NCECA officially cancelled.
2020 NCECA CONFERENCE UPDATE
After an exhaustive process of due diligence conversations and staff preparation efforts, we have come to a difficult decision to cancel the 2020 NCECA conference planned for Richmond, Virginia. We know this message is not the one many of you were hoping to receive. For others, it may be the challenging and difficult decision you hoped NCECA might reach. Please know that all of you reading this message are in our thoughts and understand that while reported risk levels for COVID-19 infection may currently be low in the conference region, the unique challenges and responsibilities associated with staging large gatherings at the present time remain immensely complex.
Over the past weeks, NCECA has heard from many of you. Your messages both to stay the course with the 2020 conference and those urging us to cancel have been read, shared, and heeded. Fortunately, and unfortunately, communing in large groups is a huge part of what NCECA has been, is, and will continue to be. Hundreds of you in the Greater Richmond community have been busy planning for years, and we are aware of how disappointing this news must be. NCECA has and will continue to be an organization that values people. Our love and dedication to ceramic art is bound up in relationships, teaching, and learning. When considering all of the factors before us, we felt that the well-being of the people and communities that have led us through 53 extraordinary conferences needed to be paramount in our decision-making.
So, it is with both deep regret and faith in solidarity with all reading and affected by this most unfortunate of announcements that we invite you to read on and learn more about this decision and next steps.
monday morning eye candy: John Newdigate
Home 3D printed from locally sourced clay takes shape in Italy By Shane Reiner-Roth
“Last September, printing began on the architect’s first prototype of a two-room house in Massa Lombarda, a quiet comune east of Bologna, Italy. Named TECLA in a nod to an imaginary place in Italo Calvino’s Invisible Cities, the home was engineered by Italian company WASP to become the very first to be entirely printed from a locally-sourced clay that is both biodegradable and recyclable. That material is extruded through a pipe and set in place using a Crane WASP, a modular 3D printing system that can print objects as large as 21 feet in diameter and as tall as nine feet.”
Read the full article in The Architect’s Newspaper HERE
movie day: Ehren Tool.
Please also read the powerful and insightful article: Ehren Tool’s cups aren’t for sale. They’re for starting conversations — about war
monday morning eye candy: Madhvi Subrahmanian
call for writers/artists: Accessibility theme for Studio Magazine
Studio welcomes article pitches from both emerging and established writers, academics, scholars, and journalists writing about contemporary Canadian craft and design and related stories. We are interested in original ideas, unique voices and perspectives, little-known histories, and anything that challenges the status quo of craft and design and the ideas around making.
Studio Magazine is a national publication committed to thoughtful, careful, and engaging writing about contemporary Canadian craft and design. We also have an ongoing commitment to supporting and mentoring writers.
Please send pitches to [email protected]. We review all pitches, and those that are accepted for publication will be contacted by email. Payment is upon publication.























