Entwined: Bethany Krull and Jesse Walp @ Indigo Art
ENTWINED
“We met twelve years ago in art school and since that time, our lives and our artistic practices have ebbed and flowed and intertwined. Over the years we have often had the opportunity to make sculpture side by side in shared studios, and this closeness led us to create work that, at times, has been both conceptually and formally tied with our respective works each containing influences of the other’s. The relatively new role we now share as parents has brought us together in a much more profound way, where in both life and art, we are not just influencing each other, but truly collaborating.
“The aim for my sculpture has always been for it to feel as if imbued with life, like it has grown into existence of its own volition. These forms suggest plant growth and also borrow from the animal realm with outstretched stems, plump clusters, and layered segments. As I create these pieces, I am inspired by thoughts of the internal energies and processes that bring natural forms into being, and hope these works promote exploration and elicit discovery. As a man who spent his childhood in a home built deep in the woods, I feel an urgent need to foster in my children an understanding of how compelling, beautiful and complex nature is, especially because their early years are being spent in a house, on a postage stamp yard, within a concrete landscape. Though squeezed within the confines of the built environment, the dandelions pushing up through the cracks in the sidewalk, the rolly pollies underneath the rock in the backyard, and the decaying log in the park still play a very significant role in their understanding of the natural world.”
“The influence of motherhood has made its mark on my work, and the animal figure has become much more personally symbolic to me since I have had children. The hungry baby bird, and the furless and helpless newborn mouse perfectly embody this season of my life, where nurturing and protection are paramount. Explorations of the beauty, vulnerability and fragility of the natural world, and our species influence on its degradation go hand in hand with a desire to shelter my children and to ensure their blissful ignorance as they are threatened by countless dangers. Concerns about the morality of our politics, the health of our environment, and our own species’ ultimate survival are amplified when they are seen as a reflection in the eyes of our children.”
Show is up April 21 – May 27 @ Indigo Art in Buffalo NY
emerging artist: Juliana Rempel
call for entry: National Juried Competition – Plates, Platters & Nothing Else Matters
The Long Beach Island Foundation of the Arts and Sciences is pleased to announce a call to artists for our “Plates, Platters, and Nothing Else Matters” Exhibition. “Plates, Platters, Nothing Else Matters” is a National Juried Competition of ceramic works that are ready to be wall hung. The deadline for submission is May 1st, 2017.
Our juror, Garth Johnson, will select approximately 75 works for our exhibition. Garth Johnson will award a prize of $1,000 to the artist whose work earns first place. The winner will be posted on our website following the reception, where the prize will be awarded. You do not have to be present to receive the award. The competition and exhibition is open to emerging as well as established artists working in the continental US. Please refer to the exhibition guidelines for complete details.
Important Dates: Monday, May 1st, 2017 Deadline for entries. All work must be primarily ceramic and ready to hang. Please submit up to three digital images to: https://www.callforentry.org/festivals_unique_info.php?ID=3868 with an entry fee of $35.
Full details here: http://lbifoundation.org/events/national-juried-competition-plates-platters-nothing-else-matters-open-call/
residency opportunity: Do Good – MJ Wood Memorial Artist in Residency
movie day: Toast on the Coast by Therese Bombardier
“This past winter I had the privilege of taking Joan Bruneau’s ceramic course, Art of the Table at NSCAD U. For our final project we had to create a set or service for 4-6 people and document it in situation. I decided to re-create the camper cup and build crates to carry the cups in. I asked three friends to choose a drink, a toast and come hangout with me on the beach. We had four rounds of toasts, one for each of us. It was a spectacular day for the beach & I had so much fun making this project! I’m so grateful to everyone who helped me with this project…big thanks to: Bethany Riordan-Butterworth, David Walsh, Brendan Anckaert, Joan Bruneau, my classmates, Doug Bamford, Ken Lamb, Scott MacInnis and Jim Cameron. Thanks for watching.” – Therese Bombardier
technical tuesday: How To Sharpen Ribbon-Trim-Sculpting Tools

“One of the most important things to know about your pottery tools is how to keep them sharp and at the ready. Dull tools produce poor results, while sharp tools can be the difference between an ordinary pot and a masterpiece!
If you’re anything like me, I forget how often I’ve used a particular tool, and don’t think to sharpen it until it is producing uneven and rough results. So how do you clean up the results? Simple, take your tools to a professional for sharpening, or learn how to sharpen them yourself.
In today’s post, we will go over a few ways to sharpen your pottery tools. Although we encourage you to give it a try… we don’t recommend trying this on your most expensive tools first, start with the cheapo’s in your toolbox. Here are a few things you can use to get started:
- Sandpaper (coarse and fine grit)
- Sandstone
- Files
- Bench grinder
- Belt sander
- Dremel tool or drill with a good Diamond Sharpening Burr”
Read the full article here.

















