technical tuesday: Making ceramic wall art discs by Natalie Blake Studios
call for entry: Cup Show and Sex Themed Exhibition at Clay Art Vegas
Las Vegas Nevada’s Clay Arts Vegas is pleased to host “CUP SHOW” a national juried art exhibition, March 3 – March 30, 2016
in the Victor F. Keen Gallery, at Clay Arts Vegas in Las Vegas, Nevada.
“CUP SHOW” will feature functional and sculptural cups, tea bowls and
mugs.
Deadline: February 5, 2016.
Participation is open to all artists 18 years of age or older living in
the United States and abroad. Work submitted must be original, must use
clay as the primary material, must specify firing technique(s) and
size, and must have been completed within the last 2 years.
Jurors: TBD
First Prize: $250
Prospectus (copy link to download):
www.clayartsvegas.com/calls/cup2016.pdf
Las Vegas Nevada’s Clay Arts Vegas is pleased to host “CUP SHOW” a national juried art exhibition, March 3 – March 30, 2016
in the Victor F. Keen Gallery, at Clay Arts Vegas in Las Vegas, Nevada.
“CUP SHOW” will feature functional and sculptural cups, tea bowls and
mugs.
in the Victor F. Keen Gallery, at Clay Arts Vegas in Las Vegas, Nevada.
“CUP SHOW” will feature functional and sculptural cups, tea bowls and
mugs.
Deadline: February 5, 2016.
Participation is open to all artists 18 years of age or older living in
the United States and abroad. Work submitted must be original, must use
clay as the primary material, must specify firing technique(s) and
size, and must have been completed within the last 2 years.
Participation is open to all artists 18 years of age or older living in
the United States and abroad. Work submitted must be original, must use
clay as the primary material, must specify firing technique(s) and
size, and must have been completed within the last 2 years.
Jurors: TBD
First Prize: $250
Prospectus (copy link to download):
www.clayartsvegas.com/calls/cup2016.pdf
www.clayartsvegas.com/calls/cup2016.pdf
Las
Vegas Nevada’s Clay Arts Vegas is pleased to host “Sweet and Slippery
Slope: The art of sex and sexuality” a national juried art exhibition, May 5 – May 31 2016
in the Victor F. Keen Gallery, at Clay Arts Vegas in Las Vegas, Nevada.
“Sweet and Slippery Slope: The art of sex and sexuality” : Sex and
sexuality is part of the human experience, lets explore it. Work can be
sculptural, or functional.
Deadline: March 31, 2016.
Participation is open to all artists 18 years of age or older living in
the United States and abroad. Work submitted must be original, must use
clay as the primary material, must specify firing technique(s) and
size, and must have been completed within the last 2 years.
Jurors:
Laura Henkle
Best of show prize $300
prospectus download (copy and paste):
www.clayartsvegas.com/calls/sweet2016.pdf
Las
Vegas Nevada’s Clay Arts Vegas is pleased to host “Sweet and Slippery
Slope: The art of sex and sexuality” a national juried art exhibition, May 5 – May 31 2016
in the Victor F. Keen Gallery, at Clay Arts Vegas in Las Vegas, Nevada.
“Sweet and Slippery Slope: The art of sex and sexuality” : Sex and
sexuality is part of the human experience, lets explore it. Work can be
sculptural, or functional.
Vegas Nevada’s Clay Arts Vegas is pleased to host “Sweet and Slippery
Slope: The art of sex and sexuality” a national juried art exhibition, May 5 – May 31 2016
in the Victor F. Keen Gallery, at Clay Arts Vegas in Las Vegas, Nevada.
“Sweet and Slippery Slope: The art of sex and sexuality” : Sex and
sexuality is part of the human experience, lets explore it. Work can be
sculptural, or functional.
Deadline: March 31, 2016.
Participation is open to all artists 18 years of age or older living in
the United States and abroad. Work submitted must be original, must use
clay as the primary material, must specify firing technique(s) and
size, and must have been completed within the last 2 years.
Participation is open to all artists 18 years of age or older living in
the United States and abroad. Work submitted must be original, must use
clay as the primary material, must specify firing technique(s) and
size, and must have been completed within the last 2 years.
Jurors:
Laura Henkle
Laura Henkle
Best of show prize $300
prospectus download (copy and paste):
www.clayartsvegas.com/calls/sweet2016.pdf
www.clayartsvegas.com/calls/sweet2016.pdf
monday morning eye candy: Michael Eden
Jody Greenman-Barber @ Slate
emerging artist: Nikki Mizak aka June Bug Pottery
Profit Margin Curated by Derek Reeverts
January 9-29 @ Charlie Cummings Gallery
Profit Margin,
curated by Derek Reeverts is now online. This exhibition features
ceramic sculpture and vessels, printmaking, and poetry by national
artists.
curated by Derek Reeverts is now online. This exhibition features
ceramic sculpture and vessels, printmaking, and poetry by national
artists.
Curator’s Statement
Profit Margin explores modern incarnations of class warfare.
Tension between socioeconomic classes exists in a variety of forms
because Fox News is wrong; class structure is not a singular identity.
It is something that exists in varying degrees depending on each
individual’s makeup -their region, gender, culture, education, etc.
There is no singular, universal group who has sole access to the means
of production, a Marxist term referring to society’s resources and
production facilities. In today’s world there are multiple means of
production -from physical factories to Wall Street, Academia, and Big
Oil -and thus “those who have access” are as varied in appearance,
though not in number, as those who do not.
Tension between socioeconomic classes exists in a variety of forms
because Fox News is wrong; class structure is not a singular identity.
It is something that exists in varying degrees depending on each
individual’s makeup -their region, gender, culture, education, etc.
There is no singular, universal group who has sole access to the means
of production, a Marxist term referring to society’s resources and
production facilities. In today’s world there are multiple means of
production -from physical factories to Wall Street, Academia, and Big
Oil -and thus “those who have access” are as varied in appearance,
though not in number, as those who do not.
The artists represented in Profit Margin hail from a variety
of geographies, socio-economic backgrounds, genders, and cultures.
Their pieces explore people and places marginalized by modern class
warfare. They work in mediums as diverse as ceramics, printmaking, and
poetry. The array of medium allows the viewer many avenues to approach
the complex processes of class. Whether the piece references the figure,
utilizes color and texture, or uses the familiarity of the human voice
to express experience, the pieces in Profit Margin allow the viewer a layered perspective into this otherwise cloudy machination.
of geographies, socio-economic backgrounds, genders, and cultures.
Their pieces explore people and places marginalized by modern class
warfare. They work in mediums as diverse as ceramics, printmaking, and
poetry. The array of medium allows the viewer many avenues to approach
the complex processes of class. Whether the piece references the figure,
utilizes color and texture, or uses the familiarity of the human voice
to express experience, the pieces in Profit Margin allow the viewer a layered perspective into this otherwise cloudy machination.
Participating Artists
Take my Illustrative Pottery Workshop with the Ceramics School
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