Artist of the Day: Eva Gallagher

“BiographyIn 1968 when a painting course was cancelled I ended up taking a substitute – Raku. Clay, I discovered, had much more potential for creative expression. Through the 1970’s and 80’s I worked with stoneware and electric kilns, and sold my functional work at craft shops and fairs in the Ottawa Valley in eastern Ontario.After a 15 year hiatus, I returned to ceramics in 2002 with a renewed vigor to explore more varied work. Today I work mostly in cone 10 reduction, in porcelain and stoneware, focusing mostly on one-of-a-kind functional pieces. Working with gas has made me re-evaluate my work and I find techniques such as stamping, carving and appliqué the most satisfying.In 2008 I signed up for the year-long journey workshop with U.S. potter Steven Hill. As a result of studying with Steven I find my work is becoming more focused and contemporary. He has given me the courage to freely transfer my ideas and emotions into clay.After decades of work I feel that maybe my pots are finally beginning to talk and sing to me – and truly satisfy me.”


http://stevenhilljourneyworkshopjuly2008.blogspot.com/2009/11/journeys-end-oct-24-25-celebration-part.html
NCECA – 2010 International Residency Programs
Artist of the Day: Robert Young
Robert just graduated this month from the University of Guam with a double BA – Secondary Education, and Fine Arts/ Ceramics. Congratulations!
Call for artists: “URBANIA”
Luke & Eloy Gallery, Pittsburgh PA
URBANIA looks to provide insight into a range of issues related to the urban environment. We are interested to explore how artists view the change that has occured in metropolitan areas over time, how they see cities and towns functioning today, and how artists would like to see challenges of the future addressed.
We are interested in commentary on economic and social issues, political realities and how U.S. cities and suburbs function in the 21st century.
All media are welcome, including all craft media, as well as video, audio, and photography.
Opening: Saturday April 10, 2010 11-5
Exhibition Dates: April 10 – May 22, 2010
Deadline for Submissions: February 20, 2010
Delivery of Artwork to the gallery: by March 20, 2010
For more info contact the gallery and check out their website here.
Call for entry – Young Ceramists Tile Competition
INTERNATIONAL PARTICIPATION YOUNG CERAMISTS TILE COMPETITION AIM OF COMPETITION To support young ceramists, increase cultural partition and contribute to contemporary ceramic art within the annual Spring Festival organized by Usak University. THEME OF COMPETITION Free. COMPETITION CONDITIONS
- Associate degree, undergraduate, graduate degree and Arts Proficiency (doctorate) students of ceramics and tile departments of University Academies and Fine Arts Faculties and equivalent Faculties in Turkey and abroad can participate.
- The size must be 15X15 cm and the thickness must be 1 to 5 cm.
- The works must be fired and glazed.
- The participant’s work will adjust to ceramic techniques and materials. Pieces with less than %80 ceramic work will not be accepted.
- Each participant can participate with only one piece.
- Name, last name or signature must be on the right corner of the tile not to exceed 3×1 cm.
- The works will not be returned.
- The tiles selected after the evaluation of the Jury will be exhibited on the wall built in Usak University 1 Eylul Campus ‘Art Park’.
- The back sides of the tiles must be designed to be mounted on the wall.
PARTICIPATION
- The participants must fill the attached form in full and send or deliver it with the work until April 05 2010 to the mentioned address.
- 300 dpi jpeg formatted picture of the work must be e-mailed or sent with the work.
- The participants may follow their application from our web address.
AWARDS
- Success Award – 1000,00 TL + Plaque + Success Certificate + catalogue
- Special Jury Award – 750,00 TL + Plaque + Success Certificate + catalogue
- Youth Award ( Café Lâl / Adem YALCIN ) – 750,00 TL + Plaque + Success Certificate + catalogue
- Personal and Corporation Awards
* Participation Certificate and catalogue will be given to the artists who pass the jury evaluation and did not receive an award. RESULTS AND EVALUATION The Jury will meet and evaluate on Wednesday, April 07 2010 in Usak University Fine Arts Faculty. The results of the competition and date of award ceremony will be announced in Usak University web site. The tiles awarded and selected will be exhibited on the I. International Young Ceramists Tile Competition wall built in Usak University 1 Eylul Campus ‘Art Park’.and the awards will be handed at the opening and award ceremony. DELIVERY The works must be delivered in person or sent by post or freight until April 05 2010 Monday to Usak University. The responsibility of delay and damage cased in post or freight will not be accepted. For more info check out the website or contact at the following:Address: Usak Universitesi, Guzel Sanatlar Fampusu, 64200 USAK/TURKIYETelephone: 0.276.263 43 26 – 40 82
Email: [email protected]
Artist of the Day: Rob Froese

Speaking of the wonders of Medicine Hat, today is another example of an artist who has worked at the Medalta AIR (I promise I’m not getting a commission for speaking so highly of Medalta) and who has since been returning to fire more gorgeous work in their soda kiln. I love the range, yet cohesion of the design elements in Rob’s work. And I can assure you that they are even more lovely to behold in person. Today’s artist is yet again more proof of the high quality of work found on the Canadian prairies.


Artist Statement:
Working with texturing and layering techniques, I make ceramic tableware (cups, bowls, slab plates) that is both sculptural and utilitarian.


Living in Japan for 11 years in close contact with Japanese culture and culinary customs has had a great influence on my life and work. Mainly, this experience has made me more aware of the importance of clay colour and texture in pottery in relation to the tactile experience of using a dish. Experimenting with local clays in Japan, Mexico and in my native Saskatchewan, as well as using prepared clays, I have centered my interest on the way the qualities of a particular clay and slip inspire surface form and function.














