].

Successful applicants will be notified December 10, 2018.

 

residency opportunity: CeramAiR

Link to View Current and Past Projects Here

Applications are accepted on-line only – Apply Now

Application Process
Open to emerging and established visual artists in ceramic or overlapping interdisciplinary practices. Applications are accepted on-line only. Please Contact Us if you need assistance or experience any difficulties.

Please note: Staff are only available limited hours during weekdays. Winter Hours: Monday-Friday 9am-1pm.

Dates/Deadlines
Please note that dates are tentative and may change slightly

  • Deadline to Apply for 2019: November 4th, 2018
  • Successful applicants will be notified November 16th, 2018
  • Residency: January 4th – April 5th (dates are flexible) 2019
  • Solo exhibition: resident will have a show during the last week of their stay.

Apply here (Applications are accepted online only)

Download the CeramAiR_GUIDELINES_March2017

NOTE TO ALL INTERNATIONAL APPLICANTS: Please ensure that you apply far enough in advance and that you are able to travel, have visas and passports in order and are able to accept a residency for the dates specified prior to making application.

Full details here: www.caetani.org/ceramair-ceramics-residency/

monday morning eye candy: Paula Murray

“My practice is rooted in how ceramic materials and processes have affinities with the human condition. I am interested in the exchange of energy that is essential to life, be it intrinsic or extrinsic. The energy at the molecular level that attracts or repels particles of clay is invisible to the eye, but the effects are apparent.

How do we respond to and engage with the injury of experience – within, with each other, with the other? By embracing wounds, deeper meaning can be brought to our lives, transforming suffering into something worthy, sensuous and beautiful.”

www.paulamurray.ca