Job posting – Research Assistant

Stephen Benwell, Three Fauns, Niagara Galleries

Renowned ceramic artist Stephen Benwell is on the lookout for a Research Assistant to assist him with an archive project. Duties include developing a comprehensive bibliography and image library ready for website use. If you are interested please email Stephen directly and include a short cover letter and resume. This is a paid position ($15 per hour for two days per week, for 3 months – tbc) but the skills you will learn working alongside a master will be invaluable. via The Craft Blog
Read more about Stephen Benwell’s work and career here

Upcoming workshop: “Smoke, Fire and Fumes”

Riggs Raku Pot April 28th & 29th, 2012
9am to 5pm daily
Registration Fee: $235.00
Class Limit: 15 Participants
Soup and Bread Lunch Provided Two ways to register…
Mail-In Registration Information [PDF]
Online Registration with PayPal ™ Pre-workshop Instructions [PDF] This two-day, hands-on workshop with Linda and Charlie Riggs will focus on ferric chloride fuming, 2 types of naked raku and horsehair firing. A special emphasis is on the use of pots polished with white terra sigillata. Students’ pots will be fired in or placed into atmospheres where the smoke and/or chemicals produce the final surface color. These colors range from the deep reds and oranges of saggar and ferric chloride firings to the stark black and white designs of naked raku. Riggs Saggar Pot
Charles Riggs
Charles has a Fine Arts Degree in Pottery. He has been featured in Clay Times, Ceramics Monthly, and Studio Potter as well as in the books, “Alternative Firing Methods” by Watkins/ Wandless and “Raku, The Practical Approach”, and “Mastering Raku” by Steven Branfman. Charlie has exhibited extensively in the US, and as far away as Canada and Norway. He also teaches workshops throughout the US and Canada in a variety of subjects including, Raku Methods, Saggar-firing, Pit-Firing, Raku Kiln Building, and Throwing Techniques. Riggs Raku Pot
Linda Riggs
Linda has Masters in Anthropology. She collaborates with Charlie to create some of the unique surfaces on their pottery including saggar-firing, naked raku, and carvings and slip designs. Linda has written a number of articles on pottery for Ceramics Monthly and Clay Times. She is also featured in magazine articles on saggar firing, and in the books by Watkins/Wandless and Steven Branfman. She co-teaches workshops with her husband Charlie.
More info here. White Oak Pottery
3915 Rivermont Road
Durham, NC 27712
(919) 309-4747

Call for entry – European Ceramic Festival – TERRALHA –

Saint Quentin la Poterie (France)
19-22 July 2012

Application Call Deadline 29th February 2012

THE CERAMIC ARTS TRAIL
Around twenty contemporary ceramic artists will be invited to show their work in the heart of village, in private sites transformed for the occasion into temporary exhibition spaces. The selection criteria will prioritize the quality of the work but also cultural diversity and the variety of techniques used. The originality of the trail is based on the match between the selected European artists and the spaces offered. It offers another way of discovering the village: behind normally closed gates or courtyards usually hidden from view. Given the richness that personal encounters add to the experience of art, the artists will be present on the site of their exhibitions for the duration of the festival, to meet the public and explain techniques and artistic approaches.

The general participation rules are available on the website www.officeculturel.com
Send your file at [email protected]

Storytelling: featuring works by Debra Fritts, George Penaloza and Cheryl Tall.

January 21, 2012 – March 10, 2012
Dream of Coyote Song by Debra Fritts

Debra Fritts has achieved national recognition for her one-of-a-kind ceramic sculptures which are hand-built and multiple fired with a painterly glazed surface. Her work is a continuous story of awareness and the celebration of daily living.

Mother Abiah by George Penaloza

George Penaloza gives voice to his creativity through ceramic sculpture that is inspired by fantasy movies and special effects design. His sculpture gives life to what exists within his heart and imagination.

Heads Above Water by Cheryl Tall

Cheryl Tall’s figurative sculptures focus on the relationships between people and their surroundings, especially their homes or workplaces. Her works are coil-built and are inspired by her personal experiences of travel and a study of mythology and primitive art.

Visit our new location in The Historic Depot at 410 N. Toole Avenue, # 120. Enter through the double green doors in the middle of the building.

Artists’ reception will be on February 4, 2012 from 6PM to 9PM.
Obsidian Gallery 410 N. Toole Avenue, #120 Tucson, Arizona 85701 T. 520-577-3598 F. 520-577-9018 [email protected] www.obsidian-gallery.com

Call for entry: 5th Annual Lillstreet International: The Perfect Plate


Juried by Sandy Simon
August 17 – September 14, 2012
Entry Deadline: June 1 This juried exhibition is open to all clay artists who are residents of the United States, Canada and Mexico. All work, both functional and sculptural, will be considered. Any submitted work must have been made in the past 2 years. The juror will be Sandy Simon. APPLICATION REQUIREMENTS

  • Resume/CV
  • Artist Statement
  • 1-3 images of proposed work

AWARDS: First Place………..$500
Second Place…….$200
Juror’s Purchase Award….Purchase price
Lillstreet Gallery Award……Exhibition opportunity at Lillstreet Entries must be submitted through www.lillstreet.slideroom.com (please note there is a non-refundable entry fee of $35 per artist). Successful applicants will be notified by July 1. Final work is due to Lillstreet Gallery no later than August 1, 2012. Lillstreet Gallery encourages the sale of all work submitted for the exhibition and will retain 50% commission on all sales. Lillstreet does not provide materials for artists and will not reimburse for shipping and installation costs. Any unsold work will be returned to the artist within two weeks of the exhibition closing date.

Deadline fast approaching – NCECA/crafthaus Conference Scholarship

NCECA/crafthaus Conference Scholarship Submission FormHow to apply:Copy/paste this form into a word.doc, fill out form and e-mail it to: [email protected] with the reference “NCECA Scholarship.”
Extended Deadline for email application: February 3, 2012

NO SUBMISSION FEE.
Questions, problems? e-mail [email protected].Judging Criteria:
NCECA Board member Sam Chung will select one scholarship recipient based on a review of images posted on the applicants’ crafthaus pages and brief responses to a short questionnaire (see application form for details).Scholarship Details:


  • Complimentary pass to the 46th Annual NCECA Conference taking place in Seattle, WA from March 28-31, 2012.
  • Push Play catalog.
  • Shuttle tour ticket, enabling the scholar to get to the conference exhibitions.
  • One-year additional NCECA membership once the current membership expires.
  • One-year additional crafthaus membership once the current membership expires.
  • Prominent blogspace on crafthaus for one year. NCECA provides reciprocal blogspace on an NCECA website.
  • NCECA will work with the winning candidate to include him/her in events and meetings with NCECA, staff board and conference presenters.

I. Applicant Contact Information:

Name:

Street Address:

City/Zip Code/Countrye-mail:

phone:

Eligibility: Application for the scholarship is open to current, enrolled crafthaus and NCECA members (must be current members ofboth organizations) regardless of location or background.Please check:O I am a current, enrolled member with crafthaus and NCECA.II. Blog

The recipient will receive prominent blog space on crafthaus and the NCECA website geared towards the recipient’s field of expertise. Crafthaus and NCECA expect the recipient to blog at least twice monthly.
Blogging topics and timeline:

  • Prior to conference: Introduction to audience, overview of own work, preparations for conference, introduction to conference theme, speakers, exhibitions.
  • During Conference: Daily evening updates on conference experience, such as exhibition review, speakers etc. Note: These blog updates will be brief to enable the scholar to fully concentrate on the conference itself.
  • After conference: Bi-weekly updates starting with continued, further in-depth conference coverage, then moving on to topic of scholar’s choosing as described in application. Continuation of blog for 6-12 months max.

Answer each of the following questions in 200 words or less:

  1. What are your goals as a maker and as a writer?
  2. What kinds of ideas, issues, people and/or work do you want to share through your blog entries?
  3. What personal attributes make you stand apart from other applicants for this opportunity as the NCECA/crafthaus Scholarship recipient?


III. Images:

Your submission will be reviewed from the images you posted to your new or current crafthaus profile solely! All applicants are strongly encouraged to update their photos on the site accordingly. Add new images or delete images that are no longer relevant.Remember to include media information, measurements and all other relevant information with each photo. Update your crafthaus page with relevant educational and/or updated CV information.TAG your photos with your name, media, and other relevant info!!

Submitted by:_______________________________________


Date: _______________________________________________


Deadline for email application: February 3, 2012

e-mail entry to: [email protected], reference “NCECA Scholarship.”

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