The 7th Triennial Canadian Clay Symposium ~ R:evolution – tradition – technology

Saturday, March 18th, 2017
Shadbolt Centre for the Arts, Burnaby, BC

Where do you sit on the technological continuum in your ceramic
practice? Are you forging ahead, finding new and exciting ways to use
modern digital technologies in the creation or marketing of your work…
or hunkering down and finding ways to continue to explore your making in
traditional ways?
R:evolution – tradition – technology is a one
day ceramics symposium exploring the ways contemporary ceramic artists
interact with and employ new digital technologies; as a tool for making
work, in their artistic enquiry, or as a means to connect with peers and
their market. Attendees will also have the opportunity to investigate
the relevance and role of traditional methods in contemporary society.

The Canadian Clay Symposium will feature ten national and international
artists who have been invited to share their expertise with ceramic
arts students and professionals. Through numerous simultaneous
presentations of images, lectures, demonstrations, critiques, panel
discussions and a topical keynote address, the topics of presentation
cover theoretical topics, as well as practical techniques in areas such
as sculpture, hand-building, wheel-throwing, glaze and firing technology
and clay bodies.

Over the next months we will share through
this newsletter some information about each of the ten Symposium
presenters as well as report about other events and workshops that will
run in conjunction with the Symposium.

Currently Aaron Nelson is
the Associate Director at Medalta, a museum, residency, research and
education centre in Medicine Hat Alberta. In addition to his work as an
arts administrator, consultant and technical educator, Aaron also
maintains an active studio practice. Currently Aaron’s studio research
focuses on the intersection of digital technology and traditional
ceramic practice. He has lectured on this topic throughout Canada and
his research has been supported by the Canada Council for the Arts, The
Alberta Foundation of the Arts, and the National Research Council.

In his “Connectivity” project, Aaron’s handmade traditional tea cups,
platters, vases and porcelain chandeliers are connected, sometimes by
way of their decorative gold luster, with electrical and electronic
circuitry, telephones, iPods, generators, light bulbs and audio
speakers. The gilded decoration works as a simple circuit board – the
surfaces of the ceramics become energized with flowing electrons as they
transmit electrical current and data. Visitors are invited to ‘turn on’
and interact with the pieces physically or through their electronic
devices.

Learn more about Aaron and his work at these links:
www.aaronnelson.ca
• “The Big Idea” video http://www.aaronnelson.ca/video
• Colour changing chandelier video link: https://www.youtube.com/watch?v=dl9eHBEG-1M

Gwendolyn Yoppolo uses words, ceramic objects, and food to stretch
boundaries and transform perception. She creates sensuous kitchen- and
table-wares that use the physical experience of hunger and satiation to
allude to larger issues of human desire and relationship. Her visionary
designs challenge us to rethink the ways we nourish ourselves and others
within contemporary food culture. “The pieces I make are questions, and
they remain open-ended until fulfilled through use.”
Gwendolyn
earned an MFA in Ceramics from Penn State University, has been a
resident artist at the Penland School of Crafts, the Anderson Ranch Arts
Center, and the Archie Bray Foundation. Gwendolyn has taught at Ohio
University, The Ohio State University, and Juniata College, as well as
at art centers such as Arrowmont School of Crafts and Anderson Ranch
Arts Center. A passionate educator and thinker as well as a maker, her
writing can be found in Studio Potter, Pottery Making Illustrated, and
Passion and Pedagogy.

Learn more about Gwendolyn and her work at www.gwendolynyoppolo.com
Learn More!

For full symposium information, please visit http://www.canadianclaysymposium.com
• All participants must be pre-registered.
• Registration is now open. Early Bird Registration is $125 for Adults
or $110 for Seniors (plus GST) until January 15th, after that date
Registration will be $150 for Adults or $131.25 for Seniors (plus GST).
• Seniors Discount is only available through phone, in-person and mail-in registration,
on-line registration includes only the pricing option for regular Adult registration.
• All Fees include lunch.
• Register by mail (cheque payable to the City of Burnaby) or by phone to set up a new account: 604-291-6864.
• Those previously registered in Burnaby programs can access webreg online at: www.burnaby.ca/webreg

Virginia McClure Ceramic Biennale: Épisode

• Phoebe Cummings, Benjamin DeMott, Janet Macpherson, Meghan Smythe. Curator: Linda Swanson
 
Vernissage : Thursday, October 27, 2016 at 6 pm
Exhibition : October 28 to November 26
Artists and Curator Exchange: Friday, October 28 at 7 pm

Épisode is curated by invited artist/curator Linda Swanson.
The exhibition features four artists whose works speak not only to
excellence and innovation in ceramics, but to its relevance as a
discipline that allows for a specifically corporeal, embodied
articulation of contemporary human experience. Swanson’s choice of
artists — Phoebe Cummings (Stafford, UK), Benjamin DeMott (Chicago,
U.S.), Janet Macpherson (Toronto, Canada) and Meghan Smythe (Los
Angeles, U.S.) — has resulted in an inspiring, materially seductive
exhibition. Indeed, there is something collectively subversive about
their work – subversive in the sense of undermining staid narratives,
restrictive tropes, or assumptions about our perceived reality. Each
artist recognizes the historical heritage of ceramics, yet offers a
highly original and imaginatively provocative vision. Épisode is the second of five biennales taking place between 2014 and 2022.

Gallery Hours: Tuesday to Friday 12 pm to 6 pm; Saturday 12 pm to 5 pm
[email protected]
www.visualartscentre.ca/mcclure-gallery/exhibitions/current-exhibition/

“The Pretty Things Are Going to Hell” at Sculpture Space NYC Projects

Trevor King

 


October
22 – November 19, 2016
Opening
Reception: Saturday, October 22, 6 – 9 PM
Hours:
Saturday 12 – 6 PM and Wednesday 5 – 8 PM
Location:
47-21 35th Street, Long Island City, NY 11101
Sculpture Space NYC Projects is
pleased to present The Pretty Things Are
Going To Hell
, a group exhibition featuring recent sculptural ceramics by
five New York-based artists: Veronica Frenning, Trevor King, Toshiaki Noda,
Sang Joon Park, and Patrice Renee Washington. 
The
Pretty Things Are Going To Hell
honors the idea of a non-utilitarian,
non-traditional vision and experimental approach toward clay. The common
denominator of this show is that each artist in his or her own particular way
explore the simplicity and anomalies that arise from the process, and rethink
the aesthetic values, and ideals of beauty and perfection.
Veronica Frenning works
organically, shaping clay into found objects and presenting these finds as
specimens.  Frenning’s pieces blur the lines between traces of industry,
weathered manmade remnants and fragments of nature.
Trevor King’s Aluminum series
articulates the mysterious inner spaces of ceramic vessels. The works are made
in a series of steps that involve throwing a clay vessel and then using the
thrown pot as the vehicle to cast its own shape.   A wax form made of
the pot’s inside is then cast in aluminum, capturing evidence of throw lines,
or fingerprints made from pushing clay up as it spins on the wheel.  The
resulting objects appear as materials in flux – melting, pouring, drying, and
dissolving.
Toshiaki Noda’s works are
created on the wheel and altered so that the clay reveals its responses to the
gesture marks left by Noda’s hands. The exaggerated surfaces and entire shapes
are formed while manipulating the clay’s centrifugal force into Noda’s
aesthetic form.
Sang Joon Park has the
foundations of a trained traditional Korean potter.  Through the
repetition of throwing clay vessels, Sang Joon takes collectively thousands of
bowls and transforms them into sculptural towers. 
Patrice Renee Washington
creates relationships within the “realm of cultural space,” setting
up scenarios between objects that are seemingly functional whilst addressing
concepts of the “primitive and modes of convenience.”
Sculpture Space NYC is a
ceramics and sculpture center designed to foster creativity, concept and
collaboration. SSNYC’s intent is to be a resource for artists, providing space,
equipment, advanced education and opportunities for exhibitions and
residencies. New York City based artists Andrew Kennedy and Magda Dejose founded
SSNYC in 2014.
Patrice Renee Washington

Sang Joon Park

Toshiaki Noda

For more information, please contact
Sculpture Space NYC / Projects at 718-806-1709 or [email protected]

what’s been up lately….fusions, general hardware…craft ontario…make and do…a weekend of #canadianceramics

Hey Everyone,

I hope you can forgive the fact that a week went by without our usual emerging artist/monday morning eye candy and such posts. It’s been a crazy busy time around here lately. Rather then try to play catch up I thought I’d let you guys in on what’s been going on around here lately.

This past weekend I was in Toronto for the Fusion Clay and Glass Exhibition. Bringing together artists from across Canada it was a weekend filled with some of the great ceramic work that our fine country has to offer. I’m pleasantly exhausted and returned home feeling inspired and appreciative of those in our community that work tirelessly to bring events and artists together like this. Celebrating it’s 20th Anniversary this year the Fusion Clay and Glass Exhibition is known for the diversity and talent that it presents year after year. I highly encourage Clay and Glass artists from all over Canada to take note of this prestigious event and to reach out to the organizers to get involved for next year.

#canadianceramics Family picture at Fusion
   
such an incredible space at the Artscape Wychwood Barns

While in Toronto I always try to stop by and visit some of my favorite pieces at the Gardiner Museum.  Lovely to see some of Edmund DeWaal’s pieces there this time. And they also have a sweet exhibition on mapping the influence of Scandinavia Design in Canada highlighting both older as well as contemporary works by artists across the craft disciplines not just ceramics. If you have a mid-century chair obsession (as i do) then it’s a show worth catching.

Also took in the opening reception for Clint Neufeld’s new exhibition at General Hardware Contemporary and the opening of the new (incredible) Craft Ontario retail and exhibition space.  

I also had to steal a few minutes to run over to Harbourfront Centre to see the Lindsay Montgomery exhibition that was on in their vitrine gallery. She’s one of my favorite Canadian artists right now so I was pretty excited to get to see the work in person.

And fellow make and do ceramics member Shane Weaver gave us a tour of his latest project: dex(terity) lab. More on that very soon as he will be opening his doors to the public in November…very exciting to see such a beautiful ceramic work and retail space in Toronto. Every city needs one of these!

Okay….so that was just Toronto…

I’m also super excited to invite you to the Void Gallery exhibition of make and do ceramics which opens runs  from October 12th to November 6th. This is our first exhibition as a collective. A reception will be held Thursday, October 20th, from 7 to 9pm. Please stop by if you’re in the area or you can view/purchase work online as well. www.voidgallery.ca/makeanddo

 I’m sure I’m missing things I need to say… I especially want to thank all those that were involved with making this trip our to Toronto so amazing. It was the break from the routine and the inspiration I needed. xoxoxo carole