Adam Field @ ACAD in Calgary
Ceramics Visiting Artist Workshop | ADAM FIELD
February 13 to 16
Adam Field, Covered Jar, incised porcelain with various glazes, soda-fired
The ACAD Ceramics Program is pleased to present a workshop February 13th to 16th with Adam Field from Durango, Colorado. Field will share what he has learned over his 13 year studio career. Lectures and discussions will cover his Korean pottery apprenticeship, technical production methods, aesthetic considerations and the business side of a pottery practice. All are welcome to attend the public lecture and workshop demonstrations. Visiting Artist Talk | Stanford Perrott Lecture Theatre Wednesday, February 15 @ 2 p.m. Born and raised in Colorado, Adam Field earned his BA in Art from Fort Lewis College. For two years he immersed himself in the culturally rich art scene of the San Francisco Bay area, where he began his full time studio practice. From there, Adam relocated to Maui, where he established a thriving studio business. Adam spent most of 2008 in Icheon, South Korea, studying traditional Korean pottery techniques under 6th generation Onggi master Kim Il Mahn. Adam has recently established his studio in Durango, Colorado. His works are included in private collections internationally. Regarding his ceramic studio work, Adam states: I am fascinated with antique artifacts, the way they can speak of mastery of lost peoples, places, and cultures. This inspires me to create works that both radiate history and capture my own place and time. I work toward a clean aesthetic that celebrates the masterful simplicity of antique Far Eastern pottery, while retaining the modest utility of colonial American wares. The surface of my pottery is meticulously carved with intricate designs that borrow from nature and incorporate the human touch. Much of the carving on my work is informed by the pattern languages found in indigenous fiber art, suchas Hawaiian tapa, Incan cordage and Zulu basketry.
Adam Field, Cup, incised porcelain with various glazes, soda-fired.via ACAD2012 workshops at Touchstone Center for Crafts
April 26-30 Reinventing Kitsch: Creating Art with Molds Shoji Satake / All Levels / $375 / Extended Weekend Workshop /
May 11-13 Exploring Decal Usage in Sculptural and Functional Ceramics Dan Kuhn / All Levels / $250 / Weekend Workshop / May 17–21 Thrown, Darted and Decorated Jennifer Allen / All Levels / $375 / Extended Weekend Workshop /
May 25-27 Primal Pottery in a Modern World Becky Keck / All Levels / $250 / Weekend Workshop / June 4-6 Expand your Palette: Mid-range Glazes for the Electric Kiln Yoko Sekino-Bove’ / All Levels / $250 / Two Day Workshop /
June 11-15 Wheel-Thrown Pottery Intensive Joe Sendek / Beginner-Intermediate / $495 / Weeklong Workshop / June 18-22 Transitioning from Functional to Sculptural Ceramics Ian Thomas / Intermediate – Advanced / $495 / Weeklong Workshop /
July 9-13 Ceramic Decals in an Atmospheric Kiln Justin Rothshank /Intermediate – Advanced / $495 / Weeklong Workshop /
July 23- July 27 and/or July 30 – August 3 Clay Adornment: Object & Identity Sharif Bey /All Levels / $900 or $495 / Two-Week Workshop or One-Week Workshop /
June 25-29 Finding Creativity in Your Pottery Forms Jerry Wagner / Intermediate – Advanced / $495 / Weeklong Workshop /
August 6-10 Wheel-Thrown Pottery Valda Cox / $495 / All Levels / Weeklong Workshop /
August 13-17 Hand-Building and Surface Decoration Danna Rzecznik / $495 / All Levels / Weeklong Workshop / August 20-24 Tiles and Mosaics Karen Howell / $495 / All Levels / Weeklong Workshop /
August 27-31 Maximizing Naborigama: Creating Work that Gets the Most from Wood Firing Processes Dan Kuhn / Beginner – Intermediate / $495 / Weeklong Workshop / September 21-23 Gas Kiln Construction Dale Huffman /All Levels / $200 / Weekend Workshop / September 28-30 Exploring Raku Joe Sendek / All Levels / $250 / Weekend Workshop /Find more info and register here.
Touchstone Center for Crafts ▪ 1049 Wharton Furnace Rd ▪ Farmington, PA 15437 USA 724.329.1370 ▪ 800.721.0177 ▪ 724.329.1371 (fax)
The Lowdown: Tales from the Margin @ the Red Lodge Clay Centre.
Curatorial Statement:
The Low Down: Tales From The Margin is an exhibit of contemporary ceramics, which are bothhonest and current, reflecting narratives that are personal and shared, abstract and implied. The concept began with a volley of ideas and artists, until a group emerged whom consistentlygenerate objects that toy with definitions and tease visual, historical and/or technical boundaries. The second factor in our selection process was intent to extol the achievements of artists generating their main body of work within low temperature ranges.
Max Lehman, Carole Epp, Alex Kraft, Nick Ramey, Julie Guyot, Jason Bige Burnett and Melissa Mytty have created a spirited and vibrant collection of objects, the best of which will pull the viewer in to the tales they spin. Formal compositions pair sparse grounds with overwhelmed figures and the viewer is left to decide if the decadence is for the better or not. Some of the more obvious narratives still leave ample room for audience interpretation; and, like a visual mad-lib, we can fill in the blanks. There are elaborate dialogues between material pairings made in fantastical, imaginary worlds alongside very evident social commentary with an extremely clear point of view. This is an exhibition for a modern world with visual “sound bites†for those in search of over stimulation, however if one chooses to go deeper the conversation thread is there to pick up and carry. Perhaps this what can happen when a graphic novel impacts the oft-insular world of clay?
The exhibit is a targeted snapshot of a specific area of inquiry in the field of ceramics. A peripheral group generating more and more buzz and not just from the hum of an electric kiln. The Low Down: Tales from the Margin is a celebration of the creative exploitation possible with electric coils and eutectic compositions.
View the whole show online here.
PO Box 1527 Red Lodge, MT 59068 Ph. 406.446.3993
Monday morning eye candy – Emily Rowley
Find more here.
Job posting – Research Assistant
Stephen Benwell, Three Fauns, Niagara GalleriesRenowned ceramic artist Stephen Benwell is on the lookout for a Research Assistant to assist him with an archive project. Duties include developing a comprehensive bibliography and image library ready for website use. If you are interested please email Stephen directly and include a short cover letter and resume. This is a paid position ($15 per hour for two days per week, for 3 months – tbc) but the skills you will learn working alongside a master will be invaluable. via The Craft Blog
Read more about Stephen Benwell’s work and career here
Upcoming workshop: “Smoke, Fire and Fumes”
April 28th & 29th, 20129am to 5pm daily
Registration Fee: $235.00
Class Limit: 15 Participants
Soup and Bread Lunch Provided Two ways to register…
Mail-In Registration Information [PDF]
Online Registration with PayPal ™ Pre-workshop Instructions [PDF] This two-day, hands-on workshop with Linda and Charlie Riggs will focus on ferric chloride fuming, 2 types of naked raku and horsehair firing. A special emphasis is on the use of pots polished with white terra sigillata. Students’ pots will be fired in or placed into atmospheres where the smoke and/or chemicals produce the final surface color. These colors range from the deep reds and oranges of saggar and ferric chloride firings to the stark black and white designs of naked raku.
Charles Riggs
Charles has a Fine Arts Degree in Pottery. He has been featured in Clay Times, Ceramics Monthly, and Studio Potter as well as in the books, “Alternative Firing Methods” by Watkins/ Wandless and “Raku, The Practical Approach”, and “Mastering Raku” by Steven Branfman. Charlie has exhibited extensively in the US, and as far away as Canada and Norway. He also teaches workshops throughout the US and Canada in a variety of subjects including, Raku Methods, Saggar-firing, Pit-Firing, Raku Kiln Building, and Throwing Techniques.
Linda Riggs
Linda has Masters in Anthropology. She collaborates with Charlie to create some of the unique surfaces on their pottery including saggar-firing, naked raku, and carvings and slip designs. Linda has written a number of articles on pottery for Ceramics Monthly and Clay Times. She is also featured in magazine articles on saggar firing, and in the books by Watkins/Wandless and Steven Branfman. She co-teaches workshops with her husband Charlie.
More info here. White Oak Pottery
3915 Rivermont Road
Durham, NC 27712
(919) 309-4747
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