Upcoming events @ the Gardiner
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The Vase Project celebrates the art of copying and the role
of the usually anonymous artist in Jingdezhen. Working with 101 blank
vases, the curators created a visual chain letter selecting factory
workers and painters from independent workshops around the city to copy
and hand‐paint a blue-and-white contemporary landscape based on their
original sketch of the smoke stacks of Jingdezhen.
The project took place sequentially over a two year period: the
first factory artist received the sketch which he/she copied on a blank
vessel which was then fired and passed on to the next artist to copy
on a new identical blank vase and so on.
The Vase Project exhibition reveals that even when working
by rote or mimetically the anonymous artist’s individual brushstrokes
contribute to a singular one-off aesthetic within mass‐production.
Curated by Barbara Diduk, Charles A. Dana Professor of Art at
Dickinson College, Carlisle, Pennsylvania, in collaboration with Zhao
Yu, Assistant Professor at the Hunan Normal University, Changsha, China
This exhibition explores the recent allure of China on Canadian
ceramicists. In the past few years, numerous ceramic artists have
attended residencies and exchanges in Fuping and Jingdezhen, replacing
the tradition of visiting Japanese folk (Mingei) potteries, in search of
authentic experiences.
The exhibition traces this new direction and how/if it has re-shaped
ceramic practice in Canada. Themes include contemporary Western
interpretations of Asian iconography, the relationship between the
handmade and mass production and the endurance of blue-and-white (Qing
Hua).
Go East features work by nine artists from across Canada
that were made in China or inspired by their experience of living
there. Artists participating in this exhibition are: Susan Collett, Jackson Li, Sin-ying Ho, Rory MacDonald, Sally Michener, Ann Mortimer, Paul Mathieu, Walter Ostrom and Diane Sullivan.
Curated by Rachel Gotlieb
JAN 14: PANEL DISCUSSION: Engaging with Ceramic Processes in Contemporary Art with artists Clint Neufeld and Linda Sormin. Moderated by Mona Flip, Curator of the Koffler Gallery
JAN 16: LECTURE: Under the Influence: The Harlequin Effect with artist Kate Hyde
JAN 25: LUNCH + LEARN: Susan Swan: The Western LightFEB 9: TRANSFORMATION BY FIRE: Hands-On WorkshopFEB 12: LECTURE: Married to Pottery: A Life of Uncertainty with Senior Curator Rachel GotliebFEB 14: JAMIE KENNEDY VALENTINE’S DINNER
111 Queen’s Park
Toronto, Ontario
M5S 2C7
Canada
tel +1 416.586.8080
[email protected]
www.gardinermuseum.on.ca
Call for entry: Juried National II @ Red Lodge Clay Center
Application Deadline: January 28, 2013
Notifications Mailed: February 28, 2013
Artist’s Reception: Friday, May 3, 2013
Exhibition Posted Online: Monday, May 6, 2013 by 10 AM Mountain Time
$35 Entry Fee: 3 entries, one accompanying detail per entry
The Second Bi-Annual Juried National is open to functional and sculptural ceramic artwork. It is our mission to provide a place for professionally minded ceramic artists to create new work and share the collective importance of art in our everyday lives. The Center hopes to extend our mission by showcasing the most current and thoughtful innovations and practices in the field of ceramics today.
JUROR:
Dan Anderson is currently a full-time studio artist following 32 years of teaching ceramics at Southern Illinois University Edwardsville (1970-2002). Anderson received his BS degree in art education from the University of Wisconsin-River Falls and his MFA degree in ceramics from Cranbrook Academy of Art. He is a NEA individual artist fellowship recipient plus he has been awarded six artist fellowships from the Illinois Arts Council. An avid wood firing enthusiast, he has his own anagama kiln at his Old Poag Road Clay and Glass studio/home, where he now spends 100% of his time. Red Lodge Clay Gallery, AKAR Gallery in Iowa City, Iowa, Gail Severn Gallery, Ketchum, Idaho and the Works Gallery in Philadelphia as well as other galleries throughout the United States represent his ceramics.
MERIT AWARDS:
Juror’s Choice Award $500
Director’s Choice Award $300
Curatorial Choice Award $200
For more information:
406-446-3993
Email Us
[email protected]
Red Lodge Clay Center Residency Deadlines:
Long Term Residency Application Deadline: February 1st, 2013
The Long-Term Residency (September 1 – July 31) is ideal for committed individuals in transition from post baccalaureate studies to graduate school, as well as those pursuing the development of professional artistic careers. Self-directed ceramic artists searching for the time, space and resources needed to explore new ideas and create new work will enjoy the rural mountainous setting. Accepted residents will be provided with studio space, housing, utilities, and a monthly stipend in exchange for twenty hours of work per week at the Clay Center. Responsibilities will include assisting in the retail operation of the gallery, teaching community clay classes, as well as cleaning and maintenance of the studio and gallery. Residents will be responsible for personal living expenses, as well as all material and firing expenses. The application deadline is February 1st annually.
Application Fee: $40
The Red Lodge Clay Center welcomes applications from ceramic artists who will thrive working as a team, in a community minded atmosphere.
Narratives: Lesley McInally and Wolf Kohler
Stories in the Making, Ceramic Narratives + Dialogue
A week away…..
I can hardly wait…tomorrow morning i’ll be flying to Tennesse for a week away at a residency at Arrowmont. Jason Burnett, a current artist in residence at Arrowmont has invited a very cool looking list of artists out for a week long residency : the Ceramic Surface Forum 2013.
Not only am i excited about all of the creative shoulders i’ll be able to peak over and learn from, but for me it’s a perfect way to get my brain back into a head space for creating figurative sculptures. This last year, with it’s added sleepless nights and baby/toddler scheduling has had an impact on my time for getting sculptural work accomplished. Functional work for sales took over, and although it was fun and some interesting new directions were developed, i’ve been craving getting my hands and mind dirty again with the dark world of my kitsch sculptures. So this next week for me will be a week of glaze testing, surface development, and thinking and sketching and thinking and sketching some more, maybe walking, maybe some blank staring off into space enjoying the quiet of a child free environment, but mostly sketching for the upcoming year’s worth of sculptural work. I can’t tell you how much fun this is going to be. And productive i’m sure. The first full night of sleep in over a year….yah i’ll be super productive!!!
So stay tuned for more as I blog from Arrowmont!
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