Rest in Peace Don Reitz

The news had spread quickly throughout conference goers about Don Reitz’s passing. There was something very touching about receiving this news at NCECA. Anyone who had known him had stories to tell. What I kept hearing over and over again was not so much about his work, but rather who he was as a man. His warmth, generosity and positive attitude were what he was most remembered for.
During the last day of the conference, while we sat together in the darkened auditorium listening to the emerging artists talks, a moment was taken for remembrance. Together we clapped in rhythm and held hands throughout the crowd, sending his soul onto the next adventure. The emotion of that moment was powerful. You could sense in that room all of the lives that he had touched.
Rest in peace Don.
The following is a quote from an artist statement of his that was included in the obituary posted by the American Craft Council. You can read it in it’s entirety here: http://craftcouncil.org/post/remembering-don-reitz
When I work I think a lot. Mostly it’s not about that which is in front of me. That action is generally a spontaneous response. I just think, tell ridiculous stories, or pretend I am the greatest artist of all time. I think about who is really forming who at this moment and other seemingly unrelated stuff, an integral component. Lately, due in part to the passing of my dear friends and heroes, I have been thinking about time. Surely the greatest gift of all, yet we take it for granted. This gift of time what shall I do with it? How much time is there? Will I waste it by worrying about the RULES, yesterday’s idea, or about laborious, extraneous techniques before I need them? I choose not to.
Over the years time has allowed me to manipulate my forms and surfaces with some degree of innate intelligence and personal satisfaction. Time, an essential ingredient in firing, hardens and colors the clay, but also gives me time to think and look inward.
Time has enabled me to bring to my work a personal uniqueness, a clarification of purpose. These works serve as a bridge which allows me to move freely from reality to REALITY. In the interface I am free of convention, opinion, and burdensome history. My work becomes a personal iconography enabling me to visualize and organize my information. My marks are there in the clay. My signature.
It’s a good day.
–Don Reitz
Tomorrow ~ The Fantastic Story of Porcelain with Chris Antemann
Wednesday, March 26th
Join me at Uof W: The Fantastic Story of Porcelain
with Chris Antemann
1:20 – 3:40 Seminar Ceramics Lab 111 N. Frances Street, Madison, WI
4:30 – 5.30 Lecture Elvehjem Building 800 University Avenue, Room L160, Madison, WI
All events are free and open to the public.
ummm….sorry!
Wow. A whole week has gone by since I posted. Ummmm….errrr….I have an excuse, I swear! It’s called NCECA. I had good intentions to stay on top of blogging while I was there, but I guess I forgot how crazy NCECA really is. So stay tuned, there will be an epic post NCECA wrap up blog post forthcoming……
technical tuesday: The Clayer E-Course: Part two
monday morning eye candy: Sarah Wells Rolland
residency opportunity – Workshop (Calgary)
located in Altador. It is a small open space that allows for multipurpose
programming. Ranging from children’s art classes to cultural focused adult
workshops the space attempts to be responsive to the community’s needs.
Although the focus is primary local the Workshop strives to be relevant within
the larger contemporary arts and crafts community. In addition to educational programming the Workshop
has created a ceramic residency program that will allow for an artist to have
studio and facility access. The Workshop is also scheduling regular short term exhibitions.
It will exhibit progressive cultural based material and ideas. Ultimately, the
Workshop is a creative community center that is designed to both reflect and
inform its social context.
Ceramic Residency Program
The workshop is looking for a ceramic artist to fill its first residency program.
The selected artist will have free access to studio space and ceramic facilities.
In exchange for access they will help run the kiln and assist with technical question during certain workshops.
In addition, the artist will have the opportunity to teach workshops and class throughout the duration of the residency.
Interested applicants should submit the following via email:
CV
Statement of interest
Images of work
Link to website
Contact
Phone: 403.401.7890
E-mail: [email protected]
4814 16th Street SW
Calgary AB







