Design and Craft : a History of Convergences and Divergences: Call for Papers – Deadline very soon!

7th Conference of the International Committee
for Design History and Design Studies
ICDHS 2010 20-22 September 2010
Brussels, Belgium
Deadline abstracts – 31 December 2009
The conferences of the International Committee of Design History and Design Studies (ICDHS) aim to assess the current state of affairs of design history and design studies. The seventh ICDHS conference, “Design and Craft: A History of Convergences and Divergences”, will bring the relation between design and craft to the fore. This theme offers an excellent opportunity to gather new design historical and theoretical research from over the world in a focused discussion on regional specificities as well as the impact of global processes of industrialisation. If, until now, design history has been largely dominated by the Western narratives of industrialization, then moving the focus towards non- industrial design practice might bring non-Western scholars to the forefront. Moreover, previously marginalized design histories in industrialized countries can finally get a voice. The Brussels’ ICDHS conference will contain strands where the emphasis is laid on the presentations (of about 20 minutes each) and workshops with an emphasis on debate and discussion. ABSTRACTS AND PAPERS
Papers are expected to make an original contribution to the field of design history and design studies. People who are interested in presenting a paper should send an abstract for refereeing. Paper proposals will be selected by the ICDHS members and the scientific committee to cover different areas, methods, approaches and positions.
Abstracts should be maximum 300 words.
Each entry should incorporate the following information: Author’s(s’) full name(s), (+gender (M/F), in brackets), Title – Position – Institution – Address for correspondence – Telephone – Fax – E-mail – Theme of the paper (see conference strands and workshops), indicating a first and second choice – Title of the paper – Abstract of the paper. Abstract and later paper submissions should be sent by e- mail as a Microsoft Word or RTF document, double-spaced on A4. Preferred typeface is 12pt Times new Roman. The official language of the conference is English. Please send abstract and paper submissions to the following address: [email protected]
STRANDS 1. The Impact of International Organisations
2. Craft and Tourism
3. Towards an Aesthetic of Objects
4. The Design Critic, a Lost Profession?
5. Revival of Traditional Techniques
6. Craft, Design and Postmodernity
7. Fashion and Craft
8. Ruptures and Continuities: The Historiographic Understanding of Craft and Design
9. Craft and Technological Innovation
WORKSHOPS 1. “Design Centres” and Design Exhibitions
2. Craft and Gender
For further details on the themes go here.
The Radcliffe Trust: Small Grants in Support of Crafts
The Radcliffe Trust provides small grants in support of Crafts and Music, particularly in the field of Classical music. Crafts are broadly defined, including building conservation skills, rural skills and traditional creative craft skills. In the area of crafts the main objective is the support of craft training among young people both at apprenticeship and postgraduate levels. For other craft grants the Trustees’ main objective is to achieve a standard of excellence in crafts related particularly to conservation. * apprenticeships * bursaries * conservation skills and projects * rural skills and projects * creative craft skills and projects * miscellaneous The majority of grants awarded are for amounts between £1,000 – £5,000.During the year 2008 grants totaling £282,355 were made by the Trust. Craft Deadline: April 30th for June meeting; August 31st for November meeting. More information and guidelines at: www.theradcliffetrust.org
The Queen Elizabeth Scholarship Trust (QEST)
New Issue of Craft Journal
Looks to be a great issue full of ceramics:Articles
- A Case Study of the Kayak Man: How Do We Think about Objects in Craft Collections by Alena Buis
- Ruth Chambers : the Alchemical Mind by Virginia Eichhorn
- Espace Verre : a Really Well-Filled Twenty-Five Years by Léopold L. Foulem
- Eric Tardif: a Divergent Perspective on Wood Carving in Quebec by Barbara Weiser
Reviews
- Le voyage de l’âne harpiste: Appropriating Tradition by Marika Nelson
- Maurice Savoie: Art, architecture, industrie by Susan Surette
- Léopold L. Foulem: Reccuperation by Gail Vanstone
- Goyer-Bonneau: a Signature Style by Caroline Thibault
- Savaria: the Force of Fire by Annie Depont & Gilles Matte
- SOFA Event by Valérie Côté
Check the website for subscription info.
Don’t forget they are also looking for submissions – see the link here.
An Alberta Call for entry…
The Lieutenant Governor of Alberta Arts Awards Foundation: 2010 Emerging Artist Awards
Deadline for application: February 15
The Lieutenant Governor of Alberta Arts Awards Foundation has established a program of awards for emerging artists to support and encourage promising artists, early in their careers, while also serving to raise the profile of the arts in Alberta. The Awards are awarded every second year, beginning in 2008. Each Award consists of $10,000 and a medallion. Up to ten prizes may be awarded in each awards cycle.
Award recipients are selected by an application and adjudication process. Emerging Alberta Artists who meet the eligibility criteria may make application for the Award. Appraisals are required from two established artists who are in a position to provide the Foundation with a candid assessment of the Applicant’s current accomplishments and potential to develop.
Dawn Detarando, with appraisal support from the Alberta Craft Council, was a recipient of an emerging artist award in 2008.
The Application Guidelines, Application Form and Appraisal Form are available from the Foundation’s website at www.artsawards.ca. Deadline for receipt of Applications and accompanying two Appraisals is Feb. 15, 2010.
Artist of the Day: Vicki Hardin
I’m sure not many of you are strangers to the amazing Vicki Hardin and her tireless work for our ceramics community. If you are, do make sure to check out the links posted further down. Vicki has some of the best ceramic resources out there, and to boot her studio work is incredible too! Not sure how she finds the time…Enjoy.

Bio
Vicki Hardin, an established clay artist, has worked in clay for 30 years producing raku and pit fired pottery, garnering national and regional attention and praise for her work. She has shown throughout the southwest region, extensively in Texas, where she maintains her studio, Clay Art Pottery, home and family. Her pottery is currently on view at Show of Hands Gallery in Philadelphia and at her studio. In 1984 she established Clay Art Pottery at the Chicken Farm Art Center in San Angelo, where she continues to maintain a studio and gallery space. Her site is available at VickiHardin.com. She hosts the ClayArtWebGuide, an internet website and resource to those interested in clay, and the Kiln God National Ceramic Exhibition.
Artists Statement
Handbuilding is my passion. My work reflects my appreciation of the old, ancient works of a world that has moved on. The hand-built vessels are poised on a balance between primitive simplicity and grace, which I have often explored to free myself from a production ethic. Firing with alternative processes are my interest. This particular work is hand built and then bon fired. Website: VickiHardin.com
ClayArtWebGuide.com
and KilnGodNational.com[email protected]







