CALL FOR PAPERS: Canadian Craft Biennial Conference Can Craft? Craft Can!

September 15 and 16, 2017
Burlington and Toronto

The
Art Gallery of Burlington in collaboration with Craft Ontario is
organizing the first Canadian Craft Biennial Conference to be held
September 15 and 16, 2017 in Burlington and Toronto, Ontario.

There
are eleven sessions covering a variety of themes and approaches. To
submit a proposal to a session, please send an abstract (250 words) with
your contact information, a short biography (100 words) to the convener
of the session you would like to join by 30 November 2016. The full description for each session can be found at canadiancraftbiennial.ca

Regular
sessions will include four (4) presentations of twenty (20) minutes
each followed by a question period. Number of Pecha Kucha presentations
in session five is at the discretion of the conveners. All sessions are 1
hour 45 minutes in length.

1. Indigenous Craft Today: Tradition, Innovation, Action
Convener: Elizabeth Kalbfleisch, Independent Scholar
Email: [email protected]

2. Craft and Wilderness: Combatting Territorial Amnesia
Convener: Amanda Shore
Email: [email protected]

3. Somewhere Between Folklore, Modernity and Utopia: Expo’67 and the development of Fine Crafts and Métiers d’art in Canada
Convener: Bruno Andrus
Email: [email protected]

Note: Bilingual Session; Propositions in French and English are welcome.

4. Decolonizing Craft: contemporary craft, race, and decolonial practice in Canada
Conveners: Anthea Black, OCAD University & Nicole Burisch, Independent critic/curator
Email: [email protected] & [email protected]

5. The Openness of Craft: Complexity in Current Practices
Convener: Ruth Chambers, University of Regina
Email: [email protected]

6. Identity, Craft / Métiers d’art and Marketing
Convener: Susan Surette, PhD, NSCAD University and Concordia University
Email: [email protected]

Note: Bilingual Session; Propositions in French and English are welcome.

7. Round-Table Session Title: Making Sense: Exploring Creative Methodologies
Convener: Julie Hollenbach PhD Candidate, Department of Art (Art History), Queen’s University.
Email: [email protected]

8. Craft and Public Art
Conveners:
Kathy Kranias, PhD Student, Humanities Department, York University, and
Lera Kotsyuba, Research Assistant Intern, Ontario Heritage Trust
Email: [email protected] & [email protected]

9. Making Education: The Changing Nature of Teaching Craft
Convener: Dorie Millerson, Assistant Professor, Chair, Material Art & Design, OCAD University
Email: [email protected]

10. Craft’s Collaborations
Convener: Mireille Perron, Alberta College of Art + Design
Email: [email protected]

11. The digital ties that bind: Practice-lead research in craft
Convener: Stephen Bottomley, Senior lecturer, Edinburgh College of Art/ University of Edinburgh
Email: [email protected]

The full description for each session can be found at canadiancraftbiennial.ca

residency opportunity: c.r.e.t.a Rome

CITY OR COUNTRYSIDE? 2017 international artist residencies at c.r.e.t.a. rome
 
We
have just posted the 2017 dates for our short-term residencies in Rome,
Italy. 

Founded in 2012, c.r.e.t.a rome is an international centre for
ceramics and the arts co-founded by American art-historian, Lori-Ann
Touchette and Italian ceramic artist, Paolo Porelli. We offer
residencies in our studio in the historical centre of Rome and also in
the countryside near the lake of Bracciano. The first application
deadline is 1 November 2016. For more info, see our web-site (www.cretarome.com) or contact us at [email protected].

Lori-Ann Touchette and Paolo Porelli

c.r.e.t.a. rome

via dei Delfini, 17

00186 Rome, Italy
+393478024581

www.cretarome.com

www.facebook.com/CretaRome

http://cretarome.blogspot.it

INTERNATIONAL WOOD FIRE EXHIBITION 2016 @ Schaller Gallery

Curated by Phil Rogers
Bandana Pottery, USA
Frank Boyden, USA
Bruce Cochrane, CANADA
Nic Collins, UK
Josh DeWeese, USA
Jeff Diehl, USA
Doug Fitch, UK & SCOTLAND
Hannah McAndrew Fitch, SCOTLAND
Anne Mette Hjortshøj, DENMARK
Shinsuke Iwami, JAPAN
Lee Kang-Hyo, KOREA
Lucien Koonce, USA
Ken Matsuzaki, JAPAN
Jan McKeachie Johnston, USA
Phil Rogers, WALES
Tim Rowan, USA
Akira Satake, USA
 

“The Pretty Things Are Going to Hell” at Sculpture Space NYC Projects

Trevor King

 


October
22 – November 19, 2016
Opening
Reception: Saturday, October 22, 6 – 9 PM
Hours:
Saturday 12 – 6 PM and Wednesday 5 – 8 PM
Location:
47-21 35th Street, Long Island City, NY 11101
Sculpture Space NYC Projects is
pleased to present The Pretty Things Are
Going To Hell
, a group exhibition featuring recent sculptural ceramics by
five New York-based artists: Veronica Frenning, Trevor King, Toshiaki Noda,
Sang Joon Park, and Patrice Renee Washington. 
The
Pretty Things Are Going To Hell
honors the idea of a non-utilitarian,
non-traditional vision and experimental approach toward clay. The common
denominator of this show is that each artist in his or her own particular way
explore the simplicity and anomalies that arise from the process, and rethink
the aesthetic values, and ideals of beauty and perfection.
Veronica Frenning works
organically, shaping clay into found objects and presenting these finds as
specimens.  Frenning’s pieces blur the lines between traces of industry,
weathered manmade remnants and fragments of nature.
Trevor King’s Aluminum series
articulates the mysterious inner spaces of ceramic vessels. The works are made
in a series of steps that involve throwing a clay vessel and then using the
thrown pot as the vehicle to cast its own shape.   A wax form made of
the pot’s inside is then cast in aluminum, capturing evidence of throw lines,
or fingerprints made from pushing clay up as it spins on the wheel.  The
resulting objects appear as materials in flux – melting, pouring, drying, and
dissolving.
Toshiaki Noda’s works are
created on the wheel and altered so that the clay reveals its responses to the
gesture marks left by Noda’s hands. The exaggerated surfaces and entire shapes
are formed while manipulating the clay’s centrifugal force into Noda’s
aesthetic form.
Sang Joon Park has the
foundations of a trained traditional Korean potter.  Through the
repetition of throwing clay vessels, Sang Joon takes collectively thousands of
bowls and transforms them into sculptural towers. 
Patrice Renee Washington
creates relationships within the “realm of cultural space,” setting
up scenarios between objects that are seemingly functional whilst addressing
concepts of the “primitive and modes of convenience.”
Sculpture Space NYC is a
ceramics and sculpture center designed to foster creativity, concept and
collaboration. SSNYC’s intent is to be a resource for artists, providing space,
equipment, advanced education and opportunities for exhibitions and
residencies. New York City based artists Andrew Kennedy and Magda Dejose founded
SSNYC in 2014.
Patrice Renee Washington

Sang Joon Park

Toshiaki Noda

For more information, please contact
Sculpture Space NYC / Projects at 718-806-1709 or [email protected]

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