So much going on at the University of Manitoba – Visiting Artitsts and NEW MFA PROGRAM

February 25 | 6 pm
Ceramics Studio
Artist’s Talk
Xanthe Isbister’s visit is sponsored by the Ceramics Club.
There is no cost to attend the lecture – everyone is welcome. Xanthe Isbister will be presenting a lecture on her large scale ceramic sculpture and installations. Her current work explores the psychological significance and impact the natural environment has on human identity. “Much of the human search for a coherent and fulfilling existence is intimately dependent upon our relationship to nature”. The wilderness landscape has had a profound effect on her creative work and detachment from the wilderness has created a need for her to make work in response to this separation. Xanthe Isbister received her MFA from the University of Nebraska-Lincoln in 2008, and her BFA Honors at the University of Manitoba in 2004. In 2005 Isbister was awarded the Lila Acheson Wallace Readers Digest Scholarship from the University of Manitoba, and was a Hixson-Lied Fellow at the University of Nebraska-Lincoln. Other awards include two summer residencies at Watershed Center for Ceramic Art, in New Castle, Maine. She has exhibited both nationally and internationally, most recently at the 2009 NCECA conference in Phoenix, AZ.
February 25 | 6 pm
Ceramics Studio
Artist’s Talk
Koi Neng Liew
Koi Neng Liew will be presenting a lecture on his figurative ceramic
sculpture. The concepts of his characters are derived from the examination of
fascinating individuals he has met in recent years. He transforms each character by distilling prominent aspects of their personality; exaggerated proportions, obscure objects and gestures personify each characters disposition. One of Liews reoccurring characters, Rabbit Man, was conceived as an alter ego of Liew, who was born in the year of the rabbit, based on the Chinese
Koi Neng Liew is originally from Singapore. He received his MFA from the University of Nebraska-Lincoln, and his BFA from Alfred University. Liew
was the Taunt Fellowship recipient at the Archie Bray Foundation in 2005,
and most recently was a 2008-2009 grant recipient at the Roswell Artist In
Residence Program in New Mexico.
He has been exhibiting both nationally and internationally since 1999, and was recently a featured artist in the Clay In Art International Yearbook, published by Kostas Tarkasis in Athens, Greece
Koi Neng Liew’s visit is sponsored by the Ceramics Club.
There is no cost to attend the lecture – everyone is welcome.
ALSO **** NEW MFA PROGRAM IN CERAMICS!
(So amazing to see especially when so many craft programs are under threat)
It is with great pleasure that we announcing that the School of Art at the University of Manitoba is accepting applications for graduate study commencing in the 2010-2011 school year! Please note that we are relaxing the March 1 application deadline for this year, and will review materials throughout the summer. We will be looking for one or two students for the first year of this two-year program. We do not have a particular kind of artist in mind, but are more interested in finding students who are talented, hard-working, and interested in finding their unique voice as ceramic artists. We stress hard work, production, craft, and a high level of critical analysis and the importance of contextualizing one’s work in light of current discourse. Students here produce functional pots, vessels, and sculpture, alongside works of a more experimental nature such as installation, serialism, mixed media, and performative and temporal works. We also make forays into the realm of architectural ceramics and ornament. Our undergraduates have a record of getting into top graduate programs and of exhibiting actively both in school and after graduation. We hold similar expectations for our graduate students. The ceramics area at U of M is a lively and dynamic work environment in a 13,000 square foot, purpose-built facility. Students have 24 hour studio access and the campus is in a secure, suburban location in South Winnipeg. We have a long-standing and active record of hosting nationally and internationally-known artists, including hosting the 1000 Miles Apart conference every four years, and our Summer Studio Residency. We also host a monthly lecture series in the department wherein topical presentations are given by artists and scholars. The facility is very well equipped, and we have been actively rebuilding kilns and purchasing new equipment to keep everything up to date. Last year, we rebuilt one of our gas car-kilns, and are starting the construction of a new indoor soda kiln right away. In the spring, we will rebuild our wood kiln, which is fired three to four times per term. We have six electric kilns ranging from very small up to twelve cubic feet, and are replacing three of those this winter, including the purchase of a front loading Bailey electric kiln! The kiln room was recently fitted with a new exhaust system with forced fresh air heating. Other facility highlights include a well stocked materials room, and a ventilated clay mixing room with two Soldner mixers, a raw material crusher, and a blunger. New for this spring will be two Lehman slip mixing tanks and a second pugmill. There is a dedicated plaster mold-making room and a well stocked glaze lab as well. All of this is kept running and well stocked by our excellent full time technician, Terry Hildebrand. Along with teaching and keeping on top of all the great extra curricular programming, we have both been very busy with exhibitions and studio production. Grace recently spent time in China and Australia, and is exhibiting in Korea and was invited to the NCECA Biennial in Philadelphia. Steve just returned to teaching after a research leave and exhibited in Phoenix for the NCECA conference in 2009, and will also show at the 2011 conference in Tampa, along with recent showings in Chicago, Massachusetts, and New York. Please feel free to send this letter to any current or former students who you think would be a good candidate for graduate study at U of M. Also, do not hesitate to call or email us with any questions. Thank You, Steve and Grace Professor Stephen Grimmer, Area Head of Ceramics 203 FitzGerald Building University of Manitoba Winnipeg, MB R3T 2N2 (204) 474-9560 [email protected] http://ltc.umanitoba.ca/blogs/grimmer Grace Nickel, Instructor in Ceramics University of Manitoba Winnipeg, MB R3T 2N2 (204)474-8318 [email protected] http://gracenickel.ca/ School of Art Web Page: http://www.umanitoba.ca/schools/art/index.php (Look under Future Students tab for application materials.)
ARTIST RESIDENCY: INSIDEZONE, ROMANIA
DEADLINE FOR APPLICATION: MARCH 15, 2010
Duration: April 12 to 18 (or longer upon request)
Disciplines: Drawing, Painting, Film, Literature, Multi-Media, Music, Photography, Sculpture
Target Group: International, National – Artists under the age of 35
The residency is organized once a year with artists from all over the world by a Romanian non-profit art organization. The InsideZone 2010 artist residency will be organized by Literary and Artistic Group ZIDUL DE HARTIE (www.ziduldehartie.wordpress.com). The town of Borsec and the surrounding area are well known for their spas and best mineral waters of Europe. The resort is surrounded by a curtain of coniferous forests which makes a gorgeous landscape and protects it from heat in the summer and cold winds in the winter. The residency is in a beautiful house from the central area of the upper town. The town is located at the base of Carpathians. Upper town it is at 2 kilometers from the town?s square, at an altitude of 950m. Application address:
Borsec Romania | Telephone 0047 492 89 522
E-mail [email protected]
www.transylvanianweek.texmar.ro
Call for entry: Art & Australia Contemporary Award
Closing date: 1 March 2010
The Art & Australia Contemporary Art Award is an acquisitive prize open to Australian and New Zealand artists who are within the first five years of their professional practice. Four artists are selected annually with their work featured on the back cover of Art & Australia, accompanied by a profile of their practice. One work from one of the four artists is then purchased for the Art & Australia collection.
For more info
ARTIST RESIDENCY: APOTHIKI FOUNDATION, GREECE
Apothiki aims at introducing artists and organizations to the island atmosphere of Paros – a creative environment that has inspired artists for more than 5000 years – and further develop Paros as a meeting place for creative people from around the globe. In cooperation with artists, art galleries, foundations and cultural institutions – both Greek and international, this multi-functional space will host contemporary art exhibitions and cultural events and provide a working and living space for artists in residence. The Residency program is part of a wider range of activities organised in the art centre such as exhibitions, concerts and seminars. Artists, scholars, art managers and critics are invited to submit their application for a 2 to 4 week residency to take place in 2010 or 2011. The program will start in April 2010. Artists that like to organise a small ‘group’ residency can submit a joint application. MORE INFO >> Application address:
Parikia 84400 PAROS Greece
E-mail [email protected] | www.apothiki.com
Check out Art of Craft @ Museum of Vancouver
Call for Artists: City of Hobart Art Prize
The City of Hobart Art Prize is open to artists, designers and craftspeople nation-wide. It brings together contemporary visual arts, craft and design practice in a single exhibition.
For all the details on the Hobart Prize visit the website here.
AIMS OF THE CITY OF HOBART ART PRIZE
The City of Hobart Art Prize seeks to:
- Promote art, craft and design practice in a way that is inclusive
- Encourage experimentation within and across art, craft and design forms
- Present an exciting exhibition that offers a ‘snap shot’ of contemporary practice
- Provide the City of Hobart with a collection of significant works
- Showcase the work of Tasmanian artists, craftspeople and designers within a national context
CATEGORIES
The 2010 City of Hobart Art Prize categories, for which the main prizes are awarded, change every year. The 2010 categories are Digital Media and Ceramics. The guidelines for these categories are as follows:
Digital Media – including projection, software generated and screen based art works.
Projection – work for the final exhibition must be provided as a standard or high definition QuickTime 7 codec (H.264, DV, Animation, Apple Intermediate) in a QuickTime container (mov.) file provided on DVD, or removable hardware. Hardware will be returned to artists following the exhibition. All Digital Media work is not to exceed 30 minutes playtime. Two high definition equivalent data projectors will be used to display works. Artists selecting to present their work in this format will have their works screened consecutively on a loop with an appropriate pause between individual entries. Software generated and screen based art works – work for the final exhibition requiring specific delivery platforms is the responsibility of the exhibiting artist. The provision of this delivery platform, including computers or other multi-media devices, with appropriate software installed, screens, cables, mouse and any remotes if required, with complete instructions and trouble shooting information for the set up and operation of software must be provided at a turn key/plug and play standard.
Ceramics – functional and non functional works, including sculpture and installation based practice in any technique, including but not limited to, wheel thrown, slip cast and hand built.
Note: In both categories, any three dimensional work to be included in the final exhibition shall not have a footprint of more than 2 metres square with a height restriction of 2 metres. Any individual component shall not exceed 50kg in weight, with any overall weight not exceeding 200kg. If the artwork has a number of separate components,
it should be freighted in separate crates, each weighing no more than 50kg. The work is to be presented ready for assembly or display. All fixtures and fittings required are to be included with detailed instructions for installation. Further: Any portable electrical equipment or fittings associated with works for final exhibition must be tested and tagged in accordance with Australian Standard AS3760 prior to exhibition.
PRIZES
The City of Hobart Art Prize
Two $15,000 acquisitive prizes provided by Hobart City Council (one in each category).
The MONA Prize
One $7,500 non acquisitive prize. This prize of $7,500 sponsored by MONA (Museum of Old and New Art) is open to artists, craftspeople and designers who are selected for the final City of Hobart Art Prize exhibition and who were either born, are presently residing in, or have resided
for a period of five years or more in Tasmania. The winners of the acquisitive City of Hobart Art Prize will not be considered for the MONA Prize.
For more information on MONA visit:
www.mona.net.au







