Announcing the D.I.Y. Clay Tools Video Contest!
As you’ve seen over the years on Ceramic Arts Daily, ceramic artists are some of the most creative people out there when it comes to the tools they use. (in fact, Meira Mathison shared a great one on Friday). If a tool doesn’t exist to get a particular job done, no problem. A clay person will probably just make what they need. A bunch of MacGyvers, we are.
So, for our next contest, we thought it would be fun to ask our clever readers to submit videos showcasing the tools they’ve made or repurposed for a particular ceramics task.
There are so many cool homemade or repurposed tools out there that Ceramic Arts Daily has an entire section devoted to the subject. The “Making Clay Tools” section of the site contains loads of great examples of homemade tools. But wouldn’t it be great if there were more videos there?
That’s where you come in, readers! Enter the D.I.Y. Clay Tools Video Contest for a chance to share your great ideas with the world! You might even win the grand prize from our sponsor Euclid’s Kilns, Elements, and Tools: a $500 gift card to use on Euclids.com. – Jennifer Harnetty, editor.
| Find out more about the contest here! |
BISHOGAMA INT’L CERAMIC WORKSHOP ALBERTA SOCIETY
DEADLINE: ONGOING The BICWA society is a residence for artists to live, work and use all facilities, independently. This is of interest for self directed artists. BICWA Society resides in the country, it’s surrounded by huge fields of brilliant golden yellow canola in the summer and by acres and acres of muskeg and willow bushes. Because the society is situated in the country side and it’s close to the wilderness, a lot of wildlife is crossing the fields.
- Individual rooms in shared house, there are 6 large bedrooms, 3 full bathrooms, large livingroom with fireplace and a very large dining / kitchen area and laundry room. Studio.
- 24ft anagama (traditional Japanese woodkiln). Salt-kiln, wood-fire-kiln, electric-kilns, gas-kilns, raku-kilns. 2 studios with all technical equipment needed. (wheels, slabroller, extruder, pugmill etc.)
Box 144 HYTHE, ALBERTA T0H-2C0 Canada
Telephone +1 780 3562424 | Fax +1 780 3562225
E-mailE-mail [email protected]
[email protected]
Call for entry – Last Call
Entry Deadline: July 2, 2010
Florida, St. Petersburg
Last Call – A juried exhibition that honors the social nature of drinking and the care that can be taken into honoring flavor.
Jurors: Adam Yungbluth & Matt Schiemann.
July 2, 2010 – Postmark deadline for CDs, fee & entry form.
July 16, 2010 – Email notification of accepted entries.
Aug. 3, 2010 – Deadline for receipt of accepted work.
Sept. 3, 2010 – Last Call Opening Reception.
Sept. 30, 2010 – Last Call Closes.
Oct. 8, 2010 – Return of unsold work.
Last Call is open to national and international ceramic artists. Clay must be the primary material used, sculptural interpretations are welcome. the entries much have been completed in the past two years. Entries form St. Peterburg Clay Company members and A.I.R.s will not be considered.
Upcoming Artist Presentations @Medalta
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Andrew Martin and Mark Pharis artists talk

Upcoming film screening of The Leach Pottery
The Leach Pottery
6 pm, Thursday, June 24, 2010
Influx Room, Regis Center for Art
University of Minnesota
Admission: FREE
A special screening ofThe Leach Pottery, narrated by Warren MacKenzie, and restored and released by Canadian filmmaker Marty Gross.
This film, given to the filmmaker by Bernard Leach and his wife Janet Darnell Leach in 1976, records virtually every aspect of pottery making at the Leach Pottery. It has been restored and edited by Marty Gross, a filmmaker noted for his films of Japanese potters and potteries. Gross worked with Warren MacKenzie to provide narration for the film, as well as to add footage shot by MacKenzie when he was in residence at the Leach Pottery in 1952.
Marty Gross and Warren MacKenzie will be present for the event. Following the screening (the film is about 50 minutes), they will discuss the history and ideas in the films with each other and with the audience.
Marty Gross is a ceramics enthusiast who has brought that knowledge and passion to the public through films about ceramics and their makers, as well as through the Marty Gross Studio, a private art school for children in Toronto, founded in 1971. He has made and restored numerous films about Japanese craft, culture and history, including documentaries about the theater form bunraku, and the pottery villages of Onda and Koishibara on the island of Kyushu, and of Mashiko, where Hamada and Shimaoka lived and worked.
Warren MacKenzie worked at the Leach Pottery from 1949 to 1952, and then returned to Minnesota to teach at the University of Minnesota. While he taught at the University and after his retirement, he made and continues to make thousands of pots every year, which he intends to be used in the daily acts of serving and eating food—or containing flowers or paper clips and pencils. His pots may be found at Northern Clay Center, as well as in cupboards and display vitrines around the world.








