A few upcoming events @ St. Pertersburg Clay Company
The first one is a fundraiser to help raise money for the St. Pete Clay
Artist in Residence trip to NCECA. Each resident has made tumblers in
he or she respective styles, the event will be held on Sat Feb 8th from
6-10 at St. Pete Clay. The tumblers will be $20 at the event and will
come with a drink, in addition to the event we are also offering the
tumblers for sale from Feb 1-7th they will be 20+8 shipping.
St. Pete Clay
420 22nd Street South
St. Petersburg, FL 33712
Phone: 727-896-2529
Email: [email protected]
Web: http://stpeteclay.com/
Daniela Schlagenhauf et Nathalie Jover @ Les Ateliers galerie de L’Ô asbl
Elégantes, harmonieuses, épurées,…
Les
œuvres céramiques de Daniela Schlagenhauf et Nathalie Jover surprennent.
œuvres céramiques de Daniela Schlagenhauf et Nathalie Jover surprennent.
Défiant
la matière et les lois de la gravité, elles
tracent le vide et chorégraphient
l’espace.
la matière et les lois de la gravité, elles
tracent le vide et chorégraphient
l’espace.
Tout
simplement beau, à voir absolument.
simplement beau, à voir absolument.
Epure
Vernissage
20.02 de 18 :00 à 20 :00
Exposition 20.02 au 20.03.2014
Ouvert du jeudi au samedi de
14 :00 à 18 :00
Les Ateliers galerie
de L’Ô asbl
Rue de L’Eau, 56a _1190 Forest Belgique
Tel: +32.495.28.71.74
Mail: [email protected]
Site: http://www.galeriedelo.be
PATCHWORKED IN CANADA by Dear Human
Funded by Canada Council for the Arts, Dear Human’s “Patchworked In Canada” isa two stage project: First, as a mural made from 1200 reworked vintage
Portuguese tiles, exhibited this month at the Toronto Design Offsite Festival’s
hub. Then it takes to the streets as an interactive urban art project. Throughout
select areas of Toronto, Montreal, and Vancouver, the tiles will be tagged as
individual installations, to be found and taken home by lucky and observant
finders.
Dear Human <www.dearhuman.ca> is the creative studio of ceramic, architect, sculpture, design duo Jasna Sokolovic and Noel O’Connell.
A
flower growing in a crack of the concrete. This project is like that;
finding unanticipated beauty in the urban landscape, inviting a moment
of pause and response. The search for these small offerings is an open invitation to explore and play.
flower growing in a crack of the concrete. This project is like that;
finding unanticipated beauty in the urban landscape, inviting a moment
of pause and response. The search for these small offerings is an open invitation to explore and play.
See More Here: http://www.dearhuman.ca/?dearhuman_project=patchworked_
Press Releases in French and English: http://www.dearhuman.ca/?page_id=2315&preview_id=2315
High Res Images: Email [email protected]
EVENT
DETAILS
DETAILS
Exhibition
Hosted at the hub of Toronto Design
Offsite Festival at:
Offsite Festival at:
Bosley Real
Estate Ltd.
Estate Ltd.
1108 Queen
Street West
Street West
Toronto,
Ontario
Ontario
M6J 1H9
January 20th
to the 26th
to the 26th
Hours of
Operation: Mon-Fri: 3-7pm, Sat: 12-7pm, Sun: 12-5pm
Operation: Mon-Fri: 3-7pm, Sat: 12-7pm, Sun: 12-5pm
Tagging
Toronto: Queen West area, January 27th-28th
Montreal: Le Plateau – Laurier area,
January 30th-31st
January 30th-31st
Vancouver: Mount Pleasant – Main Street
area, February 7th-8th
area, February 7th-8th
monday morning eye candy: Li Yuduan
emerging artist: Francesca D’Angelo
Artist Statement
My
clay is wobbly
clay is wobbly
Sliding
swiftly through my fingers
swiftly through my fingers
Wobbly
on clay dome. Wobble on
on clay dome. Wobble on
Open.
Pull up. Thin out. Slap around
Pull up. Thin out. Slap around
Sometimes
they make it
they make it
Sometimes
they don’t
they don’t
Toss
it in the bucket
it in the bucket
Start
again
again
Open.
Pull up. Thin out. Slap around
Pull up. Thin out. Slap around
Pinch
it off
it off
Now it
will sit
will sit
Sit.
Stiffen up. Be patient
Stiffen up. Be patient
In a
bucket I mix a little of this
bucket I mix a little of this
A
handful of that
handful of that
The
mixture is becoming binder. A texture
mixture is becoming binder. A texture
Score.
Bind. Attach. It looks good there
Bind. Attach. It looks good there
And
there. I grab another
there. I grab another
Score.
Bind. Attach. Step back
Bind. Attach. Step back
The process
is familiar
is familiar
Working
as a one woman assembly line
as a one woman assembly line
Bisque.
Glaze. Fire. Sandblast. Luster
Glaze. Fire. Sandblast. Luster
Fire
again
again
Each
action creating a symbiotic relationship
action creating a symbiotic relationship
Or I toss
it in the bucket
it in the bucket
And start
again
again
emerging artist: Dani Sigler
With
current US politics attempting to reverse human and women’s rights, I create
art to keep these rights moving forward. Much of my body of work consists of
feminine-inspired forms and objects with strong female content. The colors and
topics are loud but I also work to inject humor into these heavy topics. It is
clear to me that Women’s and Civil Rights have come under heavy fire in the
political realm. I strive to make work that is functional and domestic,
attempting to keep these conversations at the ‘everyday’ level, thereby making
my art more inclusive for multiple audiences, as opposed to limiting it to
specific groups or sites. Clay is
my material of choice because it is a malleable material that encourages
touching. I am interested in seeing how the soft becomes strong, and I am
pleased with the tactile sensations of the finished projects.
current US politics attempting to reverse human and women’s rights, I create
art to keep these rights moving forward. Much of my body of work consists of
feminine-inspired forms and objects with strong female content. The colors and
topics are loud but I also work to inject humor into these heavy topics. It is
clear to me that Women’s and Civil Rights have come under heavy fire in the
political realm. I strive to make work that is functional and domestic,
attempting to keep these conversations at the ‘everyday’ level, thereby making
my art more inclusive for multiple audiences, as opposed to limiting it to
specific groups or sites. Clay is
my material of choice because it is a malleable material that encourages
touching. I am interested in seeing how the soft becomes strong, and I am
pleased with the tactile sensations of the finished projects.
Take my Illustrative Pottery Workshop with the Ceramics School
about me
Follow me on Instagram
Carole’s Website
MAKEANDDO.CA
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